A Literary History of the English People, from the Origins to the Renaissance. J. J. Jusserand
Migne's "Patrologia," vol. clxxxviii. col. 1441.
[149] As little French as could be, for he did not even know the language of the conquerors, and was on that account near being removed from his see: "quasi homo idiota, qui linguam gallicam non noverat nec regiis consiliis interesse poterat." Matthew Paris, "Chronica Majora," year 1095.
En mund ne est, (ben vus l'os dire)
Pais, reaume, ne empire
U tant unt esté bons rois
E seinz, cum en isle d'Englois,
Ki après règne terestre
Or règnent reis en célestre,
Seinz, martirs, e cunfessurs,
Ki pur Deu mururent plursurs;
Li autre, forz e hardiz mutz,
Cum fu Arthurs, Aedmunz e Knudz.
"Lives of Edward the Confessor," ed. H. R. Luard (Rolls), 1858; beginning of the "Estoire de Seint Aedward le Rei."
[151] These three poets, all of them subjects of the English kings, lived in the twelfth century; the oldest of the three was Gaimar, who wrote, between 1147 and 1151 (P. Meyer, "Romania," vol. xviii. p. 314), his "Estorie des Engles" (ed. Hardy and Martin, Rolls, 1888, 2 vols., 8vo), and, about 1145, a translation in French verse of the "Historia Britonum" of Geoffrey of Monmouth (see below, p. 132).—Wace, born at Jersey (1100?-1175, G. Paris), translated also Geoffrey into French verse ("Roman de Brut," ed. Leroux de Lincy, Rouen, 1836, 2 vols. 8vo), and wrote between 1160 and 1174 his "Geste des Normands" or "Roman de Rou" (ed. Andresen, Heilbronn, 1877, 2 vols. 8vo). He wrote also metrical lives of saints, &c.—Benoit de Sainte-More, besides his metrical romances (see below, p. 129), wrote, by command of Henry II., a great "Chronique des ducs de Normandie" (ed. Francisque Michel, "Documents inédits," Paris, 1836, 3 vols. 4to).
[152] Even under the Roman empire, nations had been known to attribute to themselves a Trojan origin. Lucanus states that the men of Auvergne were conceited enough to consider themselves allied to the Trojan race. Ammianus Marcellinus, fourth century, states that similar traditions were current in Gaul in his time: "Aiunt quidam paucos post excidium Trojæ fugientes Græcos ubique dispersos, loca hæc occupasse tunc vacua." "Rerum Gestarum," lib. xv. cap. ix. During the Middle Ages a Roman ancestry was attributed to the French, the Britons, the Lombards, the Normans. The history of Brutus, father of the Britons, is in Nennius, tenth century(?); he says he drew his information from "annalibus Romanorum" ("Historia Britonum," ed. Stevenson, Historical Society, London, 1838, p. 7). The English historians after him, up to modern times, accepted the same legend; it is reproduced by Matthew Paris in the thirteenth century, by Ralph Higden in the fourteenth, by Holinshed in Shakesperean times: "This Brutus … was the sonne of Silvius, the sonne of Ascanius, the sonne of Æneas the Troian, begotten of his wife Creusa, and borne in Troie, before the citie was destroied." Chronicles, 1807, 6 vols. fol. book ii. chap. 1. In France at the Renaissance, Ronsard chose for his hero Francus the Trojan, "because," as he says, "he had an extreme desire to honour the house of France."
CHAPTER II.
LITERATURE IN THE FRENCH LANGUAGE UNDER THE NORMAN AND ANGEVIN KINGS.
I.
What previous invaders of the island had been unable to accomplish, the French of William of Normandy were finally to realise. By the rapidity and thoroughness of their conquest, by securing to themselves the assistance of those who knew how to use a pen, by their continental wars, they were to bring about the fusion of all the races in one, and teach them, whether they intended it or not, what a mother country was.
They taught them something else besides, and the results of the Conquest were not less remarkable from a literary than from a political point of view. A new language and new ideas were introduced by them into England, and a strange phenomenon occurred, one almost unique in history. For about two or three hundred years, the French language remained superimposed upon the English; the upper layer slowly infiltrated the lower, was absorbed, and disappeared in transforming it. But this was the work of centuries. "And then comes, lo!" writes an English chronicler more than two hundred years after Hastings, "England into Normandy's hand; and the Normans could speak no language but their own, and they spoke French here as they did at home, and taught it to their children: so that the high men of this land, who are come of their race, keep all to that speech which they have taken from them." People of a lower sort, "low men," stick to their English; all those who do not know French are men of no account. "I ween that in all the world there is no country that holds not to her own speech, save England alone."[153]
The diffusion of the French tongue was such that it seemed at one time as if a disappearance of English were possible. All over the great island people were found speaking French, and they were always the most powerful, the strongest, richest, or most knowing in the land, whose favour it was well to gain, and whose example it was well to imitate. Men who spoke only English remained all their lives, as Robert of Gloucester tells us, men of "little," of nothing. In order to become something the first condition was to learn French. This condition remained so long a necessary one, it was even impossible to foresee that it should ever cease to exist; and the wisest, during that period, were of opinion that only works written in French were assured of longevity. Gerald de Barry, who had written in Latin, regretted at the end of his life that he had not employed the French language, "gallicum," which would have secured to his works, he thought, a greater and more lasting fame.[154]
Besides the force lent to it by the Conquest, the diffusion of the French tongue was also facilitated by the marvellous renown it then enjoyed throughout Europe. Never had it a greater; men of various races wrote it, and the Italian Brunetto Latini, who used it, gave among other reasons for so doing, "that this speech is more delightful and more common to all people."[155] Such being the case, it spread quickly in England, where it was, for a long time, the language used in laws and deeds, in the courts of justice, in Parliamentary debates,[156] the language used by the most refined poets of the period.
And thus it happened that next to authors, French by race and language, subjects of the kings of England, were found others employing the same idiom, though of English blood. They strove, to the best of their possibility, to imitate the style in favour with the rulers of the land, they wrote chronicles in French, as did, in the twelfth and fourteenth centuries, Jordan Fantosme[157] and Peter de Langtoft; religious poems, as Robert of Greteham, Robert Grosseteste, William of Wadington did in the thirteenth; romances in verse, like those of Hue of Rotelande (twelfth century); moralised tales in prose, like those of Nicole Bozon; lyric poems,[158] or fabliaux,[159] like those composed by various anonymous writers; ballads such as those we owe, quite at the end of the period, in the second half of the fourteenth century, to Chaucer's friend, John Gower.
At this distance from the Conquest, French still played an important, though greatly diminished, part; it remained, as will be seen, the language of the Court; the accounts of the sittings of Parliament continued to be written in French; a London citizen registered in French on his note-book all that he knew concerning the history of his town.[160] As Robert of Gloucester had said, the case was an unparalleled one. This French literature, the work of Englishmen, consisted, of course, mainly in imitations of French models, and need not detain us long; still, its existence must be remembered, for no other fact shows so well how thorough and powerful the French invasion had been.
What, then, were the models copied by these imitators, and what the literature and ideas that, thanks to the Conquest, French-speaking poets acclimatised in lately-Germanic England? What sort of works pleased the rulers of the country; what writings were composed for them; what manuscripts did they order to be copied for their libraries? For it must