Jesus Land. Julia Scheeres
basement door opens and the brass bell clangs. Supper. I drag myself off the cot and climb the dark stairway. Mother’s in the galley kitchen, stirring a large pot on the stove as Rejoice Radio plays Christian pop music over the intercom. At her back, the long windows cast a murky light over the hardwood floor of the great room. The new, L-shaped sectional lurks in semidarkness in one corner of the large room, the television and card table in another. A couple of boxes listing next to the stairwell—marked “winter gear”—wait to be carried downstairs and unpacked.
As I walk behind Mother toward the dining table—where David sits with his back to me—I inhale the sour steam billowing off the pot on the stove and grimace. Garbage Soup, again. I slide into the chair across from David, silently grabbing my neck as if I were choking. He smirks his agreement.
Garbage Soup is Mother’s name for it, not ours. She makes it from old vegetables and plate-scrapings—flaccid celery and carrot sticks, chicken bones, potato skins, cheese rinds—that she collects in a mayonnaise jar and freezes. When the jar is full, she stews the contents in salted water for two hours, strains the broth, adds hamburger, and le voilà, Garbage Soup! She says it’s loaded with vitamins, one of the most nutritious meals ever. But it tastes just like its name, sour and dirty and old. It’s summertime, the air con is off to save energy, and I’m damp with sweat, but the mayo jar was full, so it’s Garbage Soup for supper. Waste not, want not.
Mother grew up poor and takes pride in her penny-pinching talents, which include an apple pie made entirely from saltine crackers that costs only three cents a serving. We eat this stuff despite our sprawling ranch house and the Porsche Dad drives to work every day.
“You forgot the beverage,” Mother says wearily to David as she sets the rust-colored soup on the table. She stoops her shoulders as she ladles the broth into our bowls, making herself look more frail than she already is. Steam billows onto her glasses and into the tight light brown curls of her hair. I wait for her to raise her head and look at me, but she doesn’t.
David returns with a pitcher of Carnation instant milk, which he pours into the glasses. As it swirls watery gray into mine, he smirks at me again.
After Mother blesses the food, we eat in silence as she leafs through Christianity Today magazine at her end of the table. She’s in one of her moods; we knew it as soon as we returned from our bike ride. She was in the kitchen, ripping coupons from the newspaper, her lips smashed into a hard little line. She didn’t say hello and neither did we. We took one look at her and went downstairs; it’s best to fall under her radar when she gets like this.
The wind moans against the side of the house woo woo! and rushes through the open windows, fluttering the napkins in their stand. Outside, the trees dance at the edge of the back field as Sandi Patti sings “Yes, God Is Real” on Rejoice Radio. Mother lifts her spoon and blows across it without taking her eyes from the magazine. I stare at her and wonder what set her off this time. Maybe she got news of Jerome. Or she’s peeved that Dad’s late for the third night in a row. She glances up to see me staring and draws the magazine closer to her face, blocking me out completely. I look at David, and he shrugs whadda ya gonna do about it? Sometimes it seems the smallest signs of our existence—our laughter bubbling up from the basement, a book left on the couch—irritate her. She often tells us that she looks forward to the day we all leave home.
“God will be my family then,” she’ll say.
God and her missionaries. She’s got missionaries around the globe. Sends them letters and packages, birthday cards, chewing gum, $10 bills. Pins their photos to the bulletin board over her desk. White couples, posing with mud huts and dark children, their locations jotted on the back of each picture: “Loving the Lord in Laos.” “Coming to Christ in Colombia.” “Giving God to Ghana.” It all sounds vaguely pornographic to me, although I know they’re working hard to save souls.
She and Dad go on medical mission trips from which she returns giddy with enthusiasm. They make us sit through slide shows that document their god squad adventures. Look at this football-sized tumor. Here’s a gangrenous spear wound. We brought these loin-clothed pagans to Jesus, healing bodies and souls at the same time.
“Such gratitude for Christ, such a hankering for The Word!” Mother will gasp, shaking her head at the wonder of it.
Sometimes they show movies about missionary martyrs after Vespers, projecting the film onto the back of the church while we sit in folding chairs in the parking lot, drinking Kool-Aid. Mother holds these people in high esteem. Says she would have been a missionary herself if it weren’t for meeting our father.
I used to wish she’d show the same enthusiasm for us, pin our family photographs to her bulletin board. When I was in third grade, I poked all her missionaries’ eyes out with a thumbtack in a fit of jealousy. She paddled me for it.
I excuse myself to fetch the salt shaker from the kitchen and glance down at her magazine as I walk behind her chair. “God Is Everything” is the title of the article she’s reading. When I sit down again, David crosses his eyes and bares his teeth at me. I roll mine. Dweeb. He hooks his front teeth over his bottom lip and slits the corners of his eyes like a Chinaman. I shake my head and trace figure eights in the pool of fat skimming my soup, ignoring him. He knows I’m in a foul mood after the run-in with the farmers and is trying to cheer me up.
He wriggles his fingers in front of his bowl, insistently, and I lift my head. He flares his nostrils and pokes out his lips like those Africans you see in Cartoon Classics, the ones with the bones in their noses who dance around boiling cauldrons of white tourists. I snort despite myself—I don’t like it when he pokes fun of his features, but he’s trying so hard to distract me—and Mother lowers her magazine. Her bifocals flash as we quickly spoon soup into our mouths. When she lifts her magazine again, David flips up his eyelids, exposing the pink undersides, and rolls his pupils skyward so it looks like he’s got white marbles for eyes. He taps his fingers along the edge of the table, a blind man, finds his spoon and jabs it at his soup bowl. Ting! It collides with his milk glass instead.
“What in Heaven’s name?!” Mother exclaims.
David slowly turns his marble eyes in her direction as I tug on my milk, trying not to laugh.
“That’s ridiculous!” she sputters. “David! Put your eyes back, now!” Milk sprays out of my mouth and across the table.
“Julia!”
And then David’s doubled over and I’m doubled over and we’re both convulsing in our high-backed chairs. And we can’t stop no matter how much Mother shouts for us to stop or threatens to tell Father or bangs the table.
For a few moments, there’s nothing but us and our laughter, the soaring joy of our laughter, our laughter crashing through us like tidal waves and raining down our cheeks as tears.
My parents didn’t set out to adopt two black boys.
They wanted the white kid on my sister’s pediatric ward. Laura was born with spina bifida, and she spent much of her childhood in hospitals, being repaired and recuperating from repairs. During one month-long stay, she met an orphaned white boy, and they became fast friends. In the desperate manner of lonesome, suffering children, they clung to each other like family. My parents inquired after adopting him, only to learn he was taken.
But the adoption agency persisted. There were scads of other children who needed homes, they said: black children.
It was 1970, and America was scarred by racial violence. Civil rights leaders had been gunned down in the streets, and communities across the nation were smarting from race riots. My parents’ own state, Indiana, had once been a stronghold of the Ku Klux Klan, and was still a haven for backwater bigots.
To reject a black baby would have been un-Christian, a sin. God was testing them. This was a chance to bear witness for Jesus Christ, to show the world that