THE MAN IN LOWER TEN (Murder Mystery). Mary Roberts Rinehart
per cent. followed my rule. Dark men like you affect navy blue, or brown."
In spite of myself I was amused at the man's shrewdness.
"Yes; the suit he took was dark—a blue," I said.
He rubbed his hands and smiled at me delightedly.
"Then you wore black shoes, not tan," he said, with a glance at the aggressive yellow ones I wore.
"Right again," I acknowledged. "Black low shoes and black embroidered hose. If you keep on you'll have a motive for the crime, and the murderer's present place of hiding. And if you come back to the smoker with me, I'll give you an opportunity to judge if he knew good whisky from bad."
I put the articles from the pockets back again and got up. "I wonder if there is a diner on?" I said. "I need something sustaining after all this."
I was conscious then of some one at my elbow. I turned to see the young woman whose face was so vaguely familiar. In the very act of speaking she drew back suddenly and colored.
"Oh,—I beg your pardon," she said hurriedly, "I—thought you were—some one else." She was looking in a puzzled fashion at my coat. I felt all the cringing guilt of a man who has accidentally picked up the wrong umbrella: my borrowed collar sat tight on my neck.
"I'm sorry," I said idiotically. "I'm sorry, but—I'm not." I have learned since that she has bright brown hair, with a loose wave in it that drops over her ears, and dark blue eyes with black lashes and—but what does it matter? One enjoys a picture as a whole: not as the sum of its parts.
She saw the flask then, and her errand came back to her. "One of the ladies at the end of car has fainted," she explained. "I thought perhaps a stimulant—"
I picked up the flask at once and followed my guide down the aisle. Two or three women were working over the woman who had fainted. They had opened her collar and taken out her hairpins, whatever good that might do. The stout woman was vigorously rubbing her wrists, with the idea, no doubt, of working up her pulse! The unconscious woman was the one for whom I had secured lower eleven at the station.
I poured a little liquor in a bungling masculine fashion between her lips as she leaned back, with closed eyes. She choked, coughed, and rallied somewhat.
"Poor thing," said the stout lady. "As she lies back that way I could almost think it was my mother; she used to faint so much."
"It would make anybody faint," chimed in another. "Murder and robbery in one night and on one car. I'm thankful I always wear my rings in a bag around my neck—even if they do get under me and keep me awake."
The girl in blue was looking at us with wide, startled eyes. I saw her pale a little, saw the quick, apprehensive glance which she threw at her traveling companion, the small woman I had noticed before. There was an exchange—almost a clash—of glances. The small woman frowned. That was all. I turned my attention again to my patient.
She had revived somewhat, and now she asked to have the window opened. The train had stopped again and the car was oppressively hot. People around were looking at their watches and grumbling over the delay. The doctor bustled in with a remark about its being his busy day. The amateur detective and the porter together mounted guard over lower ten. Outside the heat rose in shimmering waves from the tracks: the very wood of the car was hot to touch. A Camberwell Beauty darted through the open door and made its way, in erratic plunges, great wings waving, down the sunny aisle. All around lay the peace of harvested fields, the quiet of the country.
Chapter VI.
The Girl in Blue
I was growing more and more irritable. The thought of what the loss of the notes meant was fast crowding the murder to the back of my mind. The forced inaction was intolerable.
The porter had reported no bag answering the description of mine on the train, but I was disposed to make my own investigation. I made a tour of the cars, scrutinizing every variety of hand luggage, ranging from, luxurious English bags with gold mountings to the wicker nondescripts of the day coach at the rear. I was not alone in my quest, for the girl in blue was just ahead of me. Car by car she preceded me through the train, unconscious that I was behind her, looking at each passenger as she passed. I fancied the proceeding was distasteful, but that she had determined on a course and was carrying it through. We reached the end of the train almost together—empty-handed, both of us.
The girl went out to the platform. When she saw me she moved aside, and I stepped out beside her. Behind us the track curved sharply; the early sunshine threw the train, in long black shadow, over the hot earth. Forward some where they were hammering. The girl said nothing, but her profile was strained and anxious.
"I—if you have lost anything," I began, "I wish you would let me try to help. Not that my own success is anything to boast of."
She hardly glanced at me. It was not flattering.
"I have not been robbed, if that is what you mean," she replied quietly. "I am—perplexed. That is all."
There was nothing to say to that. I lifted my hat—the other fellow's hat—and turned to go back to my car. Two or three members of the train crew, including the conductor, were standing in the shadow talking. And at that moment, from a farm-house near came the swift clang of the breakfast bell, calling in the hands from barn and pasture. I turned back to the girl.
"We may be here for an hour," I said, "and there is no buffet car on. If I remember my youth, that bell means ham and eggs and country butter and coffee. If you care to run the risk—"
"I am not hungry," she said, "but perhaps a cup of coffee—dear me, I believe I am hungry," she finished. "Only—" She glanced back of her.
"I can bring your companion," I suggested, without enthusiasm. But the young woman shook her head.
"She is not hungry," she objected, "and she is very—well, I know she wouldn't come. Do you suppose we could make it if we run?"
"I haven't any idea," I said cheerfully. "Any old train would be better than this one, if it does leave us behind."
"Yes. Any train would be better than this one," she repeated gravely. I found myself watching her changing expression. I had spoken two dozen words to her and already I felt that I knew the lights and shades in her voice,—I, who had always known how a woman rode to hounds, and who never could have told the color of her hair.
I stepped down on the ties and turned to assist her, and together we walked back to where the conductor and the porter from our car were in close conversation. Instinctively my hand went to my cigarette pocket and came out empty. She saw the gesture.
"If you want to smoke, you may," she said. "I have a big cousin who smokes all the time. He says I am 'kippered.'"
I drew out the gun-metal cigarette case and opened it. But this most commonplace action had an extraordinary result: the girl beside me stopped dead still and stood staring at it with fascinated eyes.
"Is—where did you get that?" she demanded, with a catch in her voice; her gaze still fixed on the cigarette case.
"Then you haven't heard the rest of the tragedy?" I asked, holding out the case. "It's frightfully bad luck for me, but it makes a good story. You see—"
At that moment the conductor and porterr ceased their colloquy. The conductor came directly toward me, tugging as he came at his bristling gray mustache.
"I would like to talk to you in the car," he said to me, with a curious glance at the young lady.
"Can't it wait?" I objected. "We are on our way to a cup of coffee and a slice of bacon. Be merciful, as you are powerful."
"I'm afraid the breakfast will have to wait," he replied. "I won't keep you long." There was a note of authority in his voice which I resented; but, after all, the circumstances