Amheida III. Roger S. Bagnall
used for the Roman production in Amheida. The ceramic types of Amheida production are close to the Old Kingdom material from Balat, especially for the slight or strong over-firing process. For the production of Balat see: Ballet and Picon 1990: 83–84.
24. Hope 1999: 235; Hope et al. 2000: 194; Dunsmore 2002: 131; Hope 2004a: 9; Dixneuf 2012: 459.
25. Hope 2004a: 9.
26. The fabric description has been defined with P. Ballet during a workshop in January 2013 and February 2014 in Dakhla.
27. Ballet and Vichy 1992: 116–119, Fig.13 (g–h); Ballet 2004: 224–225, 237 (Fig. 220, nos. 48–50).
28. Ballet and Vichy 1992: 119; Ballet 2004: 221–225.
29. Rougeulle and Marchand 2011: 443, n. 13.
30. Marchand 2000 : 221.
31. Patten 2000: 233 and pl. 79 (SS160k and SS91e; Form 157, Phase 4+); Hope et al. 2006: 189.
32. Henein 1997: 161–166.
33. Hope 1999: 232; Hope 1987: 171, fig. 5 (o: 2nd–3rd c. AD); Patten 2000: pl. 68 (Form 123/1, H7-1/82/18a); Bowen et al. 2007: 26 and 42, fig. 5 (c: end of 1st–2nd c. AD).
34. Hope 1987: 171, fig. 5 (p: 2nd–3rd c. AD); Patten 2000: 228 and pl. 77 (Form 138, Phase 4); Hope et al. 2006: 27 and 48, fig. 3 (d.69: end of 1st –beginning of 3rd c. AD); Patten 2000: 228 and pl. 77 (SS11 1j: Form 138, Phase 4).
35. Patten 2000: 227 and pl. 75 (SS18ab: similar to Form 136, Phase 4).
36. Patten 2000: 177–179, Pl. 52 (Form 62/2); Hope et al. 2006: 27, 49 fig. 4 (a).
37. Dunsmore 2002: 137, fig. 5 (a 97/106a).
38. Hope 1987: pl. 171, fig. 5 (n–d) and fig. 5 (l); Patten 1999: 85, fig. 2.12; Patten 2000, Form 10/1 and p. 42; Patten 2000: pl. 46 (Form 36); Hope 2003: fig. 18 (f), p. 269, fig. 20 (b–c); Hope 2004b: 40, fig. 7 (a, c, f) and 41, fig. 9 (d, e, h).
39. Hope 2003: 213, fig. 5 (a), 269, fig. 20 (b–c) and 272; Dunand et al. 1992: 48–57, Pl. 79 (3).
40. Hope 1987: 171, fig. 5 (c); Patten 1999: 85, fig. 2 (18); Patten 2000: pl. 41 (Form 7 R-F) and pl. 41 (Form 6/1).
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