At the Foot of the Rainbow. Stratton-Porter Gene
of England, which was the strongest way he knew to express himself. His very first earnings he spent for a book; when other men rested, he read; all his life he was a student of extraordinarily tenacious memory. He especially loved history: Rollands, Wilson's Outlines, Hume, Macauley, Gibbon, Prescott, and Bancroft, he could quote from all of them paragraphs at a time contrasting the views of different writers on a given event, and remembering dates with unfailing accuracy. "He could repeat the entire Bible," says Mrs. Stratton-Porter, "giving chapters and verses, save the books of Generations; these he said 'were a waste of gray matter to learn.' I never knew him to fail in telling where any verse quoted to him was to be found in the Bible." And she adds: "I was almost afraid to make these statements, although there are many living who can corroborate them, until John Muir published the story of his boyhood days, and in it I found the history of such rearing as was my father's, told of as the customary thing among the children of Muir's time; and I have referred many inquirers as to whether this feat were possible, to the Muir book."
All his life, with no thought of fatigue or of inconvenience to himself, Mark Stratton travelled miles uncounted to share what he had learned with those less fortunately situated, by delivering sermons, lectures, talks on civic improvement and politics. To him the love of God could be shown so genuinely in no other way as in the love of his fellowmen. He worshipped beauty: beautiful faces, souls, hearts, beautiful landscapes, trees, animals, flowers. He loved colour: rich, bright colour, and every variation down to the faintest shadings. He was especially fond of red, and the author carefully keeps a cardinal silk handkerchief that he was carrying when stricken with apoplexy at the age of seventy-eight. "It was so like him," she comments, "to have that scrap of vivid colour in his pocket. He never was too busy to fertilize a flower bed or to dig holes for the setting of a tree or bush. A word constantly on his lips was 'tidy.' It applied equally to a woman, a house, a field, or a barn lot. He had a streak of genius in his make-up: the genius of large appreciation. Over inspired Biblical passages, over great books, over sunlit landscapes, over a white violet abloom in deep shade, over a heroic deed of man, I have seen his brow light up, his eyes shine."
Mrs. Porter tells us that her father was constantly reading aloud to his children and to visitors descriptions of the great deeds of men. Two "hair-raisers" she especially remembers with increased heart-beats to this day were the story of John Maynard, who piloted a burning boat to safety while he slowly roasted at the wheel. She says the old thrill comes back when she recalls the inflection of her father's voice as he would cry in imitation of the captain: "John Maynard!" and then give the reply. "Aye, aye, sir!" His other until it sank to a mere gasp: favourite was the story of Clemanthe, and her lover's immortal answer to her question: "Shall we meet again?"
To this mother at forty-six, and this father at fifty, each at intellectual top-notch, every faculty having been stirred for years by the dire stress of Civil War, and the period immediately following, the author was born. From childhood she recalls "thinking things which she felt should be saved," and frequently tugging at her mother's skirts and begging her to "set down" what the child considered stories and poems. Most of these were some big fact in nature that thrilled her, usually expressed in Biblical terms; for the Bible was read twice a day before the family and helpers, and an average of three services were attended on Sunday.
Mrs. Porter says that her first all-alone effort was printed in wabbly letters on the fly-leaf of an old grammar. It was entitled: "Ode to the Moon." "Not," she comments, "that I had an idea what an 'ode' was, other than that I had heard it discussed in the family together with different forms of poetic expression. The spelling must have been by proxy: but I did know the words I used, what they meant, and the idea I was trying to convey.
"No other farm was ever quite so lovely as the one on which I was born after this father and mother had spent twenty-five years beautifying it," says the author. It was called "Hopewell" after the home of some of her father's British ancestors. The natural location was perfect, the land rolling and hilly, with several flowing springs and little streams crossing it in three directions, while plenty of forest still remained. The days of pioneer struggles were past. The roads were smooth and level as floors, the house and barn commodious; the family rode abroad in a double carriage trimmed in patent leather, drawn by a matched team of gray horses, and sometimes the father "speeded a little" for the delight of the children. "We had comfortable clothing," says Mrs. Porter, "and were getting our joy from life without that pinch of anxiety which must have existed in the beginning, although I know that father and mother always held steady, and took a large measure of joy from life in passing."
Her mother's health, which always had been perfect, broke about the time of the author's first remembrance due to typhoid fever contracted after nursing three of her children through it. She lived for several years, but with continual suffering, amounting at times to positive torture.
So it happened, that led by impulse and aided by an escape from the training given her sisters, instead of "sitting on a cushion and sewing a fine seam"—the threads of the fabric had to be counted and just so many allowed to each stitch!—this youngest child of a numerous household spent her waking hours with the wild. She followed her father and the boys afield, and when tired out slept on their coats in fence corners, often awaking with shy creatures peering into her face. She wandered where she pleased, amusing herself with birds, flowers, insects, and plays she invented. "By the day," writes the author, "I trotted from one object which attracted me to another, singing a little song of made-up phrases about everything I saw while I waded catching fish, chasing butterflies over clover fields, or following a bird with a hair in its beak; much of the time I carried the inevitable baby for a woman-child, frequently improvised from an ear of corn in the silk, wrapped in catalpa leaf blankets."
She had a corner of the garden under a big Bartlett pear tree for her very own, and each spring she began by planting radishes and lettuce when the gardening was done; and before these had time to sprout she set the same beds full of spring flowers, and so followed out the season. She made special pets of the birds, locating nest after nest, and immediately projecting herself into the daily life of the occupants. "No one," she says, "ever taught me more than that the birds were useful, a gift of God for our protection from insect pests on fruit and crops; and a gift of Grace in their beauty and music, things to be rigidly protected. From this cue I evolved the idea myself that I must be extremely careful, for had not my father tied a 'kerchief over my mouth when he lifted me for a peep into the nest of the humming-bird, and did he not walk softly and whisper when he approached the spot? So I stepped lightly, made no noise, and watched until I knew what a mother bird fed her young before I began dropping bugs, worms, crumbs, and fruit into little red mouths that opened at my tap on the nest quite as readily as at the touch of the feet of the mother bird."
In the nature of this child of the out-of-doors there ran a fibre of care for wild things. It was instinct with her to go slowly, to touch lightly, to deal lovingly with every living thing: flower, moth, bird, or animal. She never gathered great handfuls of frail wild flowers, carried them an hour and threw them away. If she picked any, she took only a few, mostly to lay on her mother's pillow—for she had a habit of drawing comfort from a cinnamon pink or a trillium laid where its delicate fragrance reached her with every breath. "I am quite sure," Mrs. Porter writes, "that I never in my life, in picking flowers, dragged up the plant by the roots, as I frequently saw other people do. I was taught from infancy to CUT a bloom I wanted. My regular habit was to lift one plant of each kind, especially if it were a species new to me, and set it in my wild-flower garden."
To the birds and flowers the child added moths and butterflies, because she saw them so frequently, the brilliance of colour in yard and garden attracting more than could be found elsewhere. So she grew with the wild, loving, studying, giving all her time. "I fed butterflies sweetened water and rose leaves inside the screen of a cellar window," Mrs. Porter tells us; "doctored all the sick and wounded birds and animals the men brought me from afield; made pets of the baby squirrels and rabbits they carried in for my amusement; collected wild flowers; and as I grew older, gathered arrow points and goose quills for sale in Fort Wayne. So I had the first money I ever earned."
Her father and mother had strong artistic tendencies, although they would have scoffed at the idea themselves, yet the manner in which they laid off their fields, the home they built, the growing things they preserved, the way they planted, the life they