The story of Coventry. Mary Dormer Harris

The story of Coventry - Mary Dormer Harris


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in towns is a matter of much debate. How early the few in Coventry engrossed the governing power of which the whole community was—in theory at least—the source, it is impossible in our present state of knowledge to determine. We have testimony as early as 1450 of the great influence of the leading crafts, mercers, and drapers. The evidence—though not always so clear as we could wish—points to a gradual absorption of the conduct of affairs during the fifteenth and sixteenth centuries by a small official class. In the end this clique succeeded so effectually in freeing itself from every device framed to ensure some regard for the popular will, that the charter of 1621 vested all power—and incidentally considerable official emolument—in a close select body "entirely independent of the rest of the community."[136] How early the citizens became aware of the trend of affairs we know not, but it is, maybe, significant that that popular discontent began to manifest itself within a generation after the incorporation of the city. In the late fourteenth and early fifteenth centuries the commonalty set order at defiance, reviled the mayor in the guild hall, and sought occasion to break out in riot and tumult, while under the veil of religious societies, industrial combinations—akin to the modern strike—formed again and again, and were with difficulty suppressed.

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      COURTYARD, ST MARY'S HALL, COVENTRY

      The origin of societies known as guilds is involved in controversy, but they were common throughout all Europe in the Middle Ages, bearing eloquent testimony to the fortifying power of combination. They afforded mutual protection to their members, frequently making good any loss sustained from an insurance fund to which all were contributory, and devoting other portions of their revenues to feasts, almsgiving, and public works. Guilds are best remembered, however, in the twelfth and thirteenth centuries, as monopolist organisations, and a third of all the towns in England, with the possible exception of London, had their merchant guild, or body of traders and handicraftsmen, engrossing the local commerce to the exclusion of all men without their ranks. The craft guild was a century behind the merchant guild in its rise and development. Its members met together to make rules, by which all who practised a particular calling in the locality were to be directed in all affairs connected with their trade or handicraft. They devoted some of their revenue to religious uses, the members frequently supporting some church or chapel, or providing candles for altar or processional lights. Other local guilds not definitely commercial, but rather social, in character, often called after some saint, were active in the performance of all good works; they clad the poor in their livery, supported churches, colleges of priests and grammar schools, and pensioned decayed and deserving members. At Coventry, in the later fourteenth and earlier fifteenth centuries, guilds rose rapidly, and as rapidly coalesced, or, in the case of those "yeomen" or journeymen fraternities, which served to focus the prevailing industrial discontent, failed to maintain themselves in face of the hostility of other powerful previously existing associations. Two fraternities survived to play a great part in the city's mediæval history, the Corpus Christi guild, founded in 1348, and the better-known society of the Holy Trinity, S. Mary, S. John the Baptist, and S. Catherine, properly a fusion of four different fraternities, founded between 1340 and 1364, and known for brevity's sake as the Trinity guild.

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      MINSTREL GALLERY ST MARY'S HALL

      


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