A German Pompadour. Hon. Marie Hay
victim of a lady of Ingolstadt, whose advances he refused, trembling lest his haughty Sarah should hear of it and give him a sound rating on his return to England. The anecdote was broad, to say the least, and sure it did not lose in the telling. 'A great captain, but sorely afraid of his lady!' finished Grävenitz with a loud laugh.
'It is the privilege of the truly brave to tremble before beauty and gentleness,' said Zollern sharply.
'The prerogative of fools to set them at naught,' he added in a low voice to Madame de Ruth. There was a pause. Grävenitz himself, who should have been uncomfortable, seemed to notice nothing, but the rest of the company felt the moment to be one of difficulty. Stafforth offered his arm to Wilhelmine and proposed a short stroll through the garden to the orchard; and the girl, glad to escape the spectacle of her brother's swaggering tactlessness, accepted, and they walked away together beneath the tender green of the beech-trees.
The orchard was an enchanted spot, such a marvel of blossom overhead, like rose-tinted foam, while under foot the grass was full of spring flowers, the cow-parsley sending up a delicious faint fragrance, mingled with the smell of the earth wet from the night's rain. Stafforth found a stack of orchard poles, and dragging from beneath the heap the dryest of them, he arranged a resting-place for Wilhelmine. They sat down, and he recounted stories of court life in general and of Stuttgart in particular. He portrayed the Duchess Johanna Elizabetha, a Princess of Baden-Durlach by birth. He told of her good qualities, but also of her dullness; of her eternal jealousy of her husband, Eberhard Ludwig, Duke of Wirtemberg; of how the Duke sought entertainment with other ladies, but that the reign of each was short-lived, for the Duke really had a faithful soul and returned to his excellent, wearisome spouse. How a Madame de Geyling was queen of the present hour; that she was a foolish woman with a bad temper, who offended the courtiers and rated the Duke; of how the court expected an imminent change of affection, but that no one could imagine who the new favourite would be. He told her that the Duke was a brilliant soldier, the friend and companion-in-arms of his Grace of Marlborough, a polished courtier too, the finest dancer of his day, and a very Phæton with horses. Withal a man of learning and refinement, a passionate lover of music, a dreamer and a child of Nature, who loved to wander alone in the beautiful Wirtemberg forests, and often in the summer would stay in the woods all night, sleeping upon the soft, brown carpet of last year's leaves. Stafforth spoke of the perpetual intrigues of the Romish priests to convert the Duke and gain the country back to the Catholic Church; he told her stories of the French invasion of Wirtemberg, and how it was feared that the French would return to the attack, and that therefore the Duke was occupied in Stuttgart gathering a new army, though he masked those preparations by a series of brilliant court gaieties. 'There is to be a magnificent feast in a few weeks' time at Stuttgart, theatricals, a banquet, a stag-hunt, and a grand ball. Will you honour my wife and me by accepting our hospitality for that time? Your brother has rooms in the quarters set apart for the Kammerjunkers; Madame de Ruth also has but a small apartment in the castle, not large enough to entertain a guest. But I have a house with ample accommodation, and it would give me much pleasure if you would come. Madame de Stafforth too,' he added as an afterthought.
Wilhelmine accepted. She felt that this was no sudden proposition but an organised scheme, probably of Madame de Ruth's.
'You must play a part in the theatricals, Mademoiselle. The rehearsals begin next week; will you come then?'
'Let us go and consult Madame de Ruth,' she replied, rising.
They rejoined the group round the table, and Stafforth made his proposal as though it were a new idea which had come to him. Madame de Ruth feigned surprise; Grävenitz played the part of the grateful brother; Zollern acclaimed the notion as excellent. Wherefore all this comedy? thought Wilhelmine, for she realised that her programme had been fixed by these schemers, and that this was merely the first act. She looked round: ah, yes, Reischach! he was the audience for this play-acting. He was intended to remain ignorant. Wilhelmine smiled; she was in the presence of three practised intriguers—Zollern, Madame de Ruth, Stafforth. She herself was to be a tool, as her brother already was. Well, let their scheme carry her as far as it could; afterwards, she promised herself to go onward aided by her own ingenuity alone, once she knew her ground. At present she was not sure at whom the plot was aimed, though she had a suspicion that it was the Duke himself whom she was designed to capture, in order to further some unknown plans of her three protectors. She did not count her brother; she recognised him as a mere pawn in the game.
'Mademoiselle to take part in the theatricals?' Madame de Ruth was saying; 'delightful! but which part? You must sing, my dear. Your brother says your voice is wonderful! Let us hear you now. Come, mes amis! music!' Reischach led the newcomer to the clavichord in the panelled room, and the company gathered near the garden-door to listen.
Wilhelmine ran her fingers over the keyboard. The instrument was old, and though the notes rang true, they were faint and jingly. A lesser artist might have endeavoured to amplify the chords, but Wilhelmine played her accompaniment in thin arpeggios, making the clavichord sound like a stringed instrument, and achieving a charming effect. She sang a gay little sixteenth-century song, such a one as perchance Chastelard may have sung to Marie of Scots in their happy days in France—a light melody, with a sudden change to the minor in the refrain, like a sigh following laughter. Wilhelmine's hearers, who had expected a beautiful, untrained voice from this provincial lady, listened in unfeigned surprise, and when the song was ended they crowded round her with expressions of delight.
'We have found a pearl!' declared Madame de Ruth. 'Stafforth, what is this play which they are going to act at Stuttgart? Who sings in it? Madame de Geyling?—of course! Well, and after?—no one? Well, then, Mademoiselle shall sing! Let it come as a surprise!'
Reischach approached.
'Monsieur de Reischach, I count you in our plot! We want our new friend to make a sensation in Stuttgart. We can rely on your discretion? Let her come as a surprise, I beg you! Remember that the lute of Orpheus itself could not have charmed the beasts had they been warned to expect too much.'
Reischach bowed. 'No word from me, Madame, to warn—the beasts!'
Madame de Ruth laughed. 'Do not apply my allegory literally,' she said.
The company broke up; the Duke of Zollern's coach was at the door. Also Monsieur de Stafforth took his leave, for he intended to ride to Stuttgart that evening.
As Zollern bade farewell to his hostess, she whispered, 'She will do admirably! she will go far.'
'Too far, perhaps, Madame,' he answered; 'too far for all our calculations, and for many people's comfort!'
CHAPTER V
THE PLAY-ACTING
At eight of the clock on the evening of 15th May 1706, the main street of Stuttgart was crowded with a stream of coaches and foot-passengers. The cries of the running footmen: 'Make way there for his Highness the Duke of Zollern!' 'Room for the high and nobly born Freifrau von Geyling!' 'Let pass the coach of the gracious Countess Gemmingen!' 'Ho, there! for the Witgenstein's coach!' mixed with the comments of the rabble of sightseers, and the retorts of the substantial burghers who were piloting their wives and daughters through the mob. All these wayfarers were bound for the great dancing-hall in the Lusthaus, whither they were bidden by Serenissimus, the magnificent Duke Eberhard Ludwig of Wirtemberg, who had commanded a brilliant ball as commencement of a series of festivities. There was to be a grand hunt in the Red Wood, and finally court theatricals in his Highness's own playhouse. The beautiful castle gardens were illuminated with a myriad coloured lamps in the trees; the rose-garden had become an enchanted bower, with little lanterns twinkling in each rose-bush, and the fountain in the centre was so lit up with varied lights that the spray assumed a thousand hues. Hidden bands of musicians played in the garden, and, in fact, it was