A Life of William Shakespeare with portraits and facsimiles. Sir Sidney Lee

A Life of William Shakespeare with portraits and facsimiles - Sir Sidney Lee


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       Patrons habitually addressed in affectionate terms.

       Direct references to Southampton in the sonnets of friendship.

       His youthfulness.

       The evidence of portraits.

       Sonnet cvii. the last of the series.

       Allusion to Elizabeth’s death.

       Allusions to Southampton’s release from prison.

       X—THE SUPPOSED STORY OF INTRIGUE IN THE SONNETS

       The youth’s relations with the poet’s mistress.

       ‘Willobie his Avisa.’

       Summary of conclusions respecting the sonnets.

       XI—THE DEVELOPMENT OF DRAMATIC POWER

       ‘Midsummer Night’s Dream.’

       ‘All’s Well.’

       ‘Taming of the Shrew.’

       Stratford allusions in the Induction.

       Wincot.

       ‘Henry IV.’

       Falstaff.

       ‘Merry Wives of Windsor.’

       ‘Henry V.’

       Essex and the rebellion of 1601.

       Shakespeare’s popularity and influence.

       The Mermaid meetings.

       Mere’s eulogy, 1598.

       Value of his name to publishers.

       ‘The Passionate Pilgrim.’

       ‘The Phœnix and the Turtle.’

       XII—THE PRACTICAL AFFAIRS OF LIFE

       Shakespeare’s practical temperament.

       His father’s difficulties.

       His wife’s debt.

       The coat-of-arms.

       Purchase of New Place.

       Appeals for aid from his fellow-townsmen.

       Financial position before 1599.

       Financial position after 1599.

       Later income.

       Incomes of fellow-actors.

       Formation of the estate at Stratford 1601-10.

       The Stratford tithes.

       Recovery of small debts.

       XIII—MATURITY OF GENIUS

       Literary work in 1599.

       ‘Much Ado.’

       ‘As You Like It.’

       ‘Twelfth Night.’

       ‘Julius Cæsar,’ 1601.

       The strife between adult and boy actors.

       Shakespeare’s references to the struggle.

       Jonson’s ‘Poetaster.’

       Shakespeare’s alleged partisanship.

       ‘Hamlet,’ 1602.

       The problem of its publication.

       The First Quarto, 1603.

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