Twenty Years' Recollections of an Irish Police Magistrate. Frank Thorpe Porter

Twenty Years' Recollections of an Irish Police Magistrate - Frank Thorpe Porter


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       CHARITY; REAL CHARITY.

       A DEATH AND FUNERAL.

       THE BAY OF BISCAY AGAIN.

       AT HOME—LEISURE NO PLEASURE.

       A REVIEW.

       LINES IN AN ALBUM.

       CHAPTER XXX. A DUBLIN DENTIST.

       CHAPTER XXXI. A TRIP TO THE NORTH—METRICAL ATTEMPTS—CONTRASTS—PARIS: A FAIR—A REVIEW—NADAR'S BALLOON—SPORT, TURF, BOXING—LIQUOR VEHICLES—NO HODS—A HORSE, A DOG, RATS.

       METRICAL ATTEMPTS.

       A REVIEW.

       NADAR'S BALLOON.

       SPORT, TURF, BOXING.

       LIQUOR VEHICLES.

       NO HODS.

       A HORSE, A DOG, RATS.

       CHAPTER XXXII. CONTRASTS—FRENCH KITCHENS—SHOPS AND SIGNS—THE SEINE—TREES AND FLOWERS—A PRETTY THIEF—FRENCH WIT—FRENCH SILVER—THE HOTEL DES INVALIDES.

       FRENCH KITCHENS.

       SHOPS AND SIGNS.

       THE SEINE.

       TREES AND FLOWERS.

       A PRETTY THIEF.

       FRENCH WIT.

       FRENCH SILVER.

       THE HOTEL DES INVALIDES.

       CHAPTER XXXIII. GAIN PREFERRED TO GLORY—CURIOUS INSCRIPTION—FORMER GAMBLING—AN ASSAULT—FRENCH CHARITY—A LETTER TO HEAVEN—FATHER PROUT.

       CURIOUS INSCRIPTION.

       FORMER GAMBLING.

       AN ASSAULT.

       FRENCH CHARITY.

       A LETTER TO HEAVEN.

       CHAPTER XXXIV. FATHER PROUT.

       CHAPTER XXXV. A FRENCH LAND MURDER—IRISHMEN, FRENCH ECCLESIASTICS—ALGERIAN PRODUCTIONS—BIRD CHARMING—BRITTANY—CHATEAUBRIAND.

       IRISHMEN—FRENCH ECCLESIASTICS.

       ALGERIAN PRODUCTIONS.

       BIRD CHARMING.

       BRITTANY.

       CHATEAUBRIAND.

       CHAPTER XXXVI. THE ARRAN ISLANDS—CIRCUIT REMINISCENCES.

       CIRCUIT REMINISCENCES.

       NOW READY. SECOND EDITION.

       Table of Contents

      In submitting the following pages to the consideration of the public, I am influenced by a desire to extend the appetite which is so greedy in devouring fiction to some morsels of fact.

      Several of my narratives refer to incidents which, in their disclosures, might occasion disagreeable feelings to the parties or to their kindred. In such cases, I shall adopt fictitious names; but in all the details offered to the reader, I shall include nothing which I do not firmly believe or personally know to be strictly true. To the former class must be referred several anecdotes derived from parental lips, and referring to years previous to my birth. In a theatre, the performers are neither applauded nor hissed from behind the scenes. The judgment which they have to encounter is that of the audience. As a literary manager, I shall leave each tragic or comic incident to the unbiassed opinion and criticism of my readers. I shall occasionally have to encounter the danger arising from allowing a great culprit to escape, or a virtuous and estimable individual to undergo misfortune. In this respect the writer of fiction possesses a vast advantage. He can lavish every worldly blessing on the deserving, and allot the direst punishments to vice and crime. But when we have to deal with stern realities, we may regret the occurrence of a fact which leaves guilt undetected and innocence in deep affliction. I can, however, safely assert, upon the experience of a long professional and official life, that vice seldom attains to great worldly prosperity, and that worth and integrity are rarely subjected to utter destitution.

      It is difficult to classify anecdotes or reminiscences which are not connected with each other. The course I propose to adopt is to lay before my readers the narratives which I have derived from sources anterior to my birth, from lips truthful and occasionally humorous, but now silent for ever. I shall reserve, as far as possible, my own personal recollections for the latter part of this publication, in the hope that the amusement and information obtained from others, may soften the critical reader to an indulgent reception of the portion peculiarly connected with myself. I may


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