The Tree of Heaven. Sinclair May
because they had both decided that they would have that house whatever happened, they began to argue and to tease each other. Anthony had said it was all right, only the tree of Heaven wasn't a tree of Heaven; it was a common ash. He was one of the biggest timber merchants in the country and he ought to know. Frances said she mightn't know much, but she did know that was the kind of tree the people down in her part of the country called a tree of Heaven. Anthony said he couldn't help that. It didn't matter what they called it. It was a common ash.
Then she told him he had no poetry in his composition. She had always dreamed of having a tree of Heaven in her garden; and he was destroying her dream. He replied that he didn't want to destroy her dream, but the tree really was an ash. You could tell by the bark, and by the leaves and by the number and the shape of the leaflets. And anyhow, that was the first he'd heard about her dream.
"You don't know," said Frances, "what goes on inside me."
She said that if any of the children developed an imagination he needn't think he had anything to do with it.
"I shan't," said Anthony. "I wouldn't have anything to do with it if I could. Facts are good enough for me. The children must be brought up to realize facts."
An ash-tree was a fact and a tree of Heaven was a fancy; unless by any chance she meant ailanthus glandulosa. (He knew she didn't.) If she wanted to know, the buds of the ash were black like ebony. The buds of the tree of Heaven were rose-red, like--like bad mahogany. Wait till the spring and look at the buds.
Frances waited till the spring and looked at the buds, and, sure enough, they were black like ebony.
Anthony also said that if they were choosing a house for the children, it was no earthly use to think about the old people. For the old people would go and the children would remain.
As if to show how right he was, Grandpapa had died early in that summer of 'ninety-five, one month after they had moved into West End House. That still left Grannie and Auntie Louie and Auntie Emmeline and Auntie Edie for Anthony to look after.
She was thinking of them now. She hoped that they would come early in time to see the children. She also hoped that they would go early, so that she and Anthony might have their three sets of tennis before dinner in peace.
There would be no peace if Louie and Edie wanted to play too. The one thing that Anthony could not stand was people wanting to do things they couldn't do, and spoiling them for those who could. He used to say that the sight of Louie anywhere near the tennis court put him off his stroke.
Again, the faint illusion of worry was created by the thought that this dreadful thing might happen, that Louie and Edie might want to play and that Anthony would be put off his stroke and be annoyed, and that his annoyance, his just and legitimate annoyance, would spoil the perfection of the afternoon. And as she played with the illusion it made more real her tranquillity, her incredible content.
Her hands were busy now putting decorative stitches into a frock for John. She had pushed aside a novel by George Moore and a volume of Ibsen's plays. She disliked Ibsen and disapproved of George Moore. Her firm, tight little character defended itself against every form of intellectual disturbance. A copy of the Times had fallen from her lap to her feet. Jane, the cat, had found it there, and, purring loudly, had trodden it down into a bed, and now lay on it, asleep. Frances had informed herself of the affairs of the nation.
At the bottom of her mind was the conviction (profound, because unconscious) that the affairs of the nation were not to be compared for interest with her own affairs, and an attitude of condescension, as if she honoured the Times by reading it and the nation by informing herself of its affairs; also the very distinct impression that evening papers were more attractive than morning papers. She would have admitted that they owed their attraction to the circumstance that Anthony brought them home with him in his pocket, and that in the evening she was not obliged to inform herself of what might be happening. Anthony was certain to inform her.
Not that anything ever did happen. Except strikes; and even then, no sooner did the features of the strike begin to get dramatic than they were instantly submerged in the flood of conversation that was let loose over them. Mrs. Anthony pitied the poor editors and reporters while Parliament was sitting. She saw them as rather silly, violent and desperate men, yet pathetic in their silliness, violence and desperation, snatching at divorces, and breach of promise cases, and fires in paraffin shops, as drowning men snatch at straws.
Her imagination refused to picture any end to this state of things. There would just be more speeches and more strikes, and still more speeches, going on for ever and ever at home; while foreign affairs and the British Empire went on for ever and ever too, with no connection between the two lines of sequence, and no likeness, except that both somehow went on and on.
That was Anthony's view of England's parliament and of her imperial policy; and it was Mrs. Anthony's. Politics, Anthony said, had become static; and he assured Frances that there was no likelihood that they would ever become dynamic again--ever.
Anthony's view of politics was Mrs. Anthony's view of life.
Nothing ever really happened. Things did not change; they endured; they went on. At least everything that really mattered endured and went on. So that everything that really mattered could--if you were given to looking forward--be foreseen. A strike--a really bad one--might conceivably affect Anthony's business, for a time; but not all the strikes in the world, not all the silly speeches, not all the meddling and muddling of politicians could ever touch one of those enduring things.
Frances believed in permanence because, in secret, she abhorred the thought of change. And she abhorred the thought of change because, at thirty-three, she had got all the things she wanted. But only for the last ten years out of the thirty-three. Before that (before she was Mrs. Anthony), wanting things, letting it be known that you wanted them, had meant not getting them. So that it was incredible how she had contrived to get them all. She had not yet left off being surprised at her own happiness. It was not like things you take for granted and are not aware of. Frances was profoundly aware of it. Her happiness was a solid, tangible thing. She knew where it resided, and what it was made of, and what terms she held it on. It depended on her; on her truth, her love, her loyalty; it was of the nature of a trust. But there was no illusion about it. It was the reality.
She denied that she was arrogant, for she had not taken one of them for granted, not even Dorothy; though a little arrogance might have been excusable in a woman who had borne three sons and only one daughter before she was thirty-two. Whereas Grannie's achievement had been four daughters, four superfluous women, of whom Anthony had married one and supported three.
To be sure there was Maurice. But he was worse than superfluous, considering that most of the time Anthony was supporting Maurice, too.
She had only known one serious anxiety--lest her flesh and blood should harbour any of the blood and flesh left over after Morrie was made. She had married Anthony to drive out Morrie from the bodies and souls of her children. She meant that, through her and Anthony, Morrie should go, and Dorothea, Michael, Nicholas and John should remain.
As Frances looked at the four children, her mouth tightened itself so as to undo the ruinous adoration of her eyes. She loved their slender bodies, their pure, candid faces, their thick, straight hair that parted solidly from the brush, clean-cut and shining like sheets of polished metal, brown for Dorothy, black-brown for Nicholas, red gold for Michael and white gold for John. She was glad that they were all made like that; slender and clear and hard, and that their very hair was a thing of clean surfaces and definite edges. She disliked the blurred outlines of fatness and fuzziness and fluffiness. The bright solidity of their forms helped her to her adored illusion, the illusion of their childhood as going on, lasting for ever and ever.
They would be the nicest looking children at Mrs. Jervis's party. They would stand out solid from the fluffiness and fuzziness and fatness of the others. She saw people looking at them. She heard them saying: "Who are the two little boys in brown linen?"--"They are Michael and Nicholas Harrison." The Funny Man came and said: "Hello! I didn't expect to see you here!" It