ANCIENT MYTHOLOGY Boxed Set (Illustrated Edition). Lewis Spence
him. But the king sent a second messenger, with orders to put Nannaros to death if he did not surrender Parsondes. Nannaros entertained the messenger of the king; and when the meal was brought, 150 women entered, of whom some played the guitar, while others blew the flute. At the end of the meal, Nannaros asked the king's envoy which of all the women was the most beautiful and had played best. The envoy pointed to Parsondes. Nannaros laughed long and said, 'That is the person whom you seek,' and released Parsondes, who on the next day returned home with the envoy to the king in a chariot. The king was astonished at the sight of him, and asked why he had not avoided such disgrace by death. Parsondes answered, 'In order that I might see you again and by you execute vengeance on Nannaros, which could never have been mine had I taken my life.' The king promised him that his hope should be realized, as soon as he came to Babylon. But when he came there, Nannaros defended himself on the ground that Parsondes, though in no way injured by him, had maligned him, and sought to obtain the satrapy over Babylonia. The king pointed out that he had made himself judge in his own cause, and had imposed a punishment of a degrading character; in ten days he would pronounce judgment upon him for his conduct. In terror, Nannaros hastened to Mitraphernes, the eunuch of greatest influence with the king, and promised him the most liberal rewards, 10 talents of gold and 100 talents of silver, 10 golden and 200 silver bowls, if he could induce the king to spare his life and retain him in the satrapy of Babylonia. He was prepared to give the king 100 talents of gold, 1000 talents of silver, 100 golden and 300 silver bowls, and costly robes, with other gifts; Parsondes also should receive 100 talents of silver and costly robes. After many entreaties, Mitraphernes persuaded the king not to order the execution of Nannaros, as he had not killed Parsondes, but to exact from him the compensation which he was prepared to pay Parsondes and the king. Nannaros in gratitude threw himself at the feet of the king; but Parsondes said, 'Cursed be the man who first brought gold among men; for the sake of gold I have been made a mockery to the Babylonians.'"
Assyrian Rock Sculpture from The Monuments of Nineveh
It is impossible to say what the mythological meaning hidden in this tale may portend. We have the moon-god attempting to feminize an unfortunate enemy. Does this mean that Parsondes came under the influence of the moon-god—that is, that he became a lunatic?
Aralu, or Eres-ki-Gal
The deities of the underworld, of the region of the dead, are usually of later origin than those of the heavens.10 They are frequently the gods of an older and discredited religion, and are relegated to the 'cold shades of opposition,' dwelling there just as the dead are supposed to 'dwell' in the grave. A legend exists regarding Aralu which was discovered among other texts at Tel-el-Amarna. The story goes that the gods once gave a feast to which they invited Aralu, apologizing at the same time that they were unable to go down to her and regretting that she could not ascend to them. In their dilemma they requested her to send a messenger to bring to her the viands which fell to her share. She complied with the request, and when the messenger arrived all the gods stood up to do him honour for his mistress's sake—all save Nergal. The messenger acquainted Aralu with this slight, and greatly enraged she sent him back to the dwelling of the gods to ask that the delinquent might be delivered into her hands so that she might slay him. The gods after some discussion requested the messenger to take back him who had offended the dark goddess, and in order that the envoy might the more easily discover him, all the gods were gathered together. But Nergal remained in the background. His absence was discovered, however, and he was despatched to the gloomy realm of Aralu. But he had no mind to taste death. Indeed Aralu found the tables turned, for Nergal, seizing her by the hair, dragged her from her throne and prepared to cut off her head. She begged to be allowed to speak, and upon her request being granted, she offered herself as a wife to her conqueror, along with the dominions over which she held sway. Nergal assented to her proposals and they were wed.
Nergal is the sun which passes through the gloomy underworld at night just as does Osiris, and in this character he has to conquer the powers of death and the grave. It is rare, however, to find the sun-hero allying himself by marriage to one of the infernal powers, although in the Central American Popol Vuh one of the explorers to the underworld weds the daughter of one of its overlords, and Persephone, the corn-goddess, is forced to become the spouse of the lord of Hades.
Dagon
Dagon, alluded to in the Scriptures, was, like Oannes, a fish-god. Besides being worshipped in Erech and its neighbourhood, he was adored in Palestine and on occasion among the Hebrews themselves. But it was in the extreme south of Palestine that his worship attained its chief importance. He had temples at Ashdod and Gaza, and perhaps his worship travelled westward along with that of Ishtar. Both were worshipped at Erech, and where the cult of the one penetrated it is likely that there would be found the rites of the other.
Dagon his name; sea-monster, upward man
And downward fish,
as Milton expresses it, affords one of the most dramatic instances in the Old Testament of the downfall of a usurping idol.
"And the Philistines took the ark of God, and brought it from Eben-ezer unto Ashdod.
"When the Philistines took the ark of God, they brought it into the house of Dagon, and set it by Dagon.
"And when they of Ashdod arose early on the morrow, behold, Dagon was fallen upon his face to the earth before the ark of the Lord. And they took Dagon, and set him in his place again.
"And when they arose early on the morrow morning, behold, Dagon was fallen upon his face to the ground before the ark of the Lord; and the head of Dagon and both the palms of his hands were cut off upon the threshold; only the stump of Dagon was left to him.
"Therefore neither the priests of Dagon, nor any that come into Dagon's house, tread on the threshold of Dagon in Ashdod unto this day.
"But the hand of the Lord was heavy upon them of Ashdod, and he destroyed them, and smote them with emerods, even Ashdod and the coasts thereof.
"And when the men of Ashdod saw that it was so, they said, The ark of the God of Israel shall not abide with us: for his hand is sore upon us and upon Dagon our god."
Thus in the Bible story only the 'stump' or fish's tail of Dagon was left to him. In some of the Ninevite sculptures of this deity, the head of the fish forms a kind of mitre on the head of the man, while the body of the fish appears as a cloak or cape over his shoulders and back. This is a sure sign to the mythological student that a god so adorned is in process of quitting the animal for the human form.11
Nirig, or Enu-Restu
This deity is alluded to in an inscription as "the eldest of the gods." He was especially favoured by the Kings of Assyria, and we find his name entering into the composition of several of their texts. In a certain poem he is called the "son of Bel," and is described as being made "in the likeness of Anu." He rides, it is said, against the gods of his enemies in a chariot of lapis-lazuli, and his onset is full of the fury of the tempest. Bel, his father, commands him to set forth for the temple of Bel at Nippur. Here Nusku, the messenger of Bel, meets him, bestows a gift upon him, and humbly requests that he will not disturb the god Bel, his father, in his dwelling-place, nor terrify the earth-gods. It would appear from this passage that Nirig was on the point of taking the place of Bel, his father, but that he ever did so is improbable. As a deity of storm he is also a god of war, but he was the seed-scatterer upon the mountains, therefore he had also an agricultural significance. It is strange that in Babylonia tempest-gods possess the same functions and attributes—those of war and agriculture—as do rain or thunder, or rain-thunder, or wind and rain deities elsewhere-a circumstance which is eloquent of the power of climatic conditions in the manufacture of myth. In Mesopotamia fierce sand-storms must have given the people the idea of a savage and intractable deity, destructive rather than beneficent, as many hymns