Alchemy: Ancient and Modern - Being a Brief Account of the Alchemistic Doctrines, and their Relations, to Mysticism on the One Hand, and to Recent Discoveries in Physical Science on the Other Hand. H. Stanley Redgrove
to demonstrate experimentally on the material plane the validity of a certain philosophical view of the Cosmos”; now, this “philosophical view of the Cosmos” was Mysticism. Alchemy had its origin in the attempt to apply, in a certain manner, the principles of Mysticism to the things of the physical plane, and was, therefore, of a dual nature, on the one hand spiritual and religious, on the other, physical and material. As the anonymous author of Lives of Alchemystical Philosophers (1815) remarks, “The universal chemistry, by which the science of alchemy opens the knowledge of all nature, being founded on first principles forms analogy with whatever knowledge is founded on the same first principles. . . . Saint John describes the redemption, or the new creation of the fallen soul, on the same first principles, until the consummation of the work, in which the Divine tincture transmutes the base metal of the soul into a perfection, that will pass the fire of eternity;”6 that is to say, Alchemy and the mystical regeneration of man (in this writer’s opinion) are analogous processes on different planes of being, because they are founded on the same first principles.
Opinions of other Writers.
§ 8. We shall here quote the opinions of two modern writers, as to the significance of Alchemy; one a mystic, the other a man of science. Says Mr. A. E. Waite, “If the authors of the ‘Suggestive Inquiry” and of ‘Remarks on Alchemy and the Alchemists’ [two books putting forward the transcendental theory] had considered the lives of the symbolists, as well as the nature of the symbols, their views would have been very much modified; they would have found that the true method of Hermetic interpretation lies in a middle course; but the errors which originated with merely typographical investigations were intensified by a consideration of the great alchemical theorem, which, par excellence, is one of universal development, which acknowledges that every substance contains undeveloped resources and potentialities, and can be brought outward and forward into perfection. They [the generality of alchemists] applied their theory only to the development of metallic substances from a lower to a higher order, but we see by their writings that the grand hierophants of Oriental and Western alchemy alike were continually haunted by brief and imperfect glimpses of glorious possibilities for man, if the evolution of his nature were accomplished along the lines of their theory.”7 Mr. M. M. Pattison Muir, M.A., says: “. . . alchemy aimed at giving experimental proof of a certain theory of the whole system of nature, including humanity. The practical culmination of the alchemical quest presented a threefold aspect; the alchemists sought the stone of wisdom, for by gaining that they gained the control of wealth; they sought the universal panacea, for that would give them the power of enjoying wealth and life; they sought the soul of the world, for thereby they could hold communion with spiritual existences, and enjoy the fruition of spiritual life. The object of their search was to satisfy their material needs, their intellectual capacities, and their spiritual yearnings. The alchemists of the nobler sort always made the first of these objects subsidiary to the other two. . . .8
The Basic Idea of Alchemy.
§ 9. The famous axiom beloved by every alchemist—“What is above is as that which is below, and what is below is as that which is above”—although of quesable origin, tersely expresses the basic idea of Alchemy. The alchemists postulated and believed in a very real sense in the essential unity of the Cosmos. Hence, they held that there is a correspondence or analogy existing between things spiritual and things physical, the same laws operating in each realm. As writes Sendivogius “. . . the Sages have been taught of God that this natural world is only an image and material copy of a heavenly and spiritual pattern; that the very existence of this world is based upon the reality of its celestial archetype; and that God has created it in imitation of the spiritual and invisible universe, in order that men might be the better enabled to comprehend His heavenly teaching, and the wonders of His absolute and ineffable power and wisdom. Thus the Sage sees heaven reflected in Nature as in a mirror; and he pursues this Art, not for the sake of gold or silver, but for the love of the knowledge which it reveals; he jealously conceals it from the sinner and the scornful, lest the mysteries of heaven should be laid bare to the vulgar gaze.”9
The alchemists held that the metals are one in essence, and spring from the same seed in the womb of nature, but are not all equally matured and perfect, gold being the highest product of Nature’s powers. In gold, the alchemist saw a picture of the regenerate man, resplendent with spiritual beauty, overcoming all temptations and proof against evil; whilst he regarded lead—the basest of the metals—as typical of the sinful and unregenerate man, stamped with the hideousness of sin and easily overcome by temptation and evil; for whilst gold withstood the action of fire and all known corrosive liquids (save aqua regia alone), lead was most easily acted upon. We are told that the Philosopher’s Stone, which would bring about the desired grand transmutation, is of a species with gold itself and purer than the purest; understood in the mystical sense this means that the regeneration of man can be effected only by Goodness itself—in terms of Christian theology, by the Power of the Spirit of Christ. The Philosopher’s Stone was regarded as symbolical of Christ Jesus, and in this sense we can understand the otherwise incredible powers attributed to it.
The Law of Analogy.
§ 10. With the theories of physical Alchemy we shall deal at length in the following chapter, but enough has been said to indicate the analogy existing, according to the alchemistic view, between the problem of the perfection of the metals, i.e., the transmutation of the “base” metals into gold, and the perfection or transfiguration of spiritual man; and it might also be added, between these problems and that of the perfection of man considered physiologically. To the alchemistic philosopher these three problems were one: the same problem on different planes of being; and the solution was likewise one. He who held the key to one problem held the key to all three, provided he understood the analogy between matter and spirit. The point is not, be it noted, whether these problems are in reality one and the same; the main doctrine of analogy, which is, indeed, an essential element in all true mystical philosophy, will, we suppose, meet with general consent; but it will be contended (and rightly, we think) that the analogies drawn by the alchemists are fantastic and by no means always correct, though possibly there may be more truth in them than appears at first sight. The point is not that these analogies are correct, but that they were regarded as such by all true alchemists, Says the author of The Sophie Hydrolith: “. . . the practice of this Art enables us to understand, not merely the marvels of Nature, but the nature of God Himself, in all its unspeakable glory. It shadows forth, in a wonderful manner . . . all the articles of the Christian faith, and the reason why man must pass through much tribulation and anguish, and fall a prey to death, before he can rise again to a new life.”10 A considerable portion of this curious alchemistic work is taken up in expounding the analogy believed to exist between the Philosopher’s Stone and “the Stone which the builders rejected,” Christ Jesus; and the writer concludes: “Thus . . . I have briefly and simply set forth to you the perfect analogy which exists between our earthly and chemical and the true and heavenly Stone, Jesus Christ, whereby we may attain unto certain beatitude and perfection, not only in earthly but also in eternal life.”11 And likewise says Peter Bonus: “I am firmly persuaded that any unbeliever who got truly to know this Art, would straightway confess the truth of our Blessed Religion, and believe in the Trinity and in our Lord Jesus Christ.”12
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