Civil Twilight. Susan Dunlap
a big loss I incur for John.”
If I’d been biting my lip I’d have bled to death. “But you could pick up fares at Coit Tower the times you dropped him off, right?” I was trying to make sense of it all.
“I never dropped him off there.”
Was he lying? Damn! What was my brother doing up there that he was so hot to hide? Wait a minute. “So you’ve just picked him up there.”
He nodded, with a grunt.
Of course. “Cheapskate. You mean he’d have called another cab to get him up there? So he didn’t have to pay you to wait?” Pay him to sit around enjoying the view while the meter ticked? To note whatever it was he was doing up there. So Morratt could tell me.
He studied my face in the mirror. Now he had his eyes on the rearview the whole time. The road was incidental. “Yeah.”
“There were times he called you, right, and you dropped everything, right, and then he wasn’t ready and you had to sit around and wait, on your own sweet time, right?”
His eyes narrowed. Even Webb Morratt had a limit. Just as I was deciding on a different approach, he said grudgingly, “Nah. If he made me wait, he made it up.”
“And when you had to go out of your way to take his friend down with him, was that on the meter, too?”
“Nah, that wasn’t the problem. It was him driving around dead silent after, going crazy if I said two words. You know what a bummer that is when you’re alone hauling hack all day and finally you get someone you can shoot the breeze with and he clams up, plus makes you clam, and even—get this—turn off the radio. Like a tomb. And when he—”
A horn honked.
Morratt shot a glance out the window. Traffic was almost stopped. Ahead on the left was the Ferry Building and for a moment I wondered whether there was a reception or rally there. Then I spotted the cause of the hold-up. It was the set. My set, where I’d be doing my stunt in—yikes!—fifty-five minutes. As I’d told Karen Johnson, Market Street was closed for two blocks, from here up past California Street, which was where the action would be. I could see two fire engines and an ambulance, and a huge crowd—workers stopping on their way to the Embarcadero BART station, streetcars out to the Castro, Glen Park, the avenues, or buses to the East Bay.
The black-and-white stayed on the Embarcadero under the Bay Bridge and cut right on Brannan. From there it was an easy shot to the bridge entry at Second Street. If John got on the bridge, I was sunk. No pedestrian walk. But he didn’t. He shot across Second Street on Brannan. He was headed toward the Mission. Damn! Toward the Hall of Justice. He’d flagged the patrol car to take him back to the police station! Ahead, the light was turning red. John shot through it. I thought the police were being more careful about jumping lights now that the city was making a big deal about it. Morratt followed.
Was this really a prank? Karen Johnson an actress set up by Gary to ensnare me? I’d even asked her to dinner. But I couldn’t believe—
Like John said, I couldn’t believe it of Karen, nor could I of Gary. Definitely not.
He passed Sixth Street without slowing, without veering from the left-hand lane. The Hall was at Seventh and Bryant, one block north. I watched for his taillight, but cops don’t always announce their intentions. Still, when he neared the corner without signaling I wondered if I’d been made and he was just running out the game. In the distance a siren pierced the air.
He crossed Seventh, kept going. Between Eighth and Ninth John turned around and the driver hit the gas. I had been made. But he was almost into the mix of streets under the freeway, not a place to lose someone. What was he doing here in the Mission? He was a detective; maybe in the middle of all this, he’d been called to a dead body. Maybe by now Karen Johnson and her appropriation of his unmarked car had been shoved out of his mind.
The siren was louder. John’s car picked up speed on the Fifteenth Street hill. A truck pulled out and across at Caledonia, blocking the entire street.
Metal crunched. The siren went dead.
I got out and ran through the stopped traffic, across the blocked street, pushing hard, up to the corner at Valencia, then started down the hill.
The patrol car John had been in was double-parked, the driver standing behind his open door. The focus of his attention—everyone’s focus of attention—was ten yards further on.
There, in front of a trio of well-kept Victorians was a black-and-white, engine steaming, grill crunched into a fire hydrant. Two officers stood next to it shaking themselves, first arms and then legs, as if to prove they were in better shape than their car. A woman in a royal purple velvet sweat suit—the type you’d never dream of sweating in—and sling-back heels was striding angrily into the house. On the sidewalk, San Francisco Police Department Detective John Lott—my brother, John—looked devastated.
5
THE SWEAT-SUITED woman turned back toward the house and motioned John over with an imperious flick of the wrist. She looked furious.
He was pretty near boiling over himself. As he strode toward her, no one but a sibling would have known how close to the edge he was, but I could tell that from the brick-stiff fingers on the hand he was fighting not to make into a fist. I didn’t envy the velvet woman this encounter. John had never touched any of us younger kids, but he could degrade, humiliate and disgrace all with one phrase. It had made us wary and his friendships brief.
The woman stood on the stoop in her spike heels, he on the walk. Still, he had a couple inches on her and it looked like he could tuck her under his arm. Her expression said: Try it! She was probably in her fifties, but well cared for, with dark hair slant cut to her chin line. She raised a hand. A bracelet sparkled, diamonds all around. Definitely not a woman planning to sweat. Without raising her voice enough for me to hear five yards away, she lit into John.
I had to stop myself charging over to protect him.
She spat out a few more words, turned her back and tapped up the steps. It appeared she’d out-Johned John.
He looked close to snapping. It wasn’t just anger, there was something else—something I couldn’t quite put a name to.
“What was that?” I demanded.
“Darcy! Get out of here now.”
“What was that?” I repeated, ignoring him.
“Later.”
“Tell me now.”
He leaned forward. “Later!” I could have sworn the expression on his face as he looked at me was fear. Then it vanished and he motioned one of the patrolmen. “Cordon off the block from the corner—”
I checked the time. I had to get to the set. A stunt double who keeps the whole production company waiting, won’t be working again—ever!
But I couldn’t leave John like this.
I scanned the crowd behind us—a large, holiday-spirit kind of group—for the person who’d know what’d happened, and tell me quickly. An elderly man, in beaked cap and Giants jacket looked eager to talk—too eager. A flicker of sunlight glistened off the aluminum handle on a stroller, but I discounted the mother holding on. Too distractible. Then I spotted a woman in jeans holding a coin pouch and an empty container of soap. I sidled up next to her. “What’s going on? Did you see the whole thing from the Laundromat across the street?”
She glanced at her watch—right choice! “Six minutes on the dryer. Okay”—she looked over at me—” yeah, I heard the siren, but, I mean, who pays any attention to sirens? It was the brakes that got me. Cop must’ve been standing on the brake pedal. The black car—looked like an unmarked—it cut into the oncoming lane, siren going, but even if you’re a cop with the siren, you can’t just do that, you know? No one expects