Red Pottage. Mary Cholmondeley
that the law of cutlet for cutlet was universal; that young men, especially those in the Guards, were garrisoned by a full complement of devils; that London girls lived only for dress and the excitement of husband-hunting. In short, to use her own expression, she "turned London society inside out."
London bore the process with equanimity, and presently Sybell determined to raise the art of dinner-giving from the low estate to which she avowed it had fallen to a higher level. She was young, she was pretty, she was well-born, she was rich. All the social doors were open to her. But one discovery is often only the prelude to another. She soon made the further one that in order to raise the tone of social gatherings it is absolutely necessary to infuse into them a leaven of "clever people." Further light on this interesting subject showed her that most of the really "clever people" did not belong to her set. The discovery which all who love adulation quickly make—namely, that the truly appreciative and sympathetic and gifted are for the greater part to be found in a class below their own—was duly made and registered by Sybell. She avowed that class differences were nothing to her with the enthusiasm of all those who since the world began have preferred to be first in the society which they gather round them.
Fortunately for Sybell she was not troubled by doubts respecting the clearness of her own judgment. Eccentricity was in her eyes originality; a wholesale contradiction of established facts was a new view. She had not the horrid perception of difference between the real and the imitation which spoils the lives of many. She was equally delighted with both, and remained in blissful ignorance of the fact that her "deep" conversation was felt to be exhaustingly superficial if by chance she came across the real artist or thinker instead of his counterfeit.
Consequently to her house came the raté in all his most virulent developments; the "new woman" with stupendous lopsided opinions on difficult Old Testament subjects; the "lady authoress" with a mission to show up the vices of a society which she knew only by hearsay. Hither came, unwittingly, simple-minded Church dignitaries, who, Sybell hoped, might influence for his good the young agnostic poet who had written a sonnet on her muff-chain, a very daring sonnet, which Doll, who did not care for poetry, had not been shown. Hither, by mistake, thinking it was an ordinary dinner-party, came Hugh, whom Sybell said she had discovered, and who was not aware that he was in need of discovery. And hither also on this particular evening came Rachel West, whom Sybell had pronounced to be very intelligent a few days before, and who was serenely unconscious that she was present on her probation, and that if she did not say something striking she would never be asked again.
Doll Loftus, Sybell's husband, was standing by Rachel when Hugh came in. He felt drawn towards her because she was not "clever," as far as her appearance went. At any rate, she had not the touzled, ill-groomed hair which he had learned to associate with female genius.
"This sort of thing is beyond me," he said, mournfully, to Rachel, his eyes travelling over the assembly gathered round his wife, whose remarks were calling forth admiring laughter. "I don't understand half they say, and when I do I sometimes wish I didn't. But I suppose—" tentatively—"You go in for all this sort of thing?"
"I?" said Rachel, astonished. "I don't go in for anything. But what sort of thing do you mean?"
"There is Scarlett," said Doll, with relief, who hated definitions, and felt the conversation was on the slippery verge of becoming deep. "Do you know him? Looks as if he'd seen a ghost, doesn't he?"
Rachel's interest, never a heavy sleeper, was instantly awakened as she saw Sybell piloting Hugh towards her. She recognized him—the man she had seen last night in the hansom and afterwards at the Newhavens. A glance showed her that his trouble, whatever it might be, had pierced beyond the surface feelings of anger and impatience and had reached the quick of his heart. The young man, pallid and heavy-eyed, bore himself well, and Rachel respected him for his quiet demeanor and a certain dignity, which, for the moment, obliterated the slight indecision of his face, and gave his mouth the firmness which it lacked. It seemed to Rachel as if he had but now stood by a death-bed, and had brought with him into the crowded room the shadow of an inexorable fate.
The others only perceived that he had a headache. Hugh did not deny it. He complained of the great heat to Sybell, but not to Rachel. Something in her clear eyes told him, as they told many others, that small lies and petty deceits might be laid aside with impunity in dealing with her. He felt no surprise at seeing her, no return of the sudden violent emotion of the night before. He had never spoken to her till this moment, but yet he felt that her eyes were old friends, tried to the uttermost and found faithful in some forgotten past. Rachel's eyes had a certain calm fixity in them that comes not of natural temperament, but of past conflict, long waged, and barely but irrevocably won. A faint ray of comfort stole across the desolation of his mind as he looked at her. He did not notice whether she was handsome or ugly, any more than we do when we look at the dear familiar faces which were with us in their childhood and ours, which have grown up beside us under the same roof, which have rejoiced with us and wept with us, and without which heaven itself could never be a home.
In a few minutes he was taking her in to dinner. He had imagined that she was a woman of few words, but after a faint attempt at conversation he found that he had relapsed into silence, and that it was she who was talking. Presently the heavy cloud upon his brain lifted. His strained face relaxed. She glanced at him, and continued her little monologue. Her face had brightened.
He had dreaded this dinner-party, this first essay to preserve his balance in public with his frightful invisible burden; but he was getting through it better than he had expected.
"I have come back to what is called society," Rachel was saying, "after nearly seven years of an exile something like Nebuchadnezzar's, and there are two things which I find as difficult as Kipling's 'silly sailors' found their harps 'which they twanged unhandily.'"
"Is small talk one of them?" asked Hugh. "It has always been a difficulty to me."
"On the contrary," said Rachel. "I plume myself on that. Surely my present sample is not so much below the average that you need ask me that."
"I did not recognize that it was small talk," said Hugh, with a faint smile. "If it really is, I can only say I shall have brain fever if you pass on to what you might call conversation."
It was to him as if a miniature wavelet of a great ocean somewhere in the distance had crept up to laugh and break at his feet. He did not recognize that this tiniest runlet which fell back at once was of the same element as the tidal wave which had swept over him yesternight.
"But are you aware," said Rachel, dropping her voice a little, "it is beginning to dawn upon me that this evening's gathering is met together for exalted conversation, and perhaps we ought to be practising a little. I feel certain that after dinner you will be 'drawn through the clefts of confession' by Miss Barker, the woman in the high dinner gown with orange velvet sleeves. Mrs. Loftus introduced her to me when I arrived as the 'apostle of humanity.'"
"Why should you fix on that particular apostle for me?" said Hugh, looking resentfully at a large-faced woman who was talking in an "intense" manner to a slightly bewildered Bishop.
"It is a prophetic instinct, nothing more."
"I will have a prophetic instinct, too, then," said Hugh, helping himself at last to the dish which was presented to him, to Rachel's relief. "I shall give you the—" looking slowly down the table.
"The Bishop?"
"Certainly not, after your disposal of me."
"Well, then, the poet? I am sure he is a poet because his tie is uneven and his hair is so long. Why do literary men wear their hair long, and literary women wear it short. I should like the poet."
"You shall not have him," said Hugh, with decision. "I am hesitating between the bald young man with the fat hand and the immense ring and the old professor who is drawing plans on the table-cloth."
"The apostle told me with bated breath that the young man with the ring is Mr. Harvey, the author of Unashamed."
Hugh looked at his plate to conceal his disgust.
There