Men, Women and Guns. H. C. McNeile
Old Ginger's took it. 'Old up, mate. Say, blokes, Ginger's done in!" Aye—it's worse at night.
Shrapnel! Woolly, fleecy puffs of smoke floating gently down wind, getting more and more attenuated, gradually disappearing, while below each puff an oval of ground has been plastered with bullets. And it's when the ground inside the oval is full of men that the damage is done.
Not you perhaps—but someone. Next time—maybe you.
And that, methinks, is an epitome of other things besides shrapnel. It's all the war to the men who fight and the women who wait.
PART ONE
PART ONE
CHAPTER I
THE MOTOR-GUN
Nothing in this war has so struck those who have fought in it as its impersonal nature. From the day the British Army moved north, and the first battle of Ypres commenced—and with it trench warfare as we know it now—it has been, save for a few interludes, a contest between automatons, backed by every known scientific device. Personal rancour against the opposing automatons separated by twenty or thirty yards of smelling mud—who stew in the same discomfort as yourself—is apt to give way to an acute animosity against life in general, and the accursed fate in particular which so foolishly decided your sex at birth. But, though rare, there have been cases of isolated encounters, where men—with the blood running hot in their veins—have got down to hand-grips, and grappling backwards and forwards in some cellar or dugout, have fought to the death, man to man, as of old. Such a case has recently come to my knowledge, a case at once bizarre and unique: a case where the much-exercised arm of coincidence showed its muscles to a remarkable degree. Only quite lately have I found out all the facts, and now at Dick O'Rourke's special request I am putting them on paper. True, they are intended to reach the eyes of one particular person, but … the personal column in the Times interests others besides the lady in the magenta skirt, who will eat a banana at 3.30 daily by the Marble Arch!
And now, at the very outset of my labours, I find myself—to my great alarm—committed to the placing on paper of a love scene. O'Rourke insists upon it: he says the whole thing will fall flat if I don't put it in; he promises that he will supply the local colour. In advance I apologise: my own love affairs are sufficiently trying without endeavouring to describe his—and with that, here goes.
I will lift my curtain on the principals of this little drama, and open the scene at Ciro's in London. On the evening of April 21st, 1915, in the corner of that delectable resort, farthest away from the coon band, sat Dickie O'Rourke. That afternoon he had stepped from the boat at Folkestone on seven days' leave, and now in the boiled shirt of respectability he once again smelled the smell of London.
With him was a girl. I have never seen her, but from his description I cannot think that I have lived until this oversight is rectified. Moreover, my lady, as this is written especially for your benefit, I hereby warn you that I propose to remedy my omission as soon as possible.
And yet with a band that is second to none; with food wonderful and divine; with the choicest fruit of the grape, and—to top all—with the girl, Dickie did not seem happy. As he says, it was not to be wondered at. He had landed at Folkestone meaning to propose; he had carried out his intention over the fish—and after that the dinner had lost its savour. She had refused him—definitely and finally; and Dick found himself wishing for France again—France and forgetfulness. Only he knew he'd never forget.
"The dinner is to monsieur's taste?" The head-waiter paused attentively by the table.
"Very good," growled Dick, looking savagely at an ice on his plate. "Oh, Moyra," he muttered, as the man passed on, "it's meself is finished entoirely. And I was feeling that happy on the boat; as I saw the white cliffs coming nearer and nearer, I said to meself, 'Dick, me boy, in just four hours you'll be with the dearest, sweetest girl that God ever sent from the heavens to brighten the lives of dull dogs like yourself.'"
"You're not dull, Dick. You're not to say those things—you're a dear." The girl's eyes seemed a bit misty as she bent over her plate.
"And now!" He looked at her pleadingly. "'Tis the light has gone out of my life. Ah! me dear, is there no hope for Dickie O'Rourke? Me estate is mostly bog, and the ould place has fallen down, saving only the stable—but there's the breath of the seas that comes over the heather in the morning, and there's the violet of your dear eyes in the hills. It's not worrying you that I'd be—but is there no hope at all, at all?"
The girl turned towards him, smiling a trifle sadly. There was woman's pity in the lovely eyes: her lips were trembling a little. "Dear old Dick," she whispered, and her hand rested lightly on his for a moment. "Dear old Dick, I'm sorry. If I'd only known sooner——" She broke off abruptly and fell to gazing at the floor.
"Then there is someone else!" The man spoke almost fiercely.
Slowly she nodded her head, but she did not speak.
"Who is it?"
"I don't know that you've got any right to ask me that, Dick," she answered, a little proudly.
"What's the talk of right between you and me? Do you suppose I'll let any cursed social conventions stand between me and the woman I love?" She could see his hand trembling, though outwardly he seemed quite calm. And then his voice dropped to a tender, pleading note—and again the soft, rich brogue of the Irishman crept in—that wonderful tone that brings with it the music of the fairies from the hazy blue hills of Connemara.
"Acushla mine," he whispered, "would I be hurting a hair of your swate head, or bringing a tear to them violet pools ye calls your eyes? 'Tis meself that is in the wrong entoirely—but, mavourneen, I just worship you. And the thought of the other fellow is driving me crazy. Will ye not be telling me his name?"
"Dick, I can't," she whispered, piteously. "You wouldn't understand."
"And why would I not understand?" he answered, grimly. "Is it something shady he has done to you?—for if it is, by the Holy Mother, I'll murder him."
"No, no, it's nothing shady. But I can't tell you, Dick; and oh, Dick! I'm just wretched, and I don't know what to do." The tears were very near. A whimsical look came into his face as he watched her. "Moyra, me dear; 'tis about ten shillings apiece we're paying for them ices; and if you splash them with your darling tears, the chef will give notice and that coon with the banjo will strike work."
"You dear, Dick," she whispered, after a moment, while a smile trembled round her mouth. "I nearly made a fool of myself."
"Divil a bit," he answered. "But let us be after discussing them two fair things yonder while we gets on with the ices. 'Tis the most suitable course for contemplating the dears; and, anyway, we'll take no more risks until we're through with them."
And so with a smile on his lips and a jest on his tongue did a gallant gentleman cover the ache in his heart and the pain in his eyes, and felt more than rewarded by the look of thanks he got. It was not for him to ask for more than she would freely give; and if there was another man—well, he was a lucky dog. But if he'd played the fool—yes, by Heaven! if he'd played the fool, that was a different pair of shoes altogether. His forehead grew black at the thought, and mechanically his fists clenched.
"Dick,