Madame Flirt. Charles Edward Pearce
of hope. Before long I shall be in funds. The 'Fables' will be in the booksellers' hands ere the month is out."
"Oh, that's well. But the booksellers, though eager enough to sell their wares, are not so ready to pay the writer his due. Moreover if I know anything of John Gay, of a certainty all the money he puts in his pocket will go out of the hole at the other end."
"I know—I know," rejoined the poet hastily. "But I'm not thinking alone of the booksellers. It is a 'place' I shall have and an annual income that will sweep away all my anxieties."
"Then you're in favour with the Princess and her obedient servant Sir Robert—or is Walpole her master? What will the Dean of St. Patrick and Mr. Pope say to your surrender?"
"No, no. I will never write a word in praise of either. There's not a word in the 'Fables' that can be twisted into bolstering up the Government."
"And you think to receive your comfortable 'place' out of pure admiration of your poetical gifts? My poor Gay!"
"No. Friendship."
"Well, well, you must go your own way or you wouldn't be a poet. I leave you to your commendable work of rescuing damsels in distress."
And after refreshing himself with a pinch of snuff Bolingbroke with a wave of the hand to Gay and his friends strode from the room leaving the poet with his pleasant face somewhat overcast.
But his chagrin did not last long. His natural buoyancy asserted itself and he beckoned to Lavinia who was sitting primly on the edge of the hard chair, her folded hands resting on her lap. Before she could cross the room Spiller and Leveridge took up Bolingbroke's argument, and urged Gay not to meddle further in the matter.
"Nay, why should I not? It would be a shame and a pity that so much good talent should be wasted on the groundlings of St. Giles. Besides, there is the girl herself," Gay lowered his voice. "You wouldn't have her be like Sally Salisbury, Jemmy, would you? She has a good and innocent nature. It will be torn to tatters if she be not looked after now. No. Neither you nor Dick Leveridge will talk me out of my intent. Do you see what misguided youth may easily come to? Look at your friend Vane."
Gay pointed to the sleeping young man.
"I know—I know. The young fool," returned Spiller a little angrily. "Wine is Lancelot Vane's only weakness—well, not the only one, any pretty face turns his head."
"He's not the worse for that provided a good heart goes with the pretty face."
"Aye, if."
"Look after him then. When he awakens from his drunken fit he'll be like clay in the hands of the potters."
"Faith, you're right, Mr. Gay, but there's one thing that'll protect him—his empty purse. I doubt if he has a stiver left. I know he drew some money from the Craftsman yesterday."
"What, does he write for that scurrilous, venomous print?" cried Gay, visibly disturbed.
"Not of his own will. He hates the paper and he hates Amherst, who owns it. But what is a man to do when poverty knocks at the door?"
"That may be. Still—I wish he had nothing to do with that abusive fellow, Nicholas Amherst, who calls himself 'Caleb D'Anvers,' why I know not, unless he's ashamed of the name his father gave him. Do you know that the Craftsman is always attacking my friends, Mr. Pope, Dr. Swift, Dr. Arbuthnot? As for myself—but that's no matter."
"Oh, Amherst's a gadfly, no doubt. But your friends can take care of themselves. For every blow they get they can if it so pleases them, give two in return."
"That's true, and I'll say nothing more. I wish your friend well rid of the rascally D'Anvers. Look after him, Jemmy. Come Polly—let us to your mother."
Both Spiller and Leveridge saw that Gay was not to be turned from his resolution to help the girl, and presently she and her new found friend were threading their way through a network of courts and alleys finally emerging into the squalid thoroughfare between New Street and Chandos Street.
The dirt and the poverty-stricken aspect of the locality did not deter the poet from his intention. Bedfordbury was not worse than St. Giles. The girl led him to a shabby coffee shop from the interior of which issued a hot and sickly air.
"That's mother," she whispered when they were in the doorway.
A buxom woman not too neatly dressed, whose apron bore traces of miscellaneous kitchen work, scowled when her eyes lighted on her daughter.
"So you've come home, you lazy good-for-nothing hussy," she screamed. "Where have you been? You don't care how hard I have to work so long as you can go a pleasuring. There's plenty for you to do here. Set about washing these plates if you don't want a trouncing."
Mrs. Fenton was in a vile temper and Gay's heart somewhat failed at the sight of her. Then he glanced at the girl and her frightened face gave him courage.
"Madame," said he advancing with a polite bow, "I should like with your permission to have a few words with you in private. My business here concerns your daughter in whom I take an interest."
"Oh, and who may you be?" asked the woman ungraciously.
"My name is Gay—John Gay—but I'll tell you more when we're alone."
He cast a look around at the rough Covent Garden porters with which the place was fairly full. One of the boxes was empty and Mrs. Fenton pointed to it, at the same time ordering her daughter to go into the kitchen and make herself useful. Then she flopped down opposite Gay, separated from him by a table marked by innumerable rings left by coffee mugs.
Gay put forward his ideas and painted a glorious future for Lavinia. Her mother did not seem particularly impressed. It was doubtful indeed if she believed him.
"You'll find the wench a handful. She's been no good to me. I'd as lieve let her go her own way as keep her. A young 'oman with a pretty face hasn't got no need to trouble about getting a living. Sooner or later she'll give me the slip—but—well—if you takes her and makes a lady of her what do I get out of it?"
This was a view of the matter which had not occurred to the poet. He felt decidedly embarrassed. His project appeared to be more costly than he had at first imagined.
"It is for the benefit of your daughter," he stammered.
"Her benefit, indeed. Fiddle-de-dee! Your own you mean. I know what men are. If she was an ugly slut you wouldn't take no notice of her. Don't talk rubbish. What are you a going to give me for saying, yes. That's business, mister. Come, how much?"
The poet saw there was no other way but talking business. This embarrassed him still more for he was the last man qualified to act in such a capacity.
"I'll see what I can do," said he nervously, "but you mustn't forget that Lavinia will have to be quite two years at school, and there is her music master——"
"Oh I dare say," rejoined the lady scoffingly, "and the mantle maker, and the milliner, and the glover, and the hairdresser. That's your affair, not mine. Name a round sum and I'll try to meet you. What d'ye say?"
"Would five guineas——?"
"What!" shrieked Lavinia's mother. "And you call yourself a gentleman?"
"The sum I admit is a small one, but as you seemed anxious to get your daughter off your hands I thought I was doing you a service by putting the girl in a way to earn a good living."
"I dare say. I'm not to be taken in like that. Fine words butter no parsnips. While Lavinia's in the house I'll go bail I'll make her work. If she goes away I've got to pay someone in her place, haven't I? Twenty guineas is the very lowest I'll take, and if you was anything like the gentleman you look you'd make it double."
The haggling over such a matter and the coarse mercenary nature of the woman jarred upon the poet's sensitive soul. The plain fact that he hadn't got twenty guineas in the world could not be gainsaid. But he had rich friends. If he could only interest