Happy England. Marcus B. Huish
Clara Montalba went to Venice and painted it under aspects which were entirely different from those of her predecessors, such as James Holland; and she again has practically held the field ever since as regards that particular phase of atmospheric effect which has attracted attention to her achievement. The kind of work and the subjects taken up by Mrs. Allingham will be dealt with at greater length hereafter, but I may premise by saying that she, too, ultimately settled into methods that are entirely her own, and such as no one can accuse her of having derived from anybody else.
The following illustrations find a place in this chapter:—
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