In Search of Lost Time [volumes 1 to 7]. Marcel Proust
waiters administered to them as they passed, fixed melancholy eyes upon a distant dream and were consoled only if some visitor from the Balbec hotel in which they had once been employed, recognising them, said a few words to them, telling them in person to take away the champagne which was not fit to drink, an order that filled them with pride.
I could hear the twinging of my nerves, in which there was a sense of comfort independent of the external objects that might have produced it, a comfort which the least shifting of my body or of my attention was enough to make me feel, just as to a shut eye a slight pressure gives the sensation of colour. I had already drunk a good deal of port wine, and if I now asked for more it was not so much with a view to the comfort which the additional glasses would bring me as an effect of the comfort produced by the glasses that had gone before. I allowed the music itself to guide to each of its notes my pleasure which, meekly following, rested on each in turn. If, like one of those chemical industries by means of which are prepared in large quantities bodies which in a state of nature come together only by accident and very rarely, this restaurant at Rivebelle united at one and the same moment more women to tempt me with beckoning vistas of happiness than the hazard of walks and drives would have made me encounter in a year; on the other hand, this music that greeted our ears—arrangements of waltzes, of German operettas, of music-hall songs, all of them quite new to me—was itself like an ethereal resort of pleasure superimposed upon the other and more intoxicating still. For these tunes, each as individual as a woman, were not keeping, as she would have kept, for some privileged person, the voluptuous secret which they contained: they offered me their secrets, ogled me, came up to me with affected or vulgar movements, accosted me, caressed me as if I had suddenly become more seductive, more powerful and more rich; I indeed found in these tunes an element of cruelty; because any such thing as a disinterested feeling for beauty, a gleam of intelligence was unknown to them; for them physical pleasures alone existed. And they are the most merciless of hells, the most gateless and imprisoning for the jealous wretch to whom they present that pleasure—that pleasure which the woman he loves is enjoying with another—as the only thing that exists in the world for her who is all the world to him. But while I was humming softly to myself the notes of this tune, and returning its kiss, the pleasure peculiar to itself which it made me feel became so dear to me that I would have left my father and mother, to follow it through the singular world which it constructed in the invisible, in lines instinct with alternate languor and vivacity. Although such a pleasure as this is not calculated to enhance the value of the person to whom it comes, for it is perceived by him alone, and although whenever, in the course of our life, we have failed to attract a woman who has caught sight of us, she could not tell whether at that moment we possessed this inward and subjective felicity which, consequently, could in no way have altered the judgment that she passed on us, I felt myself more powerful, almost irresistible. It seemed to me that my love was no longer something unattractive, at which people might smile, but had precisely the touching beauty, the seductiveness of this music, itself comparable to a friendly atmosphere in which she whom I loved and I were to meet, suddenly grown intimate.
This restaurant was the resort not only of light women; it was frequented also by people in the very best society, who came there for afternoon tea or gave big dinner-parties. The tea-parties were held in a long gallery, glazed and narrow, shaped like a funnel, which led from the entrance hall to the dining-room and was bounded on one side by the garden, from which it was separated (save for a few stone pillars) only by its wall of glass, in which panes would be opened here and there. The result of which, apart from ubiquitous draughts, was sudden and intermittent bursts of sunshine, a dazzling light that made it almost impossible to see the tea-drinkers, so that when they were installed there, at tables crowded pair after pair the whole way along the narrow gully, as they were shot with colours at every movement they made in drinking their tea or in greeting one another, you would have called it a reservoir, a stewpond in which the fisherman has collected all his glittering catch, and the fish, half out of water and bathed in sunlight, dazzle the eye as they mirror an ever-changing iridescence.
A few hours later, during dinner, which, naturally, was served in the dining-room, the lights would be turned on, although it was still quite light out of doors, so that one saw before one’s eyes, in the garden, among summer-houses glimmering in the twilight, like pale spectres of evening, alleys whose greyish verdure was pierced by the last rays of the setting sun and, from the lamp-lit room in which we were dining, appeared through the glass—no longer, as one would have said of the ladies who had been drinking tea there in the afternoon, along the blue and gold corridor, caught in a glittering and dripping net—but like the vegetation of a pale and green aquarium of gigantic size seen by a supernatural light. People began to rise from table; and if each party while their dinner lasted, albeit they spent the whole time examining, recognising, naming the party at the next table, had been held in perfect cohesion about their own, the attractive force that had kept them gravitating round their host of the evening lost its power at the moment when, for coffee, they repaired to the same corridor that had been used for the tea-parties; it often happened that in its passage from place to place some party on the march dropped one or more of its human corpuscles who, having come under the irresistible attraction of the rival party, detached themselves for a moment from their own, in which their places were taken by ladies or gentlemen who had come across to speak to friends before hurrying off with an “I really must fly: I’m dining with M. So-and-So.” And for the moment you would have been reminded, looking at them, of two separate nosegays that had exchanged a few of their flowers. Then the corridor too began to empty. Often, since even after dinner there was still a little light left outside, they left this long corridor unlighted, and, skirted by the trees that overhung it on the other side of the glass, it suggested a pleached alley in a wooded and shady garden. Here and there, in the gloom, a fair diner lingered. As I passed through this corridor one evening on my way out I saw, sitting among a group of strangers, the beautiful Princesse de Luxembourg. I raised my hat without stopping. She remembered me, and bowed her head with a smile; in the air, far above her bowed head, but emanating from the movement, rose melodiously a few words addressed to myself, which must have been a somewhat amplified good-evening, intended not to stop me but simply to complete the gesture, to make it a spoken greeting. But her words remained so indistinct and the sound which was all that I caught was prolonged so sweetly and seemed to me so musical that it seemed as if among the dim branches of the trees a nightingale had begun to sing. If it so happened that, to finish the evening with a party of his friends whom we had met, Saint-Loup decided to go on to the Casino of a neighbouring village, and, taking them with him, put me in a carriage by myself, I would urge the driver to go as fast as he possibly could, so that the minutes might pass less slowly which I must spend without having anyone at hand to dispense me from the obligation myself to provide my sensibility—reversing the engine, so to speak, and emerging from the passivity in which I was caught and held as in the teeth of a machine—with those modifications which, since my arrival at Rivebelle, I had been receiving from other people. The risk of collision with a carriage coming the other way along those lanes where there was barely room for one and it was dark as pitch, the insecurity of the soil, crumbling in many places, at the cliff’s edge, the proximity of its vertical drop to the sea, none of these things exerted on me the slight stimulus that would have been required to bring the vision and the fear of danger within the scope of my reasoning. For just as it is not the desire to become famous but the habit of being laborious that enables us to produce a finished work, so it is not the activity of the present moment but wise reflexions from the past that help us to safeguard the future. But if already, before this point, on my arrival at Rivebelle, I had flung irretrievably away from me those crutches of reason and self-control which help our infirmity to follow the right road, if I now found myself the victim of a sort of moral ataxy, the alcohol that I had drunk, by unduly straining my nerves, gave to the minutes as they came a quality, a charm which did not have the result of leaving me more ready, or indeed more resolute to inhibit them, prevent their coming; for while it made me prefer them a thousand times to anything else in my life, my exaltation made me isolate them from everything else; I was confined to the present, as heroes are or drunkards; eclipsed for the moment, my past no longer projected before me that shadow of itself which we call our future; placing the goal of my life no longer in the realisation of the dreams of that past, but in the felicity of the present moment, I could see nothing now of what lay beyond it. So that, by a contradiction which, however, was only