A Little Pilgrimage in Italy. Olave M. Potter

A Little Pilgrimage in Italy - Olave M. Potter


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through the aisles at Vespers, as we have seen them in many of the late pilgrimage churches of Italy, like Santa Maria of Todi or the great basilica of the Casa Santa at Loreto.

      TODI: S. MARIA DELLA CONSOLAZIONE.

      Like all the hill-cities of Umbria, one of Todi's chief charms is the beauty of her views. Below my bedroom window in the Hotel Risorgimento the old brown roofs of Todi clambered so eagerly down the slope that each one was at least two stories below the one above. Here and there were little gardens full of tamarisks and oleanders and morning glories. To the left rose San Fortunato, high on its broken flight of steps, like a grim fortress; and below it was the bastion of the public garden, with its round acacia trees which were always vibrant with the song of cicalas. In the deep valley were grey-towered farms with loggias and outside stairways, and a great fortified convent with the stations of the Cross climbing up to its gates in a cypress avenue. Through the midst the Tiber wound very slowly like a ribbon, and now the sunlight caught it, and we could see the blue water, and now we could only trace it by its tall Lombard poplars. But always it turned towards the distant hills which rose the one behind the other, fold on fold, and full of changing lights, towards Rome. At night it was still and mysterious. The steep hillside was wrapped in darkness. There was no moon, and though the sky was powdered thickly with stars they gave no light to see the valley by. Far below I could hear the humming of the night crickets; they sounded sleepy too. And up above, San Fortunato loomed almost transparently in the heavens, and the Milky Way shone like a mist of stars.

      We found Arcady again down in the valleys as we drove back to Perugia across the Umbrian plain. There had been a fair at some neighbouring village, and the road was full of peasants coming back with cortèges of white oxen and calves, which had bells on their throats, and collars of scarlet and brass, and crimson fillets.

      Perugia lay before us all the way, with her towers and majestic walls and the slim campanile of San Pietro, which looks like an obelisk from the plain. As we drove along the straight white road we saw the cities of the Valley of Spoleto rising like stars upon their hills. At each turn fresh mountains were disclosed with fresh cities on their skirts, pink in the evening sun. We were tired after the heat of the day, and silent. The harness-bells and the clipping sound of hoofs made an agreeable accompaniment to our thoughts. We climbed up slowly through the sunset, looking now at the hills, now at the olive-gardens that stretched away from the road, their leaves as silver as a flight of butterflies in the sunlight; now idly watching the long-legged shadows of the horses on the flowery bank. And all the way the cicalas were singing by the roadside, and we bore the memory of fragrant sunlit hours in our hearts. Half unconsciously, and like a message from the eternal hills, St. Paul's words came into my mind: 'Whatsoever thing is good, whatsoever thing is pure, whatsoever thing is lovely, whatsoever thing is of good report, if there be any virtue or if there be any truth, think on these things.' They were like an answer to the riddle which all men ask of Fate. But indeed in this Umbrian garden they are the text of everyday life, for in its byways it is easy to catch the spirit of St. Francis as he passed, barefoot and meanly clad, singing the praise of God and all His creatures.

      As we drove up the last steep incline the plain was filled with light. Overhead the clouds were growing rosy. Assisi was a city of gold. And to the horizon rolled the Umbrian hills, purple and blue, and very far away like jade, airy and transparent, in the luminous space which Perugino loved to paint.

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