Trevlyn Hold. Mrs. Henry Wood
wear petticoats."
A sly shower of earth came back in answer. But it happened, every bit of it, to steer clear of him, and George kept his seat and his equanimity.
"What has he been doing now, George?"
George turned his head; the question came from one behind him. There stood a lovely boy of some twelve years old, his beautiful features set off by dark blue eyes and bright auburn curls.
"Where did you spring from, Rupert?"
"I came down by the hedge. You were calling after Cris and did not hear me. Has he been threshing you, George?"
"Threshing me!" returned George, throwing back his handsome head with a laugh. "I don't think he would try that on, Rupert. He could not thresh me with impunity, as he does you."
Rupert Trevlyn laid his cheek on the stile, and fixed his eyes on the clear blue evening sky—for the sun was drawing towards its setting. He was a sensitive, romantic, strange sort of boy; gentle and loving by nature, but given to violent fits of passion. People said he inherited the latter from his grandfather, Squire Trevlyn. Other of the Squire's descendants had inherited the same. Under happier auspices, Rupert might have learnt to subdue these bursts of passion. Had he possessed a kind home and loving friends, how different might have been his destiny!
"George, I wish papa had lived!"
"The whole parish has need to wish that," returned George. "I wish you stood in his shoes! That's what I wish."
"Instead of Uncle Chattaway. Old Canham says I ought to stand in them. He says he thinks I shall, some time, because justice is sure to come uppermost in the end."
"Look here, Rupert!" gravely returned George Ryle. "Don't go listening to old Canham. He talks nonsense, and it will do neither of you any good. If Chattaway heard a tithe of what he sometimes says, he'd turn him from the lodge, neck and crop, in spite of Miss Diana. What is, can't be helped, you know, Rupert."
"But Cris has no right to inherit Trevlyn over me."
"He has legal right, I suppose," answered George; "at least, he will have it. Make the best of it, Ru. There are lots of things I have to make the best of. I had a caning yesterday for another boy, and I had to make the best of that."
Rupert still looked up at the sky. "If it were not for Aunt Edith," quoth he, "I'd run away."
"You little stupid! Where would you run to?"
"Anywhere. Mr. Chattaway gave me no dinner to-day."
"Why not?"
"Because Cris carried a tale to him. But it was false, George."
"Did you tell Chattaway it was false?"
"Yes. But where's the use? He always believes Cris before me."
"Have you had no dinner?"
Rupert shook his head. "I took some bread off the tray as they were carrying it through the hall. That's all I have had."
"Then I'd advise you to make double haste home to your tea," said George, jumping over the stile, "as I am going to do to mine."
George ran swiftly across the back fields towards his home. Looking round when he was well on his way, he saw Rupert still leaning on the stile with his face turned upward.
Meanwhile the little tatterdemalion had scuffled along to Trevlyn Farm—a very moderately-sized house with a rustic porch covered with jessamine, and a large garden, more useful than ornamental, intervening between it and the high-road. The garden path, leading to the porch, was straight and narrow; on either side rose alternately cabbage-rose trees and hollyhocks. Gooseberries, currants, strawberries, raspberries, and other plain fruit-trees grew amidst vegetables of various sorts. A productive if not an elegant garden. At the side of the house the fold-yard palings and a five-barred gate separated it from the public road, and behind the house were the barns and other outdoor buildings belonging to the farm.
From the porch the entrance led direct into a room, half sitting-room, half kitchen, called "Nora's room." Nora generally sat in it; George and his brother did their lessons there; the actual kitchen being at the back of it. A parlour opening from this room on the right, whose window looked into the fold-yard, was the general sitting-room. The best sitting-room, a really handsome apartment, was on the other side of the house. As the girl scuffled up to the porch, an active, black-eyed, talkative little woman, of five or six-and-thirty saw her approaching from the window of the best kitchen. That was Nora. What with her ragged frock and tippet, broken straw bonnet, and slipshod shoes, the child looked wretched enough. Her father, Jim Sanders, was carter to Mr. Ryle. He had been at home ill the last day or two; or, as the phrase ran in the farm, was "off his work."
"If ever I saw such an object!" was Nora's exclamation. "How can her mother keep her in that state? Just look at Letty Sanders, Mrs. Ryle!"
Sorting large bunches of sweet herbs on a table at the back of the room was a tall, upright woman. Her dress was plain, but her manner and bearing betrayed the lady. Those familiar with the district would have recognised in her handsome but somewhat masculine face a likeness to the well-formed, powerful features of the late Squire Trevlyn. She was that gentleman's eldest daughter, and had given mortal umbrage to her family when she quitted Trevlyn Hold to become the second wife of Mr. Ryle. George Ryle was not her son. She had only two children; Trevlyn, a boy two years younger than George; and a little girl of eight, named Caroline.
Mrs. Ryle turned, and glanced at the path and Letty Sanders. "She is indeed an object! See what she wants, Nora."
Nora, who had no patience with idleness and its signs, flung open the door. The girl halted a few paces from the porch, and dropped a curtsey.
"Please, father be dreadful bad," began she. "He be lying on the bed and don't stir, and his face is white; and, please, mother said I was to come and tell the missus, and ask her for a little brandy."
"And how dare your mother send you up to the house in this trim?" demanded Nora. "How many crows did you frighten as you came along?"
"Please," whimpered the child, "she haven't had time to tidy me to-day, father's been so bad, and t'other frock was tored in the washin'."
"Of course," assented Nora. "Everything is 'tored' that she has to do with, and never gets mended. If ever there was a poor, moithering, thriftless thing, it's that mother of yours. She has no needles and no thread, I suppose, and neither soap nor water?"
Mrs. Ryle came forward to interrupt the colloquy. "What is the matter with your father, Letty? Is he worse?"
Letty dropped several curtseys in succession. "Please, 'm, his inside's bad again, but mother's afeared he's dying. He fell back upon the bed, and don't stir nor breathe. She says, will you please send him some brandy?"
"Have you brought anything to put it into?" inquired Mrs. Ryle.
"No, 'm."
"Not likely," chimed in Nora. "Madge Sanders wouldn't think to send so much as a cracked teacup. Shall I put a drop in a bottle, and give it to her?" continued Nora, turning to Mrs. Ryle.
"No," replied Mrs. Ryle. "I must know what's the matter with him before I send brandy. Go back to your mother, Letty. Tell her I shall be going past her cottage presently, and will call in."
The child turned and scuffled off. Mrs. Ryle resumed:
"Should it be another attack of internal inflammation, brandy would be the worst thing he could take. He drinks too much, does Jim Sanders."
"His inside's like a barrel—always waiting to be filled," remarked Nora. "He'd drink the sea dry, if it ran beer. What with his drinking, and her untidiness, small wonder the children are in rags. I am surprised the master keeps him on!"
"He only drinks by fits and starts, Nora. His health will not let him do more."
"No, it won't," acquiesced Nora. "And I fear this bout may be the ending of him. That hole was not dug