Poems. William Ernest Henley
quiet, soft in speech and touch …
‘Do you like nursing?’ ‘Yes, Sir, very much.’
Somehow, I rather think she has a history.
X
STAFF-NURSE: NEW STYLE
Blue-eyed and bright of face but waning fast
Into the sere of virginal decay,
I view her as she enters, day by day,
As a sweet sunset almost overpast.
Kindly and calm, patrician to the last,
Superbly falls her gown of sober gray,
And on her chignon’s elegant array
The plainest cap is somehow touched with caste.
She talks Beethoven; frowns disapprobation
At Balzac’s name, sighs it at ‘poor George Sand’s’;
Knows that she has exceeding pretty hands;
Speaks Latin with a right accentuation;
And gives at need (as one who understands)
Draught, counsel, diagnosis, exhortation.
XI
CLINICAL
Hist? …
Through the corridor’s echoes,
Louder and nearer
Comes a great shuffling of feet.
Quick, every one of you,
Strighten your quilts, and be decent!
Here’s the Professor.
In he comes first
With the bright look we know,
From the broad, white brows the kind eyes
Soothing yet nerving you. Here at his elbow,
White-capped, white-aproned, the Nurse,
Towel on arm and her inkstand
Fretful with quills.
Here in the ruck, anyhow,
Surging along,
Louts, duffers, exquisites, students, and prigs—
Whiskers and foreheads, scarf-pins and spectacles—
Hustles the Class! And they ring themselves
Round the first bed, where the Chief
(His dressers and clerks at attention),
Bends in inspection already.
So shows the ring
Seen from behind round a conjurer
Doing his pitch in the street.
High shoulders, low shoulders, broad shoulders, narrow ones,
Round, square, and angular, serry and shove;
While from within a voice,
Gravely and weightily fluent,
Sounds; and then ceases; and suddenly
(Look at the stress of the shoulders!)
Out of a quiver of silence,
Over the hiss of the spray,
Comes a low cry, and the sound
Of breath quick intaken through teeth
Clenched in resolve. And the Master
Breaks from the crowd, and goes,
Wiping his hands,
To the next bed, with his pupils
Flocking and whispering behind him.
Now one can see.
Case Number One
Sits (rather pale) with his bedclothes
Stripped up, and showing his foot
(Alas for God’s Image!)
Swaddled in wet, white lint
Brilliantly hideous with red.
XII
ETCHING
Two and thirty is the ploughman.
He’s a man of gallant inches,
And his hair is close and curly,
And his beard;
But his face is wan and sunken,
And his eyes are large and brilliant,
And his shoulder-blades are sharp,
And his knees.
He is weak of wits, religious,
Full of sentiment and yearning,
Gentle, faded—with a cough
And a snore.
When his wife (who was a widow,
And is many years his elder)
Fails to write, and that is always,
He desponds.
Let his melancholy wander,
And he’ll tell you pretty stories
Of the women that have wooed him
Long ago;
Or he’ll sing of bonnie lasses
Keeping sheep among the heather,
With a crackling, hackling click
In his voice.
XIII
CASUALTY
As with varnish red and glistening
Dripped his hair; his feet looked rigid;
Raised, he settled stiffly sideways:
You could see his hurts were spinal.
He had fallen from an engine,
And been dragged along the metals.
It was hopeless, and they knew it;
So they covered him, and left him.
As he lay, by fits half sentient,
Inarticulately moaning,
With his stockinged soles protruded
Stark and awkward from the blankets,
To his bed there came a woman,
Stood and looked and sighed a little,
And departed without speaking,
As himself a few hours after.
I was told it was his sweetheart.
They were on the eve of marriage.
She was quiet as a statue,
But her lip was grey and writhen.
XIV
AVE CAESER!