Addie's Husband; or, Through clouds to sunshine. Mrs. Gordon Smythies
there; don't, auntie dear. Heaven will help us, you'll see!"
"Every cloud has a silver lining, every thorn-bush a blossom."
"Something is sure to turn up, never fear."
"And we shouldn't mind a bit if you wouldn't take on so and fret so dreadfully."
"Don't heed our grumblings; they're only noise. We'd just as soon have rabbit as anything else—wouldn't you, boys, wouldn't you? There, auntie, you hear them. Boys must grumble at something; it wouldn't be natural if they didn't."
"Oh, auntie, auntie, can't you believe us? We're quite, quite happy as we are. As long as we are all together, as long as we have the dear old place to live in, what does anything else matter? We're quite happy. We never want to change or go away, or wear grand clothes, talk French, or thump the piano like other common people. We don't—we don't indeed! If you would only leave off fretting, we'd leave off grumbling, and be all as happy as the day is long."
Somewhat cheered by this unanimous appeal, Miss Darcy wipes her eyes, though still protesting.
"I know that, I know that; as long as you're allowed to wander at your own sweet will, lie on haystacks, rifle birds' nests, strip the apple and cherry trees, hunt rats and rabbits, and, above all, do no lessons, and make no attempt to improve your minds in any way, you will be happy. But the question is, How long will these doubtful means of happiness be left to you? Acre after acre, farm after farm, has slipped from the family within the last thirty years. You have now but nominal possession of the house, garden, orchard, and part of the grove—only nominal possession, remember, for the place is mortgaged to the last farthing; the very pictures on the wall, the chairs you sit on, the china in the pantry, are all security for borrowed money. And—and, children"—impressively—"it is best for you to know the worst. If—if your—your father should cease to pay the interest on this money, why, his creditors could seize on this place and turn you out homeless on the roadside at an hour's notice!"
There is a deep silence; then comes a protesting outburst. Robert's dark face flushes wrathfully as he exclaims—
"But—but, Aunt Jo, he—he will—he must pay the interest, and give me a chance of reclaiming my birthright. He—he couldn't be so—so bad as to let that lapse under the circumstances."
"Circumstances may be too strong for him."
"In any case," says Pauline hopefully, "the creditors couldn't be so heartless, so devoid of all feelings of humanity as to turn us out like that; they must wait until some of us are dead, or married, or something. Where could we go?"
"Your father's creditors are Jews, Pauline; they are not famed for humanity or forbearance. However, as you say, children, it is best to look at the bright side of things, and trust in the mercy of Heaven."
"And in the mercy of a Jew too!" chimes in Addie.
"'Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions—fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same summer and winter, as a Christian is? If you prick him, does he not bleed? If you tickle him, does he not laugh? If you poison him, does he not—'"
"Bravo, Addie—bravo; well done!"
"That was tall spouting, and no mistake! Where did you pick it all up?"
"That's Shakespeare," Addie answers, lifting her rosy pale face proudly—"it is from the 'Merchant of Venice;' I read the whole play through yesterday, and enjoyed it greatly."
"You imagined you did, my dear."
"Nothing of the kind, Robert; I found it most interesting."
"Don't tell me, Addie," says Pauline, with a tantalizing laugh, "that you found it as interesting as 'The Children of the Abbey,' 'The Castle of Otranto,' or 'The Heir of Redcliffe,' for I won't believe you."
"The styles are quite distinct; you could not possibly compare them," Addie retorts more grandly still. "I am going up to the grove now to read 'A Midsummer Night's Dream.' I believe it's beautiful."
"Don't you think, my dear niece, you had better mend that hole in your stocking, just above the heel, first?" interposes Miss Darcy gently. "It has been in that yawning condition for the last two days; and, to say the least of it, it scarcely looks ladylike."
"I noticed it when I was dressing," assents Addie, placidly, "but quite forgot about it afterward. Who'll lend me a thimble and a needle and some cotton?"
CHAPTER II.
"Three hundred years, isn't it, Addie, since the Lefroys first settled at Nutsgrove?"
"Three hundred years," repeats Addie automatically. "Since the year of the Massacre of St. Bartholomew, A.D., 1572, when Tristran le Froi, Sieur de Beaulieu, fled from his patrimonial estates in Anjou to England, where he settled at Nutsgrove, and married, in 1574, Adelaide Marion, daughter and heiress of Sir Robert Tisdale of Flockton, by whom he had issue, three sons and two daughters—Stephen, Robert, Tristran, who—"
"Three hundred years!" repeats Robert, with fierce bitterness, a lurid light gleaming in his eyes. "What right had he to treat me like that? He got it from his father, who got it from his, and so on backward from son to father for generations. Why should I be made to suffer for his iniquity? Why should I lose what he inherited in solemn trust for his son or next of kin? It is infamous, it is monstrous! I suppose it would be wrong to wish that one's own father—"
"Oh, hush, Robert—hush!"
Addie's hand is placed over the boy's quivering mouth; he is silenced.
Eight months have gone by, and the great evil foreseen by poor Aunt Jo has come to pass.
Colonel Lefroy, out of reach of remonstrance or appeal, has let the old home of his forefathers pass out of his hands and his son's forever. The Jews have seized on the estate, evicted its nominal possessors, sold by public auction the goods and chattels, the pictures, china, plate, moldy tapestries, tattered carpets, curtains, scratched and time stained Chippendale; even the worthless relics of their nursery-days the homeless wretched children have not been allowed to take with them. The house and immediately surrounding land, after some brisk competition, has been purchased by Tom Armstrong, the great manufacturer, owner of some half-dozen of the most unsavory chimneys in Kelvick, which at times, when the wind is blowing due south, carry their noxious effluvia over the dewy acres of Nutsgrove and the surrounding estates, and most unpleasantly tickle the noses of aristocratic county proprietors, who have nothing in common with the busy plebeian heart of commerce and inventive industry throbbing in the very center of their pastures.
And now Tom Armstrong of Kelvick, a man of the people, who has risen from the lowest rung of the social ladder, is master of Nutsgrove. And the dark-eyed, blue-blooded Lefroys stand, some two months after his installation, leaning against a five-barred gate in an upland meadow, gazing mournfully, and, oh! how bitterly down on the beloved home they have lost forever!
"Three hundred years," repeats Robert, with a dreary laugh. "Well, at any rate, it will take some time to wash the stains of our tenancy out of the old house, to remove all traces of our footsteps from the well-worn paths! By Jove, the wretched snob is at work already! Yes, look at his people hacking away at the flower-beds, ripping up the avenue, hammering away at the venerable walls! It's—it's enough to make one's blood boil in one's veins! He might at least have had the decency to wait until we had gone. I'd like to kick him from here to Kelvick."
"I don't think he'd let you, Bob," says matter-of-fact Hal. "He's a bigger man than you."
"Yes, but a plowman can't fight a gentleman; they're out of it in the first round. Look at the way I polished off the butcher's boy the day he insulted you—and he's twice my weight. I shouldn't be afraid to tackle Armstrong if I only had the chance,