Georges Guynemer: Knight of the Air. Henry Bordeaux
arm a movable brassard. The object of the battle was the capture of the flag, which was set up on a wall, a tree, a column, or any place dominating the courtyard. The soldier from whom his brassard was taken was considered dead.
"Guynemer, who was somewhat weak and sickly, always remained a private soldier. His comrades, appreciating the value of having a general with sufficient muscular strength to maintain his authority, never dreamed of placing him at their head. The muscle, which he lacked, was a necessity. But when a choice of soldiers had to be made, he was always counted among the best, and his name called among the first. Although he had not much strength, he had agility, cleverness, a quick eye, caution, and a talent for strategy. He played his game himself, not liking to receive any suggestions from his chiefs, intending to follow his own ideas. The battle once begun, he invariably attacked the strongest enemy and pursued those comrades who occupied the highest rank. With the marvelous suppleness of a cat, he climbed trees, flung himself to the ground, crept along barriers, slipped between the legs of his adversaries, and bounded triumphantly off with a number of brassards. It was a great joy to him to bring the trophies of his struggles to his general. With radiant face, and with his two hands resting on his legs, he looked mockingly at his adversaries who had been surprised by his cleverness. His superiority over his comrades was especially apparent in the battles they fought in the woods of Bellevue.[7] There the field was larger, and there was a greater variety of chances for surprising the enemy. He hid himself under the dead leaves, lay close to the branches of trees, and crept along brooks and ravines. It was often he who was selected to find a place of vantage for the flag. But he was never willing to act as its guardian, for he feared nothing so much as inactivity, preferring to chase his comrades through the woods. The short journey to the Bellevue woods was passed in the elaboration of various plans, and arguing about those of his friends; he always wanted to have the last word. The return journey was enlivened by biting criticism, which often ended in a quarrel."[8]
[7] The country house of Stanislas College is at Bellevue. [Translator's note.]
[8] Unpublished notes by Abbé Chesnais.
This is an astonishing portrait, in which nearly all the characteristics of the future Guynemer, Guynemer the fighter, are apparent. He does not care to command, he likes too well to give battle, and is already the knight of single combats. His method is personal, and he means to follow his own ideas. He attacks the strongest; neither size nor number stops him. His suppleness and skill are unequaled. He lacks the muscle for a good gymnast, and at the parallel bars, or the fixed bar, he is the despair of his instructors. How will he supply this deficiency? Simply by the power of his will. All physical games do not require physical strength, and he became an excellent shot and fencer. Furious at his own weakness, he outdid the strong, and, like Diomede and Ajax, brought back his trophies laughing. A college courtyard was not sufficient for him: he needed the Bellevue woods, while he waited to have all space, all the sky, at his disposal. So the warlike infancy of a Guynemer is like that of a Roland, a Duguesclin, a Bayard—all are ardent hearts with indomitable energy, upright souls developing early, whose passion it was only necessary to control.
The youth of Guynemer was like his childhood. As a student of higher mathematics his combative tendencies were not at all changed. "At recreation he was very fond of roller-skating, which in his case gave rise to many disputes and much pugilism. Having no respect for boys who would not play, he would skate into the midst of their group, pushing them about, seizing their arms and forcing them to waltz round and round with him like weather-cocks. Then he would be off at his highest speed, pursued by his victims. Blows were exchanged, which did not prevent him from repeating the same thing a few seconds later. At the end of recreation, with his hair disordered, his clothes covered with dust, his face and hands muddy, Guynemer was exhausted. But the strongest of his comrades could not frighten him; on the contrary, he attacked these by preference. The masters were often obliged to intervene and separate the combatants. Guynemer would then straighten up like a cock, his eyes sparkling and obtruding, and, unable to do more, would crush his adversary with piquant and sometimes cutting words uttered in a dry, railing voice."[9]
[9] Unpublished notes by Abbé Chesnais.
Talking, however, was not his forte, and his nervousness made him sputter. His speech was vibrant, trenchant, like hammerstrokes, and he said things to which there was no answer. He had a horror of discussion: he was already all action.
This violence and frenzied action would have driven him to the most unreasonable and dangerous audacity if they had not been counterbalanced by his sense of honor. "He was one of those," wrote a comrade of Guynemer's, M. Jean Constantin, now lieutenant of artillery, "for whom honor is sacred, and must not be disregarded under any pretext; and in his life, in his relations with his comrades, his candor and loyalty were only equaled by his goodness. Often, in the midst of our games, some dispute arose. Where are the friends who have never had a dispute? Sometimes we were both so obstinate that we fought, but after that he was willing to renounce the privilege of the last word. He never could have endured bringing trouble upon his fellow-students. He never hesitated to admit a fault; and, what is much better, once when one of his comrades, who was a good student, had inadvertently made a foolish mistake which might have lowered his marks, I saw Georges accuse himself and take the punishment in his place. His comrade never knew anything about it, for Georges did that sort of thing almost clandestinely, and with the simplicity and modesty which were always the great charm of his character."
This sense of honor he had drawn in with his mother's milk; and his father had developed it in him. Everything about him indicated pride: the upright carriage of his head, the glance of his black eyes which seemed to pierce the objects he looked at. He loved the Stanislas uniform which his father had worn before him, and which had been worn by Gouraud and Baratier, whose fame was then increasing, and Rostand, then in all the new glory of Cyrano and L'Aiglon. He had an exact appreciation of his own dignity. Though he listened attentively in class, he would never ask for information or advice from his classmates. He hated to be trifled with, and made it understood that he intended to be respected. Never in all his life did he have a low thought. If he ever varied from the nobleness which was natural to him, silence was sometimes sufficient to bring him to himself.
With a mobile face, full of contrasts, he was sometimes the roguish boy who made the whole class shake with laughter, and involved it in a whirlwind of games and tricks, and at others the serious, thoughtful pupil, who was considered to be self-absorbed, distant, and not inclined to reveal himself to anybody. The fierce soldier of the petite guerre was also a formidable adversary at checkers. Here, however, he became patient, only moving his pieces after long reflection. None of the students could beat him, and no one could take him by surprise. If he was beaten by a professor, he never rested until he had had his revenge. His power of will was far beyond his years, but it needed to be relaxed. To study and win to the head of his class was nothing for his lively intelligence, but his health was always delicate. He would appear wrapped in cloaks, comforters, waterproof coats, and then vanish into the infirmary. This boy who did not fear blows, bruises, or falls, was compelled to avoid draughts and to diet. Nobody ever heard him complain, nor was any one ever to do so. Often he had to give up work for whole months at a time; and in his baccalaureate year he was stopped by a return of the infantile enteritis. "Three months of rest," the doctor ordered at Christmas. "You will do your rhetoric over again next year," said his father, who came to take him home. "Not at all," said the boy; "the boys shall not get ahead of me"—a childish boast which passed unnoticed. At the end of three months of rest and pleasant walks around Compiègne, the child remarked: "The three months are up, and I mean to present myself in July." "You haven't time; it is impossible." He insisted. So they discovered, at Compiègne, the Pierre d'Ailly school, in a building which since then has been ruined by a shell. It was his idea to attend these