The Essential Poetry of Frank O'Hara. Frank O'Hara

The Essential Poetry of Frank O'Hara - Frank O'Hara


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to insist.

      Leaf! don't ne neurotic

       like the small chameleon

      Aus einem April

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      We dust the walls.

       And of course we are weeping larks

       falling all over the heavens with our shoulders clasped

       in someone's armpits, so tightly! and our throats are full.

       Haven't you ever fallen down at Christmas

       and didn't it move everyone who saw you?

       isn't that what the tree means? the pure pleasure

       of making weep those whom you cannot move by your flaights!

       It's enough to drive one to suicide.

       And the rooftops are falling apart like the applause

      of rough, long-nailed, intimate, roughened-by-kiss, hands.

       Fingers more breathless than a tongue laid upon the lips

       in the hour of sunlight, early morning, before the mist rolls

       in from the sea; and out there everything is turbulent and green.

      River

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      Whole days would go by, and later their years,

       while I thought of nothing but its darkness

       drfting like a bridge against the sky.

       Day after day I dreamly sought its melancholy,

       its searchings, its soft banks enfolded me,

       and upon my lenghtening neck its kiss

       was murmuring like a wound. My very life

       became the inhalation of its weedy ponderings

       and sometimes in the sunlight my eyes,

       walled in water, would glimpse the pathway

       to the great sea. For it was there I was being borne.

       Then for a moment my strenghtening arms

       would cry out upon the leafy crest of the air

       like whitecaps, and lightning, swift as pain,

       would go through me on its way to the forest,

       and I'd sink back upon that brutal tenderness

       that bore me on, that held me like a slave

       in its liquid distances of eyes, and one day,

       though weeping for my caresses, would abandon me,

       moment of infinitely salty air! sun fluttering

       like a signal upon the open flesh of the world.

      Poem: "There I could never be a boy"

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       to James Schuyler

      There I could never be a boy,

       though I rode like a god when the horse reared.

       At a cry from mother I fell to my knees!

       there I fell, clumsy and sick and good,

       though I bloomed on the back of a frightened black mare

       who had leaped windily at the start of a leaf

       and she never threw me.

      I had a quick heart

       and my thighs clutched her back

       I loved her fright, which was against me

       into the air! and diamond white of her forelock

       which seemed to smart with thoughts as my heart smarted

       with life

       and she'd toss her head with the pain

       and paw the air and champ the bit, as if I were Endymion

       and she, moon-like, hated to love me

      All thing are tragic

       when a mother watches!

       and she wishes upon herself

       the random fears of a scarlet soul, as it breathes in and out

       and nothing chokes, or breaks from triumph to triumph!

      I knew her but I could not be a boy,

       for in the billowing air I was fleet and green

       riding blackly through the ethereal night

       towards men's words which I gracefully understood,

      and it was given to me

       as the soul is given the hands

       to hold the ribbons of life1

       as miles streak by beneath the moon's sharp hooves

       and I have mastered the speed and strenght which is the

       armor of the world

      On Rachmaninoff's Birthday

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      Blue windows, blue rooftops

       and the blue light of the rain,

       these contiguous phrases of Rachmaninoff

       poring into my enormous ears

       and the tears falling into my blindness

      for without him I do not play,

       especially in the afternoon

       on the day of his birthday. Good

       fartune, you would have been

       my teacher and I your only pupil

      and I would always play again.

       Secrets of Liszt and Scriabin

       whispered to me over the keyboard

       on unsunny afternoons! and growing

       still in my stormy heart.

      Only my eyes would be blues as I played

       and you rapped my knuckles,

       dearest father of all the Russias,

       placing my fingers

       tenderly upon your cold, tired eyes.

      The Hunter

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      He set out and kept hunting

       and hunting. Where, he thought

       and thought, is the real chamois?

       and can I kill it where it is?

       He had brought with him only a dish

       of pears. The autumn wind soared

       above the trails where the drops

       of the chamois led him further.

       The leaves dropped around him

       like pie-plates. The stars fell

       one by one into his eyes and burnt

      There is a geography which


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