The Collected Works of Honore de Balzac. The griffin classics
at our ease,” said a tall thin old man, about seventy-five years of age, dressed in blue cloth, and wearing his hunting-cap by permission of the ladies. This personage, who closely resembled the Duc de Bourbon, was no less than the Prince de Cadignan, Master of the Hunt, and one of the last of the great French lords. Just as La Briere was endeavoring to slip behind the sofa and obtain a moment’s intercourse with Modeste, a man of thirty-eight, short, fat, and very common in appearance, entered the room.
“My son, the Prince de Loudon,” said the Duchesse de Verneuil to Modeste, who could not restrain the expression of amazement that overspread her young face on seeing the man who bore the historical name that the hero of La Vendee had rendered famous by his bravery and the martyrdom of his death.
“Gaspard,” said the duchess, calling her son to her. The young prince came at once, and his mother continued, motioning to Modeste, “Mademoiselle de La Bastie, my friend.”
The heir presumptive, whose marriage with Desplein’s only daughter had lately been arranged, bowed to the young girl without seeming struck, as his father had been, with her beauty. Modeste was thus enabled to compare the youth of to-day with the old age of a past epoch; for the old Prince de Cadignan had already said a few words which made her feel that he rendered as true a homage to womanhood as to royalty. The Duc de Rhetore, the eldest son of the Duchesse de Chaulieu, chiefly remarkable for manners that were equally impertinent and free and easy, bowed to Modeste rather cavalierly. The reason of this contrast between the fathers and the sons is to be found, probably, in the fact that young men no longer feel themselves great beings, as their forefathers did, and they dispense with the duties of greatness, knowing well that they are now but the shadow of it. The fathers retain the inherent politeness of their vanished grandeur, like the mountain-tops still gilded by the sun when all is twilight in the valley.
Ernest was at last able to slip a word into Modeste’s ear, and she rose immediately.
“My dear,” said the duchesse, thinking she was going to dress, and pulling a bell-rope, “they shall show you your apartment.”
Ernest accompanied Modeste to the foot of the grand staircase, presenting the request of the luckless poet, and endeavoring to touch her feelings by describing Melchior’s agony.
“You see, he loves — he is a captive who thought he could break his chain.”
“Love in such a rapid seeker after fortune!” retorted Modeste.
“Mademoiselle, you are at the entrance of life; you do not know its defiles. The inconsistencies of a man who falls under the dominion of a woman much older than himself should be forgiven, for he is really not accountable. Think how many sacrifices Canalis has made to her. He has sown too much seed of that kind to resign the harvest; the duchess represents to him ten years of devotion and happiness. You made him forget all that, and unfortunately, he has more vanity than pride; he did not reflect on what he was losing until he met Madame Chaulieu here to-day. If you really understood him, you would help him. He is a child, always mismanaging his life. You call him a seeker after fortune, but he seeks very badly; like all poets, he is a victim of sensations; he is childish, easily dazzled like a child by anything that shines, and pursuing its glitter. He used to love horses and pictures, and he craved fame, — well, he sold his pictures to buy armor and old furniture of the Renaissance and Louis XV.; just now he is seeking political power. Admit that his hobbies are noble things.”
“You have said enough,” replied Modeste; “come,” she added, seeing her father, whom she called with a motion of her head to give her his arm; “come with me, and I will give you that scrap of paper; you shall carry it to the great man and assure him of my condescension to his wishes, but on one condition, — you must thank him in my name for the pleasure I have taken in seeing one of the finest of the German plays performed in my honor. I have learned that Goethe’s masterpiece is neither Faust nor Egmont — ” and then, as Ernest looked at the malicious girl with a puzzled air, she added: “It is Torquato Tasso! Tell Monsieur de Canalis to re-read it,” she added smiling; “I particularly desire that you will repeat to your friend word for word what I say; for it is not an epigram, it is the justification of his conduct, — with this trifling difference, that he will, I trust, become more and more reasonable, thanks to the folly of his Eleonore.”
The duchess’s head-woman conducted Modeste and her father to their apartment, where Francoise Cochet had already put everything in order, and the choice elegance of which astounded the colonel, more especially after he heard from Francoise that there were thirty other apartments in the chateau decorated with the same taste.
“This is what I call a proper country-house,” said Modeste.
“The Comte de La Bastie must build you one like it,” replied her father.
“Here, monsieur,” said Modeste, giving the bit of paper to Ernest; “carry it to our friend and put him out of his misery.”
The word our friend struck the young man’s heart. He looked at Modeste to see if there was anything real in the community of interests which she seemed to admit, and she, understanding perfectly what his look meant, added, “Come, go at once, your friend is waiting.”
La Briere colored excessively, and left the room in a state of doubt and anxiety less endurable than despair. The path that approaches happiness is, to the true lover, like the narrow way which Catholic poetry has called the entrance to Paradise, — expressing thus a dark and gloomy passage, echoing with the last cries of earthly anguish.
An hour later this illustrious company were all assembled in the salon; some were playing whist, others conversing; the women had their embroideries in hand, and all were waiting the announcement of dinner. The Prince de Cadignan was drawing Monsieur Mignon out upon China, and his campaigns under the empire, and making him talk about the Portendueres, the L’Estorades, and the Maucombes, Provencal families; he blamed him for not seeking service, and assured him that nothing would be easier than to restore him to his rank as colonel of the Guard.
“A man of your birth and your fortune ought not to belong to the present Opposition,” said the prince, smiling.
This society of distinguished persons not only pleased Modeste, but it enabled her to acquire, during her stay, a perfection of manners which without this revelation she would have lacked all her life. Show a clock to an embryo mechanic, and you reveal to him the whole mechanism; he thus develops the germs of his faculty which lie dormant within him. In like manner Modeste had the instinct to appropriate the distinctive qualities of Madame de Maufrigneuse and Madame de Chaulieu. For her, the sight of these women was an education; whereas a bourgeois would merely have ridiculed their ways or made them absurd by clumsy imitation. A well-born, well-educated, and right-minded young woman like Modeste fell naturally into connection with these people, and saw at once the differences that separate the aristocratic world from the bourgeois world, the provinces from the faubourg Saint-Germain; she caught the almost imperceptible shadings; in short, she perceived the grace of the “grande dame” without doubting that she could herself acquire it. She noticed also that her father and La Briere appeared infinitely better in this Olympus than Canalis. The great poet, abdicating his real and incontestable power, that of the mind, became nothing more than a courtier seeking a ministry, intriguing for an order, and forced to please the whole galaxy. Ernest de La Briere, without ambitions, was able to be himself; while Melchior became, to use a vulgar expression, a mere toady, and courted the Prince de Loudon, the Duc de Rhetore, the Vicomte de Serizy, or the Duc de Maufrigneuse, like a man not free to assert himself, as did Colonel Mignon, who was justly proud of his campaigns, and of the confidence of the Emperor Napoleon. Modeste took note of the strained efforts of the man of real talent, seeking some witticism that should raise a laugh, some clever speech, some compliment with which to flatter these grand personages, whom it was his interest to please. In a word, to Modeste’s eyes the peacock plucked out his tail-feathers.
Toward the middle of the evening the young girl sat down with the grand equerry in a corner of the salon. She led him there purposely to end a suit which she could no longer encourage if she wished to retain her self-respect.
“Monsieur le duc, if you really knew me,” she said, “you