A Book for a Rainy Day; or, Recollections of the Events of the Years 1766-1833. John Thomas Smith
I knew him—for he was one of my pensioners—he and his dog lodged under a staircase in an old shattered building called “Rats’ Castle,” in Dyot Street, mentioned in Nollekens and his Times as that artist’s rendezvous to discover models for his Venuses. Dyot Street has disappeared, and George Street is built on its site.[155] His walks extended to the entrances only of the adjacent streets, whither he either went to make a purchase at the baker’s or the cook’s shops. Rowlandson drew and etched him several times; in one instance Simon had a female placed before him, which the artist called “Simon and Iphigenia.” There is a large whole-length print of him, published by John Seago, with the following inscription:—
Simon Edy, born at Woodford, near Thrapston, Northamptonshire, in 1709: died May 18, 1783.[156]
Respecting his last dog, for he had possessed several, which wicked boys had beguiled from him, or the skinners of those animals had snatched up, the following anecdote is interesting:—A Smithfield drover, whose dog’s left eye had been much injured by a bullock, solicited Simon to take him under his care till he got well. The mendicant cheerfully consented, and forthwith, with a piece of string, confined him to his arm; and when, by being more quiet, he had regained his health sufficiently to resume his services to his master, old Simon, with the most affectionate reluctance, gave him up, and was obliged to content himself with the pleasure of patting his sides on a market-day, when he followed his master’s drove to the slaughter-house in Union Street. These tender and stolen caresses from the hand which had bathed his wound, Rover would regularly stop to receive at St. Giles’s porch, and then hastily run to get up with the bullocks. Poor Simon, after missing the dog as well as his master for some weeks, was one morning most agreeably surprised to see the faithful animal crouch behind his feet, and with an uplifted and sorrowful eye, for he had entirely lost the blemished one, implore his protection by licking his beard, as a successor to his departed and lamented keeper. Rover followed Simon, according to Dr. Gardner’s idea, to “his last and best bedroom”;[157] or, according to Funeral Weever,[158] his “bed of ease.” Shortly before Simon’s death, I related to Mrs. Nollekens several instances of Rover’s attachment. “I think, Sir,” observed that lady, “you once told me that he had been a shepherd’s dog from Harrow-on-the-Hill. I don’t like a shepherd’s dog: it has no tail,[159] and its coat is as rough as the bristles of a cocoanut. No, Sir, my little French dog is my pet.” However, fortunately for poor Simon, the Hon. Daines Barrington[160] was present when Dr. Johnson’s Pekuah[161] made this silly remark, for he never after passed the kind-hearted mendicant without giving him sixpence. There was an elegy printed for poor Simon, with a woodcut portrait of him.
BENJAMIN WEST, P.R.A.
“Sir, I was once a Quaker, and have never left their principles.”
Ugly and deficient in sight and tail as Rover certainly was, it is also as equally unquestionable that Simon never had occasion to carry him to Fox Court, St. James’s Street, for the recovery of his health, under the direction of Dr. Norman,[162] the canine physician, so strenuously recommended upon all occasions by George Keate, the poet,[163] and far-famed connoisseur. No, poor Rover was kept in health by being allowed to range the streets from six till nine, the hours in which the nightly stealers of the canine race, and the dexterous of all dentists, were on their way to Austin’s, at Islington,[164] to dispose of their cruel depredations upon many a true friend to the indigent blind, “to whom the blackbird sings as sweetly as to the fairest lady in the land.”
1784.
Mr. West, to whom I had sat for the head of St. John in his picture of the Last Supper, for the altar of St. George’s Chapel, Windsor,[165] frequently engaged me to bid for him at auctions, an honour also occasionally conferred on me for similar services by Sir Joshua Reynolds. It was during one of these commissions in this year, that the late Richard Wyatt, Esq., of Milton Place, Egham, Surrey, noticed me; he was then starting as a collector of pictures, prints, and drawings.[166] That gentleman kindly invited me to his house, and not only introduced me to his amiable family, but to his most intimate neighbours. He allowed me the use of a horse, to enable me more readily to visit the beauties of Windsor Park and Forest, the scenery of which so attracted and delighted me, that during one month’s stay I made nearly one hundred studies. The two Sandbys were visitors to my patron; and to Thomas, then Deputy Ranger of Windsor Great Park, a situation given to him by his Royal Highness William, Duke of Cumberland (Thomas Sandby had been engineer draughtsman to his Royal Highness at the battle of Culloden), I am indebted for my knowledge of lineal perspective. The Misses Wyatt were delightful persons, and much noticed at the Egham Balls, for one or two of which occasions I had the pleasure of painting butterflies on a muslin dress, and also imitating the “Sir Walter Raleigh,” the “Pride of Culloden,” and other curious and rare carnations, on tiffany, for their bouquets, which were then scented and much worn.
I was here introduced to Viscount Maynard, to whom Mr. Wyatt had been guardian. His Lordship married the celebrated Nancy Parsons,[167] and was a most spirited draughtsman of a horse. Among other gentlemen, I was also introduced to the late Sir Richard Colt Hoare, Bart.,[168] and the late Rev. George Huddesford,[169] of Oxford, Kett’s satirist, and the witty author of poems entitled Salmagundi, dedicated to Mr. Wyatt. Several of these I have often heard him most humorously sing, particularly those of “the renowned History and rare Achievements of John Wilkes.” The chorus ran thus:—
“John Wilkes he was for Middlesex,
They chose him knight of the shire;
And he made a fool of Alderman Bull,
And call’d Parson Horne a liar.”
“The Barber’s Nuptials,” which may be seen in the Elegant Extracts, and almost every other collection of fugitive poetry, was also written by him.[170]
Mr. Huddesford had studied under Sir Joshua Reynolds, and had copied many of the President’s pictures with tolerable ability, with an intention of pursuing the arts, but his master-talent was more conspicuously displayed in compositions of fruit, in which his representations of ripe and melting peaches, and the rich transparent grape, were inimitable. The late Sir George Beaumont, Bart., with whom Mr. Huddesford had been extremely intimate, was in possession of a remarkably fine specimen by him, which the worthy baronet frequently allowed to be copied.
Huddesford, after the death of Warton, chalked on the walls of the College—
“The glorious sun of Trinity is set,
And nothing left but farthing-candle Kett.”[171]
He published The Elements of General Knowledge, which were called, at Oxford “The Elements of General Ignorance”; and his last work, Emily, procured him the name of Emily Kett. His supposed resemblance to a horse was the occasion of much academical waggery:—his letter-box was often filled with oats; and when he wished to have his portrait taken, he was sent to the famous Stubbs,[172] the horse painter, who, on receiving him, and expecting to hear whether his commission was to be for a filly or a colt, was much surprised to find Kett pompously announce that he expected the likeness to be in full canonicals.
Samuel Woodforde (afterwards a Royal Academician)[173] was employed by Mr. Wyatt, in consequence of an introduction by Sir Richard Colt Hoare, Bart., to paint trees and landscapes on the panels of his drawing-room, mostly from scenes in Windsor Park and Forest. Mr. Wyatt was one of Opie’s early friends. He painted for that gentleman several of the Burrell and Hoare family; indeed, he was instrumental in bringing that artist out of his humble and modest lodging in Orange Court, Leicester Fields,[174] to his house in Queen Street, next door to that for many years occupied by that comic and most exemplary child of Nature, the late Miss Pope,[175] whose inimitable acting