Gunman's Reckoning. Max Brand
knob of the door and deliberately pressed it wide. Standing in the hall, now, and closing the door slowly behind him, he saw a woman with old, keen eyes shrinking away toward the staircase. She was evidently in great fear, but there was something infinitely malicious in the manner in which she kept working her lips soundlessly. She was shrinking, and half turned away, yet there was a suggestion that in an instant she might whirl and fly at his face. The door now clicked, and with the windstorm shut away Donnegan had a queer feeling of being trapped.
"Now call the man of the house," he repeated. "See if I can't come to terms with him."
"He'd make short work of you if he came," she replied. She broke into a shrill laughter, and Donnegan thought he had never seen a face so ugly. "If he came," she said, "you'd rue the day."
"Well, I'll talk to you, then. I'm not asking charity. I want to pay for what I get."
"This ain't a hotel. You go on down the road. Inside eight miles you'll come to the town."
"Eight miles!"
"That's nothing for a man to ride."
"Not at all, if I had something to ride."
"You ain't got a horse?"
"No."
"Then how do you come here?"
"I walked."
If this sharpened her suspicions, it sharpened her fear also. She put one foot on the lowest step of the stairs.
"Be off with you, Mr. Donnegally, or whatever your outlandish name is. You'll get nothing here. What brings you—"
A door closed and a footstep sounded lightly on the floor above. And Donnegan, already alert in the strange atmosphere of this house, gave back a pace so as to get an honest wall behind him. He noted that the step was quick and small, and preparing himself to meet a wisp of manhood—which, for that matter, was the type he was most inclined to fear—Donnegan kept a corner glance upon the old woman at the foot of the stairs and steadily surveyed the shadows at the head of the rise.
Out of that darkness a foot slipped; not even a boy's foot—a very child's. The shock of it made Donnegan relax his caution for an instant, and in that instant she came into the reach of the light. It was a wretched light at best, for it came from a lamp with smoky chimney which the old hag carried, and at the raising and lowering of her hand the flame jumped and died in the throat of the chimney and set the hall awash with shadows. Falling away to a point of yellow, the lamp allowed the hall to assume a certain indefinite dignity of height and breadth and calm proportions; but when the flame rose Donnegan could see the broken balusters of the balustrade, the carpet, faded past any design and worn to rattiness, wall paper which had rotted or dried away and hung in crisp tatters here and there, and on the ceiling an irregular patch from which the plaster had fallen and exposed the lathwork. But at the coming of the girl the old woman had turned, and as she did the flame tossed up in the lamp and Donnegan could see the newcomer distinctly.
Once before his heart had risen as it rose now. It had been the fag end of a long party, and Donnegan, rousing from a drunken sleep, staggered to the window. Leaning there to get the freshness of the night air against his hot face, he had looked up, and saw the white face of the moon going up the sky; and a sudden sense of the blackness and loathing against the city had come upon Donnegan, and the murky color of his own life; and when he turned away from the window he was sober. And so it was that he now stared up at the girl. At her breast she held a cloak together with one hand and the other hand touched the railing of the stairs. He saw one foot suspended for the next step, as though the sight of him kept her back in fear. To the miserable soul of Donnegan she seemed all that was lovely, young, and pure; and her hair, old gold in the shadow and pale gold where the lamp struck it, was to Donnegan like a miraculous light about her face.
Indeed, that little pause was a great and awful moment. For considering that Donnegan, who had gone through his whole life with his eyes ready either to mock or hate, and who had rarely used his hand except to make a fist of it; Donnegan who had never, so far as is known, had a companion; who had asked the world for action, not kindness; this Donnegan now stood straight with his back against the wall, and poured out the story of his wayward life to a mere slip of a girl.
6
Even the old woman, whose eyes were sharpened by her habit of looking constantly for the weaknesses and vices of men, could not guess what was going on behind the thin, rather ugly face of Donnegan; the girl, perhaps, may have seen more. For she caught the glitter of his active eyes even at that distance. The hag began to explain with vicious gestures that set the light flaring up and down.
"He ain't come from nowhere, Lou," she said. "He ain't going nowhere; he wants to stay here for the night."
The foot which had been suspended to take the next step was now withdrawn. Donnegan, remembered at last, whipped off his cap, and at once the light flared and burned upon his hair. It was a wonderful red; it shone, and it had a terrible blood tinge so that his face seemed pale beneath it. There were three things that made up the peculiar dominance of Donnegan's countenance. The three things were the hair, the uneasy, bright eyes, and the rather thin, compressed lips. When Donnegan slept he seemed about to waken from a vigorous dream; when he sat down he seemed about to leap to his feet; and when he was standing he gave that impression of a poise which is ready for anything. It was no wonder that the girl, seeing that face and that alert, aggressive body, shrank a little on the stairs. Donnegan, that instant, knew that these two women were really alone in the house as far as fighting men were concerned.
And the fact disturbed him more than a leveled gun would have done. He went to the foot of the stairs, even past the old woman, and, raising his head, he spoke to the girl.
"My name's Donnegan. I came over from the railroad—walked. I don't want to walk that other eight miles unless there's a real need for it. I—" Why did he pause? "I'll pay for anything I get here."
His voice was not too certain; behind his teeth there was knocking a desire to cry out to her the truth. "I am Donnegan. Donnegan the tramp. Donnegan the shiftless. Donnegan the fighter. Donnegan the killer. Donnegan the penniless, worthless. But for heaven's sake let me stay until morning and let me look at you—from a distance!"
But, after all, perhaps he did not need to say all these things. His clothes were rags, upon his face there was a stubble of unshaven red, which made the pallor about his eyes more pronounced. If the girl had been half blind she must have felt that here was a man of fire. He saw her gather the wrap a little closer about her shoulders, and that sign of fear made him sick at heart.
"Mr. Donnegan," said the girl. "I am sorry. We cannot take you into the house. Eight miles—"
Did she expect to turn a sinner from the gates of heaven with a mere phrase? He cast out his hand, and she winced as though he had shaken his fist at her.
"Are you afraid?" cried Donnegan.
"I don't control the house."
He paused, not that her reply had baffled him, but the mere pleasure of hearing her speak accounted for it. It was one of those low, light voices which are apt to have very little range or volume, and which break and tremble absurdly under any stress of emotion; and often they become shrill in a higher register; but inside conversational limits, if such a term may be used, there is no fiber so delightful, so purely musical. Suppose the word "velvet" applied to a sound. That voice came soothingly and delightfully upon the ear of Donnegan, from which the roar and rattle of the empty freight train had not quite departed. He smiled at her.
"But," he protested, "this is west of the Rockies—and I don't see any other way out."
The girl, all this time, was studying him intently, a little sadly, he thought. Now she shook her head, but there was more warmth in her voice.
"I'm