Aesthetics and the Divine. Shimon Dovid Cowen
Jewish content in the practice of the Fine Arts”, Journal of Judaism and Civilization, Vol. 8 (2009).
My thanks are due to Louis de Vries and Anna Rosner Blay of Hybrid Publishing for agreeing to take on this book and patiently producing it. I am grateful also to Siobhan O’Shaugnessy for her comments on drafts of the manuscript.
The plates of Victor Majzner’s “Images of Tanya”, discussed in Chapter 2, and so also a recording of Felix Werder’s From the Straits performed by by David Kram and Daniel Levit, discussed in Chapter 4, may be accessed at www.ijc.com.au/finearts/ Some readings of Richard Freadman’s Shadow of Doubt: My Father and Myself are found in Chapter 3, dealing with this work. The book was published in Melbourne by Bystander Press in 2003.
1 S. D. Cowen, The Theory and Practice of Universal Ethics – the Noahide Laws, NY: Institute for Judaism and Civilization, 2014.
CONTENTS
Chapter 1 – The Concept of Religious Art
The Divine Language in the Landscape Victor Majzner’s “Images of Tanya”
Honouring a Father: Redemption in Ambivalence – Richard Freadman’s Shadow of Doubt: My Father and Myself
Cleaving to G-d through Dissonance Felix Werder’s “From the Straits …”
PART 3: FOSTERING RELIGIOUS ART
Chapter 5 – Educating to Religious Art
PART 1
THE RELIGIOUS ARTWORK
Конец ознакомительного фрагмента.
Текст предоставлен ООО «ЛитРес».
Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.
Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.