A Love Episode. Emile Zola
your husband, as I've been told, nearly twice your age?" asked Madame Deberle with an appearance of profound interest, while Mademoiselle Aurelie cocked her ears so as not to lose a syllable of the conversation.
"Oh, no!" replied Helene. "He was scarcely six years older."
Then she ventured to enter into the story of her marriage, telling in a few brief sentences how her husband had fallen deeply in love with her while she was living with her father, Monsieur Mouret, a hatter in the Rue des Petites-Maries, at Marseilles; how the Grandjean family, who were rich sugar-refiners, were bitterly opposed to the match, on account of her poverty. She spoke, too, of the ill-omened and secret wedding after the usual legal formalities, and of their hand-to-mouth existence, till the day an uncle on dying left them some ten thousand francs a year. It was then that Grandjean, within whom an intense hatred of Marseilles was growing, had decided on coming to Paris, to live there for good.
"And how old were you when you were married?" was Madame Deberle's next question.
"Seventeen."
"You must have been very beautiful."
The conversation suddenly ceased, for Helene had not seemed to hear the remark.
"Madame Manguelin!" announced the footman.
A young, retiring woman, evidently ill at ease, was ushered in. Madame Deberle scarcely rose. It was one of her dependents, who had called to thank her for some service performed. The visitor only remained for a few minutes, and left the room with a courtesy.
Madame Deberle then resumed the conversation, and spoke of Abbe Jouve, with whom both were acquainted. The Abbe was a meek officiating priest at Notre-Dame-de-Grace, the parish church of Passy; however, his charity was such that he was more beloved and more respectfully hearkened to than any other priest in the district.
"Oh, he has such pious eloquence!" exclaimed Madame Deberle, with a sanctimonious look.
"He has been very kind to us," said Helene. "My husband had formerly known him at Marseilles. The moment he heard of my misfortune he took charge of everything. To him we owe our settling in Passy."
"He has a brother, hasn't he?" questioned Juliette.
"Yes, a step-brother, for his mother married again. Monsieur Rambaud was also acquainted with my husband. He has started a large business in the Rue de Rambuteau, where he sells oils and other Southern produce. I believe he makes a large amount of money by it." And she added, with a laugh: "The Abbe and his brother make up my court."
Jeanne, sitting on the edge of her chair, and wearied to death, now cast an impatient look at her mother. Her long, delicate, lamb-like face wore a pained expression, as if she disliked all this conversation; and she appeared at times to sniff the heavy, oppressive odors floating in the room, while casting suspicious side-glances at the furniture, as though her own exquisite sensibility warned her of some undefined dangers. Finally, however, she turned a look of tyrannical worship on her mother.
Madame Deberle noticed the child's uneasiness.
"Here's a little girl," she said, "who feels tired at being serious, like a grown-up person. There are some picture-books on the table, dear; they will amuse you."
Jeanne took up an album, but her eyes strayed from it to glance imploringly at her mother. Helene, charmed by her hostess's excessive kindness, did not move; there was nothing of the fidget in her, and she would of her own accord remain seated for hours. However, as the servant announced three ladies in succession—Madame Berthier, Madame de Guiraud, and Madame Levasseur—she thought she ought to rise.
"Oh! pray stop," exclaimed Madame Deberle; "I must show you my son."
The semi-circle round the fireplace was increasing in size. The ladies were all gossiping at the same time. One of them declared that she was completely broken down, as for five days she had not gone to bed till four o'clock in the morning. Another indulged in a diatribe against wet nurses; she could no longer find one who was honest. Next the conversation fell on dressmakers. Madame Deberle affirmed no woman tailor could fit you properly; a man was requisite. Two of the ladies, however, were mumbling something under their breath, and, a silence intervening, two or three words became audible. Every one then broke into a laugh, while languidly waving their fans.
"Monsieur Malignon!" announced the servant.
A tall young man, dressed in good style, was ushered in. Some exclamations greeted him. Madame Deberle, not taking the trouble to rise, stretched out her hand and inquired: "Well! what of yesterday at the Vaudeville?"
"Vile!" was his reply.
"What! vile! She's marvellous when she clutches her bosom and throws back her head—"
"Stop! stop! The whole thing is loathsome in its realism."
And then quite a dispute commenced. It was easy to talk of realism, but the young man would have no realism at all.
"I would not have it in anything, you hear!" said he, raising his voice. "No, not in anything! it degrades art."
People would soon be seeing some fine things on the stage, indeed! Why didn't Noemi follow out her actions to their logical conclusion? And he illustrated his remark with a gesture which quite scandalized the ladies. Oh, how horrible! However, when Madame Deberle had declared that the actress produced a great effect, and Madame Levasseur had related how a lady had fainted in the balcony, everybody agreed that the affair was a great success; and with this the discussion stopped short.
The young man sat in an arm-chair, with his legs stretched out among the ladies' flowing skirts. He seemed to be quite at home in the doctor's house. He had mechanically plucked a flower from a vase, and was tearing it to pieces with his teeth. Madame Deberle interrupted him:
"Have you read that novel which—"
He did not allow her to finish, but replied, with a superior air, that he only read two novels in the year.
As for the exhibition of paintings at the Art Club, it was not worth troubling about; and then, every topic being exhausted, he rose and leaned over Juliette's little sofa, conversing with her in a low voice, while the other ladies continued chatting together in an animated manner.
At length: "Dear me! he's gone," exclaimed Madame Berthier turning round. "I met him only an hour ago in Madame Robinot's drawing-room."
"Yes, and he is now going to visit Madame Lecomte," said Madame Deberle. "He goes about more than any other man in Paris." She turned to Helene, who had been following the scene, and added: "A very distinguished young fellow he is, and we like him very much. He has some interest in a stockbroking business; he's very rich besides, and well posted in everything."
The other ladies, however, were now going off.
"Good-bye, dear madame. I rely upon you for Wednesday."
"Yes, to be sure; Wednesday."
"Oh, by the way, will you be at that evening party? One doesn't know whom one may meet. If you go, I'll go."
"Ah, well! I'll go, I promise you. Give my best regards to Monsieur de Guiraud."
When Madame Deberle returned she found Helene standing in the middle of the drawing-room. Jeanne had drawn close to her mother, whose hands she firmly grasped; and thus clinging to her caressingly and almost convulsively, she was drawing her little by little towards the doorway.
"Ah, I was forgetting!" exclaimed the lady of the house; and ringing the bell for the servant, she said to him: "Pierre, tell Miss Smithson to bring Lucien here."
During the short interval of waiting that ensued the door was again opened, but this time in a familiar fashion and without any formal announcement. A good-looking girl of some sixteen years of age entered in company with an old man, short of stature but with a rubicund, chubby face.
"Good-day, sister," was the girl's greeting, as she kissed Madame Deberle.
"Good-day, Pauline! good-day, father!" replied