A History of Sumer and Akkad. L. W. King

A History of Sumer and Akkad - L. W. King


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and cheeks are shaved a long beard falls from below his chin.[45] He is girt around the waist with a plain garment, which is not of the later Semitic type, but the treatment of the hair and beard is obviously not Sumerian. The same bearded type of god is found upon early votive tablets from Nippur,[46] and also on a fragment of an archaic Sumerian relief from Tello, which, from the rudimentary character of the work and the style of the composition, has been regarded as the most ancient example of Sumerian sculpture known. The contours of the figures are vaguely indicated in low relief upon a flat plaque, and the interior details are indicated only by the point. The scene is evidently of a mythological character, for the seated figure may be recognized as a goddess by the horned crown she wears. Beside her stands a god who turns to smite a bound captive with a heavy club or mace. While the captive has the shaven head and face of a Sumerian, the god has abundant hair and a long beard.[47]

      Fig. 14.—Fig. 15. Votive tablets from Nippur, engraved with scenes of worship.—Cf. Hilprecht, Explorations, p. 475, and Old Bab. Inscr., II., pl. xvi.

      Fig. 16—Sumerian deities on an archaic relief from Tello.—Déc., pl. 1, Fig. 1.

      Fig. 17—Fig. 18—Fig. 19—Earlier and later forms of divine headdresses. Figs. 17 and 18 are from the obverse of the Stele of the Vultures, fragments C and B; Fig. 19, the later form of horned headdress, is from a sculpture of Gudea.—Déc., pl. 4, and pl. 26, No. 9.

      FRAGMENT OF SUMERIAN SCULPTURE REPRESENTING SCENES OF WORSHIP BEFORE THE GODS.—In the Louvre; Déc. en Chald., pl. 23.


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