Lectures on Dramatic Art and Literature. August Wilhelm von Schlegel

Lectures on Dramatic Art and Literature - August Wilhelm von Schlegel


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       August Wilhelm von Schlegel

      Lectures on Dramatic Art and Literature

      Published by Good Press, 2019

       [email protected]

      EAN 4057664572318

       PREFACE OF THE TRANSLATOR.

       AUTHOR'S PREFACE.

       MEMOIR OF THE LITERARY LIFE OF AUGUSTUS WILLIAM VON SCHLEGEL

       DRAMATIC LITERATURE.

       LECTURE II.

       LECTURE III.

       LECTURE IV.

       LECTURE V.

       LECTURE VI.

       LECTURE VII.

       LECTURE VIII.

       LECTURE IX.

       LECTURE X.

       LECTURE XI.

       LECTURE XII.

       LECTURE XIII.

       LECTURE XIV.

       LECTURE XV.

       LECTURE XVI.

       LECTURE XVII.

       LECTURE XVIII.

       LECTURE XIX.

       LECTURE XX.

       LECTURE XXI.

       LECTURE XXII.

       LECTURE XXIII.

       LECTURE XXIV.

       LECTURE XXV.

       LECTURE XXVI.

       LECTURE XXVII.

       LECTURE XXVIII.

       LECTURE XXIX.

       LECTURE XXX.

      LECTURE I.

      Introduction—Spirit of True Criticism—Difference of Taste between the

       Ancients and Moderns—Classical and Romantic Poetry and Art—Division of

       Dramatic Literature; the Ancients, their Imitators, and the Romantic Poets.

      LECTURE II.

      Definition of the Drama—View of the Theatres of all Nations—Theatrical

       Effect—Importance of the Stage—Principal Species of the Drama.

      LECTURE III.

      Essence of Tragedy and Comedy—Earnestness and Sport—How far it is possible to become acquainted with the Ancients without knowing Original Languages—Winkelmann.

      LECTURE IV.

      Structure of the Stage among the Greeks—Their Acting—Use of Masks—False comparison of Ancient Tragedy to the Opera—Tragical Lyric Poetry.

      LECTURE V.

      Essence of the Greek Tragedies—Ideality of the Representation—Idea of

       Fate—Source of the Pleasure derived from Tragical Representations—Import

       of the Chorus—The materials of Greek Tragedy derived from Mythology—

       Comparison with the Plastic Arts.

      LECTURE VI.

      Progress of the Tragic Art among the Greeks—Various styles of Tragic Art

      —Aeschylus—Connexion in a Trilogy of Aeschylus—His remaining Works.

      LECTURE VII.

      Life and Political Character of Sophocles—Character of his different

       Tragedies.

      LECTURE VIII.

      Euripides—His Merits and Defects—Decline of Tragic Poetry through him.

      LECTURE IX.

      Comparison between the Choephorae of Aeschylus, the Electra of Sophocles, and that of Euripides.

      LECTURE X.

      Character of the remaining Works of Euripides—The Satirical Drama—

       Alexandrian Tragic Poets.

      LECTURE XI.

      The Old Comedy proved to be completely a contrast to Tragedy—Parody—

       Ideality of Comedy the reverse of that


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