Albrecht. Bates Arlo
Table of Contents
HOW THE KNIGHT SANG.
The Lady Adelaide found small satisfaction for her curiosity so far as her niece was concerned, but she set her damsel Elsa to collect whatever information might be obtained from the knight's little retinue. Elsa, she knew from experience, might be trusted to gather whatever gossip was afloat about the castle, and to repeat it in a lively and entertaining fashion. But on the present occasion even the skilful Elsa failed to elicit much from the taciturn men-at-arms of Baron von Waldstein, and she could in the end report to her mistress little beyond the fact that the baron was travelling southward, though whether to join the court or army of the Great Emperor or for some private expedition did not appear.
Of his wealth there could be no question when the very bridles of his horses were set with jewels over which the eyes of the Rittenberg servants grew large and round with astonishment and admiration; while from the respect of his men it was evident that he was accustomed to being served as are only those who are born with the right to command. The sick retainer had under the care of the leech recovered somewhat from the severity of his first attack, and his disorder had been pronounced nothing contagious—a point upon which the Lady Adelaide had been much exercised—with the opinion of the leech that it would be necessary for him to rest a couple of days before continuing his journey.
Lady Adelaide was forced to be content with this scant information until the assembling of the family at dinner gave her an opportunity of observing the stranger for herself. She came into the hall with her niece prepared to subject the guest to a searching examination, such as she knew herself to be abundantly able to conduct; but for almost the only time in her life the ancient dame found herself from the first moment so completely under the spell of the stranger that she gave herself up unquestioningly to the charm of his presence and his conversation, without even an attempt to force him to give an account of himself.
Nor was she alone in this infatuation. Both Father Christopher and the Countess Erna were as strongly impressed with the singular fascination of the baron. There was about him a contagious joyousness, an exhilarating fulness of life, as if he had drunk from some fountain of youth, and shed about him the influence of his superabundant vitality. Doubtless the unusual vigor and manly beauty of the knight contributed much to this result; but back of these seemed to lie some rare and powerful quality in the nature of the man himself which was more effective than either. It would have been impossible to analyze his charm, but it was also impossible to resist it.
The talk at the table was so animated and full of frank gayety that they lingered by common though unspoken consent far beyond the usual time. The baron had throughout addressed himself to the whole company, seldom speaking directly to Erna, although he now and then appealed to the Lady Adelaide or to Father Christopher; and yet the countess was subtly conscious that in all he said there was a secret intention of interesting herself. She blushed as this thought came to her after she had retired to her chamber and sat over her embroidery, while the priest and the knight were left to entertain each other. So unsophisticated was she that this thought seemed almost unmaidenly, and she contradicted it as soon as it showed itself in her mind.
She was a maid with soul as white as the unspotted ermine. She had been bred under the eye of Father Christopher—a priest who was also a man, and one of rare insight. She was as ignorant of evil as one must be who had lived ever in seclusion, and her temperament naturally inclined toward piety. Something of an education she had received from the priest. She could read; and there were in the castle several pious books, most of them, it is to be feared, looted by the late Count von Rittenberg on the day of some victory of the Great Emperor in the south at which he had assisted. Over these parchments, mostly religious works, although a wicked volume of the heathen poet Ovid had somehow chanced among them, Erna passed much time. The brilliant scroll of Ovid, with its profane pictures, at which she had never looked more than in a single glance that showed her what they were like, she had hidden away after a consultation with Father Christopher whether it should not be destroyed despite its value.
The colored threads of her embroidery that afternoon were scarcely more bright than the thoughts which floated through Erna's brain as she sat among her maidens, directing their work; and yet in her mind was no thought which was consciously different from those of the day before or of all the days that had preceded; only that now suddenly all those days appeared, as she looked back, somehow colorless and dull. She did not say to herself that the coming of the stranger knight had suddenly put new meaning into life, but her secret heart knew it, albeit she had yet to understand what her heart felt.
When that night she came into the great hall for supper, a lily-white maid in soul as well as robe, the eyes of the baron glowed as he looked at her. There was in his glance an adoration such as a noble dog might give to his mistress, a tender appeal as of one who beseeches a higher being to take pity upon him; and Father Christopher, who observed closely whatever concerned the countess, sighed as he looked, and secretly shook his head.
The talk at supper touched upon hunting, and the eyes of the baron sparkled as he said:
"Ah! when the wild boar turns on thee, and there is only thy spear-head between thee and his tusks, that is pleasure! That sends the blood through one's veins, and makes the heart tingle!"
Erna shuddered.
"I cannot understand how it can be pleasure," she said, "to put one's life in danger, or to take the life of a beast that has never injured thee."
Baron Albrecht regarded her in some surprise.
"I have never thought of that," he returned frankly. "Why should one consider the beasts? They are made for our sport, are they not?"
"I know you men think so," she responded with a smile; "but I cannot bear that they should suffer for my amusement."
The guest still looked puzzled, and apparently was on the point of questioning further, when Lady Adelaide, evidently fearing lest the words of her niece might offend the baron or give him the idea that Erna was full of strange fancies, said quickly:
"And yet thou canst sing very prettily of the hunting. Let us get nearer the fire, and thou shalt sing for us now. Beshrew me, but this storm is enough to freeze one's bones."
The night had indeed darkened into a storm such as it was unusual to experience at that time of year. Outside the castle turrets they could hear the wind and rain beating, and all the wild uproar of the tempest, as it howled and raged along over the wood. They drew close about the broad hearth, where a cheerful fire had been lighted, despite the fact that the month was June; and in accordance with her aunt's wish, Erna took her lute and sang a gay little ditty in praise of hunting.
"I do not mean it," she protested as she ended, and smiled in pleasant fashion, as if it were his opinion which she was anxious should be set right.
"Perhaps," Father Christopher said, "thou also canst sing, Sir Baron? If so, it will delight us to hear thee."
The request was warmly seconded by Lady Adelaide. Erna said nothing.
"Is it thy wish that I should sing?" the stranger knight asked, turning toward her.
She flushed a little as she answered in the affirmative, and then said to herself that her confusion arose from the fact that there was so seldom any need to consult her wish in such a matter that the attention seemed unusual.
The knight took the lute, which in his large and strong hands looked absurdly out of place, yet which he handled with a great deal of dexterity, and after a brief prelude began in a voice of wonderful richness to sing
THE KOBOLD'S SONG.
The kobold's life is full of glee.
For him the forest is made;
For him the leaf swells on the tree,