The Collected Works of Honore de Balzac. The griffin classics

The Collected Works of Honore de Balzac - The griffin classics


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we shall meet in the Bois de Boulogne.”

      These words were spoken by the siren as though they were the result of an agreement made before Augustine’s arrival, and she winged them with a threatening look that the officer deserved perhaps for the admiration he showed in gazing at the modest flower, which contrasted so well with the haughty Duchess. The young fop bowed in silence, turned on the heels of his boots, and gracefully quitted the boudoir. At this instant, Augustine, watching her rival, whose eyes seemed to follow the brilliant officer, detected in that glance a sentiment of which the transient expression is known to every woman. She perceived with the deepest anguish that her visit would be useless; this lady, full of artifice, was too greedy of homage not to have a ruthless heart.

      “Madame,” said Augustine in a broken voice, “the step I am about to take will seem to you very strange; but there is a madness of despair which ought to excuse anything. I understand only too well why Theodore prefers your house to any other, and why your mind has so much power over his. Alas! I have only to look into myself to find more than ample reasons. But I am devoted to my husband, madame. Two years of tears have not effaced his image from my heart, though I have lost his. In my folly I dared to dream of a contest with you; and I have come to you to ask you by what means I may triumph over yourself. Oh, madame,” cried the young wife, ardently seizing the hand which her rival allowed her to hold, “I will never pray to God for my own happiness with so much fervor as I will beseech Him for yours, if you will help me to win back Sommervieux’s regard — I will not say his love. I have no hope but in you. Ah! tell me how you could please him, and make him forget the first days — — ” At these words Augustine broke down, suffocated with sobs she could not suppress. Ashamed of her weakness, she hid her face in her handkerchief, which she bathed with tears.

      “What a child you are, my dear little beauty!” said the Duchess, carried away by the novelty of such a scene, and touched, in spite of herself, at receiving such homage from the most perfect virtue perhaps in Paris. She took the young wife’s handkerchief, and herself wiped the tears from her eyes, soothing her by a few monosyllables murmured with gracious compassion. After a moment’s silence the Duchess, grasping poor Augustine’s hands in both her own — hands that had a rare character of dignity and powerful beauty — said in a gentle and friendly voice: “My first warning is to advise you not to weep so bitterly; tears are disfiguring. We must learn to deal firmly with the sorrows that make us ill, for love does not linger long by a sick-bed. Melancholy, at first, no doubt, lends a certain attractive grace, but it ends by dragging the features and blighting the loveliest face. And besides, our tyrants are so vain as to insist that their slaves should be always cheerful.”

      “But, madame, it is not in my power not to feel. How is it possible, without suffering a thousand deaths, to see the face which once beamed with love and gladness turn chill, colorless, and indifferent? I cannot control my heart!”

      “So much the worse, sweet child. But I fancy I know all your story. In the first place, if your husband is unfaithful to you, understand clearly that I am not his accomplice. If I was anxious to have him in my drawing-room, it was, I own, out of vanity; he was famous, and he went nowhere. I like you too much already to tell you all the mad things he has done for my sake. I will only reveal one, because it may perhaps help us to bring him back to you, and to punish him for the audacity of his behavior to me. He will end by compromising me. I know the world too well, my dear, to abandon myself to the discretion of a too superior man. You should know that one may allow them to court one, but marry them — that is a mistake! We women ought to admire men of genius, and delight in them as a spectacle, but as to living with them? Never. — No, no. It is like wanting to find pleasure in inspecting the machinery of the opera instead of sitting in a box to enjoy its brilliant illusions. But this misfortune has fallen on you, my poor child, has it not? Well, then, you must try to arm yourself against tyranny.”

      “Ah, madame, before coming in here, only seeing you as I came in, I already detected some arts of which I had no suspicion.”

      “Well, come and see me sometimes, and it will not be long before you have mastered the knowledge of these trifles, important, too, in their way. Outward things are, to fools, half of life; and in that matter more than one clever man is a fool, in spite of all his talent. But I dare wager you never could refuse your Theodore anything!”

      “How refuse anything, madame, if one loves a man?”

      “Poor innocent, I could adore you for your simplicity. You should know that the more we love the less we should allow a man, above all, a husband, to see the whole extent of our passion. The one who loves most is tyrannized over, and, which is worse, is sooner or later neglected. The one who wishes to rule should — — ”

      “What, madame, must I then dissimulate, calculate, become false, form an artificial character, and live in it? How is it possible to live in such a way? Can you — — ” she hesitated; the Duchess smiled.

      “My dear child,” the great lady went on in a serious tone, “conjugal happiness has in all times been a speculation, a business demanding particular attention. If you persist in talking passion while I am talking marriage, we shall soon cease to understand each other. Listen to me,” she went on, assuming a confidential tone. “I have been in the way of seeing some of the superior men of our day. Those who have married have for the most part chosen quite insignificant wives. Well, those wives governed them, as the Emperor governs us; and if they were not loved, they were at least respected. I like secrets — especially those which concern women — well enough to have amused myself by seeking the clue to the riddle. Well, my sweet child, those worthy women had the gift of analyzing their husbands’ nature; instead of taking fright, like you, at their superiority, they very acutely noted the qualities they lacked, and either by possessing those qualities, or by feigning to possess them, they found means of making such a handsome display of them in their husbands’ eyes that in the end they impressed them. Also, I must tell you, all these souls which appear so lofty have just a speck of madness in them, which we ought to know how to take advantage of. By firmly resolving to have the upper hand and never deviating from that aim, by bringing all our actions to bear on it, all our ideas, our cajolery, we subjugate these eminently capricious natures, which, by the very mutability of their thoughts, lend us the means of influencing them.”

      “Good heavens!” cried the young wife in dismay. “And this is life. It is a warfare — — ”

      “In which we must always threaten,” said the Duchess, laughing. “Our power is wholly factitious. And we must never allow a man to despise us; it is impossible to recover from such a descent but by odious manoeuvring. Come,” she added, “I will give you a means of bringing your husband to his senses.”

      She rose with a smile to guide the young and guileless apprentice to conjugal arts through the labyrinth of her palace. They came to a back-staircase, which led up to the reception rooms. As Madame de Carigliano pressed the secret springlock of the door she stopped, looking at Augustine with an inimitable gleam of shrewdness and grace. “The Duc de Carigliano adores me,” said she. “Well, he dare not enter by this door without my leave. And he is a man in the habit of commanding thousands of soldiers. He knows how to face a battery, but before me, — he is afraid!”

      Augustine sighed. They entered a sumptuous gallery, where the painter’s wife was led by the Duchess up to the portrait painted by Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a cry.

      “I knew it was no longer in my house,” she said, “but — here! — — ”

      “My dear child, I asked for it merely to see what pitch of idiocy a man of genius may attain to. Sooner or later I should have returned it to you, for I never expected the pleasure of seeing the original here face to face with the copy. While we finish our conversation I will have it carried down to your carriage. And if, armed with such a talisman, you are not your husband’s mistress for a hundred years, you are not a woman, and you deserve your fate.”

      Augustine kissed the Duchess’ hand, and the lady clasped her to her heart, with all the more tenderness because she would forget her by the morrow. This scene might perhaps have destroyed for ever the candor and purity of a less virtuous woman


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