A Little World. George Manville Fenn
voice, sobbing tremendously, as if her fluttering heart would break—her handkerchief being vainly used to silence the emotion.
Poor Mrs. Jared was quite disconcerted by her child’s reproachful looks when she told her that it might be but a passing fancy, that their position was so different, that years and distance generally wrought changes, and she must learn to govern her heart.
Just as if it were possible that such a man as Harry Clayton—so bold, so frank, so handsome, so—so—so—so—everything—could ever alter in the least. So Patty cried and then laughed, and said she was foolish, and then cried again, and behaved in a very extravagant way, hoping that Harry would write and tell her, if only just once more, that he loved her.
But Harry did not write, for he was a man of honour, and he had promised that he would not until he had permission; while Jared, thinking all this over again and again in his musing moods when sitting before his reflector, felt convinced that he had acted justly, and time alone must show what the young people’s future was to be.
The breach remained wider than ever between the brothers; for Richard Pellet said grandly to his wife—standing the while with his back to the fire, and chinking sovereigns in his pockets—that it was quite impossible to do anything for people who were such fools, and so blind to their own interests; and Mrs. Richard, who was on the whole a good-natured woman, but had not room in her brain for more than one idea at a time, thought her new relatives very dreadful people, for they had driven her poor boy away a month or two sooner than he would have gone, though in that respect Richard did not show much sympathy, since he was rather glad to be rid of his stepson.
Volume One—Chapter Eight.
Little Pine and her Teacher.
Carnaby Street, Golden Square, where the private doors have their jambs ornamented with series of bell-pulls like the stops of an organ, and the knockers seem intended to form handles that shall lift up and display rows of keys; but generally speaking, the doors stand open, and the sills bear a row of as many children as can squeeze themselves in. The population is dense and the odours are many, but the prevailing smell is that described by a celebrated character as of warm flat-irons, the ear corroborating nose and palate, for an occasional chink hints that the iron—not a flat one—has been placed upon its stand, while the heavy dull thump, thump, tells that some garment is being pressed. For this is one of the strongholds of the London tailors, and the chances are that the cloth cut upon the counter of Poole has been built into shape in Carnaby Street.
It was in the first floor back, and in two small rooms, that Tim Ruggles—always Tim, though christened Timothy—a steady-going, hard—working, Dutch clock kind of man, carried on the trade popular in the district, with his family of a wife and a little girl. He considered the two rooms ample—the larger serving for parlour, kitchen, workshop, and bedroom for little Pine, the other being devoted exclusively to sleeping purposes.
But you might have entered Tim’s room a score of times without detecting little Pine’s bed, which was an ingeniously contrived affair like a cupboard, that doubled up and doubled down, and creaked and groaned and sprawled about when in use, and had a bad habit of bursting open its doors when closed, and coming down when least expected in the shape of a bedding avalanche. But these accidents only occurred when Mrs. Ruggles had ventured upon the doubling up of that piece of furniture, for Tim was the only person who thoroughly understood its idiosyncrasies, and possessed the skill and ingenuity to master its obtrusiveness. In effect, the first thing to be done was to make the bed, which Tim did regularly; then when all was well tucked in, to double back clothes and mattress, and with one rapid acrobatic evolution, performed in all its intricacies without a moment’s hesitation, to kick its legs from beneath it as you seized it at the foot, force your knee vigorously into its stomach, and then, as it folded, to drive all before you back into a state of collapse, banging to and bolting the doors in its face before it had time to recover; for if you were not rapid in your motions, down you went with the recoil, to be pinned to the floor by an incubus of wood and sacking. But, manage the matter as did Tim Ruggles, taking care that no corners of sheet, blanket, or quilt stood out between cracks, and to all appearance that bed might have been a secretary.
Tim was not a large man, either in person or ways; in fact, cross-legged upon his board, he often seemed half lost in the garment he was making. Dry he was, and shrunken, as if overbaked—a waster, in fact, from Nature’s pottery. The effect of the shrinking was most visible in his face, whose skin seemed not to fit, but fell into pucker, crease, and fold, above which shone, clear, white, and firm, his bald forehead and crown, fringing which, and standing out on either side, was a quantity of grizzled, frizzly, tufty hair, imparting a fierce look that was perfectly unreal.
Tim had just fetched his hot iron from the fire, and gone back to press off the garment he was completing; he had run his finger along the bars of a canary cage, and had it pecked by the bird within; gazed at the eternal prospect of back windows, cisterns, and drying clothes; sighed, wiped his nose upon a piece of cloth kept for the purpose, and then sat, sleeve-board in one hand, sponge in the other, the image of despair, as smothered cries, the pattering of blows, and half-heard appeals, as of one who dared not cry out, fell upon his ear.
As Tim Ruggles sat over his work with a shudder running through his frame, there rang out, at last, in thrilling tones—
“Oh! oh! oh! please not this time—not this time. Oh! don’t beat me.” Now louder, now half smothered, till Tim twisted, and shuffled, and writhed as if the blows so plainly to be heard were falling upon his own shoulders; each stroke making him wince more sharply, while his face grew so puckered and lined as to be hardly recognisable.
“I can’t stand it,” he groaned at last; and then he gave a start, for he had inadvertently placed his hand upon his hot iron.
Then came again the anguished appeal for pardon, accompanied by cry after cry that seemed to have burst forth in spite of the utterer’s efforts to crush them down, till Tim, as he listened to the wailing voice, the whistling of stick or cane, and the dull thud of falling blows, seemed to shrink into himself as he turned his back to the sounds, stopped his ears with his finger and a wet sponge, and then sat crouched together regardless of trickling water making its way within his shirt-collar.
At last the cries ceased, and the silence was only broken by an occasional suppressed sob; but Tim moved not, though the door opened, and from the inner room came a tall, hard, angular woman, rigid as the old whalebone umbrella rib she held in one hand, leading, or rather dragging in a child with the other. She was a woman of about forty, such as in a higher class of life would have been gifted with a mission, and let people know of the fact. As it was, she was but a tailor’s wife with a stiff neck: not the stiff neck of a cold which calls for hartshorn, friction, and flannel, but a natural rigidity which caused her to come round as upon a pivot when turning to address a speaker, at a time when with other people a movement of the head would have sufficed.
“Tim!” she cried, as she stepped into the room, opening and closing her cruel-looking mouth with a snap.
Tim heard the meaning cry, and, starting quickly, the next moment he was busily at work as if nothing had happened.
Mrs. Ruggles said no more, but proceeded to place her whalebone rod upon a perch over the fire-place. Her back was turned while doing this, a fact of which Tim took advantage to kiss his hand to the cowering child, when, save at distant intervals, she ceased to sob.
“I don’t think you need beat poor Pine so,” said Tim at last, in a hesitating way, “What was it for?”
“Come here,” shouted Mrs. Ruggles to the child; “what did I whip you for?”
With the cowering aspect of a beaten dog, the child came slowly forward into the light: sharp-featured, tangled of hair, red-eyed, cheek-soiled with weeping. Tim Ruggles winced again as he looked upon her thin bare arms and shoulders, lined by the livid weals