The Gods of the North: an epic poem. Adam Oehlenschläger
not, it is true, figure in this poem, but I introduce him into my catalogue because I am obliged to quote some passages in a chapter of the Edda bearing his name, in order to elucidate a passage of Œhlenschläger. Etym.: vafi (eminent), drutna (to be proud).
VALA, name of the sibyl or prophetess of the Gothic mythology, who foretells the destruction of the world.
VALASKIALF, name of the palace of Odin, in Asagard, in which he holds his court.
VALFADER (father of the choice), name given to Odin when he presides at the banquets in Valhalla.
VALHALLA (hall of the choice), name of the celebrated banqueting hall of Odin, in Valaskialf, and theatre of the convivial festivities of the gods and Einherier.
VALKYRIE, pl. Valkyrior, name of the celestial virgins who attend the fields of battle in order to carry off to Valhalla the souls of the heroes who fall. They are mounted on white horses, with fiery manes and tails. At the banquets of Valhalla they hand round to the guests the mead and ale. The word Valkyrie means chooser of the slain, because they choose from the heaps of slain those who have shown most courage. Owing to this belief, the word val, which originally meant “choice,” was applied to a field of battle; hence the Danish word valplads and the German wahlplatz, both signifying “field of battle.” Kyrie comes from the old Teutonic verb küren (to choose); there is therefore, properly speaking, tautology in the word Valkyrie, both the words of which it is composed signifying choice. By the Valkyrior are thought to be typified those meteoric appearances in the heavens, which were supposed to forebode wars and tumults.
VANER, VANAHEIM; mythologically the Vaner were elementary divinities, and Vanaheim was supposed to be situated in the heavens, above the earth, immediately above Midgard. Geographically, Vanaheim, according to Snorro Sturleson, was a country lying immediately eastward of the Tanais or Don river; but the historical Vaner are represented as a highly civilized people, from whom the Asar learnt the arts and sciences and all that embellishes life. Now I am yet to learn that the inhabitants of the banks of the Don were ever remarkable for refined culture; I therefore reject the hypothesis of Snorro Sturleson, and adopt that of Finn Magnussen, who thinks that by the historical Vaner are meant the Asiatic Greeks or the Persians, from whom the Asar or Goths might well learn the arts of civilization. Niord was a chief of Vaner race; Niord became father of Frey and Freya by his sister. Such a matrimonial connection was perfectly lawful among the ancient Persians, and is so among their descendants, the Parsis or Guebres, to this day. A learned friend of mine, a Portuguese by birth, by name Dr. Constancio, much given to the study of philology and the Eastern languages, thinks that by the Vaner and the country inhabited by them, Vanaheim, may be meant the country bordering on the lake Van or Erivan, in Armenia; and this seems extremely probable, as the Armenians were a Persian peuplade, highly civilized, and professing in days of old the same religion as the Guebres. Mythologically, Niord and his son and daughter may have been divinities worshipped in Armenia, Persia, and Asiatic Greece, and the Asar may have adopted and incorporated that worship into their own mythology, just as the Romans and Greeks adopted many of the divinities and religious ceremonies of the Egyptians. I think I can perceive a strong resemblance between Frey and Horus, between Freya and Astarte, and between Niord and Nereus.
VANDHOSE (water-spout), brother of Skada. Etym.: vand (water) and hose (trowser) in Danish.
VAR, an Asynia, the goddess of truth; she registers the vows of mankind and punishes perjury.
VARDOE, an island of East Finnmark on the north-eastern extremity of Norway, in latitude 75° north.
VAULUNDER is the Vulcan of the Gothic mythology. Historically he was a smith, celebrated for the beauty and excellence of his workmanship in metals. He forges weapons and armour for the gods.
VE, name of the third person in the triad of the Scandinavian mythology, and son of Bor.
VERDANDIS, or Verandis, name of the Norna or destiny of the present. Etym.: verandi, participle present of the Icelandic verb vera (to be).
VIDAR, an Asa, god of wisdom and of silence; he wears thick shoes, hence he is often called by the Scalds, “the god with the thick shoes.” He never breaks silence, but his look is so penetrating that he discovers the most secret thoughts of men. He is to play a most important part at Ragnarok, and will slay the wolf Fenris. Vidar alone will survive the general conflagration and reconstruct the universe on an imperishable basis. Etym.: Icelandic word vitra (wisdom).
VIL, one of the sons of Bor, and second person of the Scandinavian triad, Odin, Vil, and Ve. Of this triad Sneedorf Birch thinks that Odin typifies air or breath; Vil, light; and Ve, warmth. The death of Ymer, therefore, by Odin, Vil, and Ve, typifies the annihilation of ice and snow, and elicitation of the products of the earth by air, light, and warmth.
VINGOLF, name of a palace in Asgard, considered as the peculiar place of rendezvous of the Asynior or goddesses.
YGGDRASSIL, name of the mythologic Ash-tree, called “The tree of the world.” Of this tree it is thus written in the prosaic Edda: “This ash is the first and greatest of all trees, which spreads its branches over the whole earth. It springs from three roots. Near one of these roots, which pushes the trunk and branches towards Asagard, flows the fountain of Urda, which contains the water of wisdom, and of which Mimer is the guardian. The gods often descend to this spot, to sit in judgment on the actions of mankind and of one another. They interrogate Urda. The second root of Yggdrassil stretches towards the region of the Hrimthusser frost-giants of Utgard. The third root extends below, as far as Niffelheim, and is continually gnawed by the dragon Nidhög.” By this, according to Finn Magnussen, is meant the gradual deterioration of the world, which will end in its destruction; for the Ash Yggdrassil is no other than the symbol of our world. May I be permitted to add my conjecture towards the interpretation of this mythe: By the first root, which pushes stem and branches towards Asagard, may be meant the elevation of our thoughts towards heaven. By the second root, extending towards the region of the ferocious Hrimthusser, may be meant the tendency of our minds to fraud, rapine and violence; and by the third root, gnawed by Nidhög, the writhings of conscience and of envy: the etymology of the word Nidhög seems at least to give some weight to my conjecture.
Of this tree it is further written in the prosaic Edda: “On the branches of this Ash dwells an Eagle: he knoweth much, and between his eyes sits a Hawk, called Väderfalner. A squirrel, called Ratatosk, runs up and down the trunk of the Ash-tree, and endeavours to excite discord between the Eagle and the Dragon Nidhög, who dwells at its root. Four stags spring round the Ash-tree, and bite its branches: their names are Dainn, Dvalen, Dunneyr, and Durathror.” Among the various interpretations given of this mythe, the following, given by Grundtvig, seems to me the most happy.
“Yggdrassil is the genealogical tree of the human race; its triple root denotes the three sorts of men who are to be found on earth, viz. Those who cooperate powerfully for a noble and eternal object (children of the gods); Those who work powerfully, but for an ignoble and temporal object (children of giants); and lastly, the idle, useless and powerless, relations of Hela. The Eagle denotes the human mind in its greatest elevation; the Squirrel denotes the tempter or type of temptation, who is in compact with the Dragon. The Hawk denotes the spirit of divination or presentiment of the future, which agitates the human brain; and the four Stags denote the four passions or desires of power, of honour, of wealth, and of sensual pleasure.”
YMER, name of the giant, the great progenitor of the giant race. He was slain by Bor and his sons, as has been already related; and from his body the world was constructed, according to the following lines in the poetic Edda in the chapter called Vaftrudnismal:
From Ymer’s body
The world was created;
The mountains from his bones;
The heavens from