The Giants of Russian Literature: The Greatest Russian Novels, Stories, Plays, Folk Tales & Legends. Максим Горький

The Giants of Russian Literature: The Greatest Russian Novels, Stories, Plays, Folk Tales & Legends - Максим Горький


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majority were in favour of “shutting their eyes” when the objectionable emblem should make its appearance on the scene, but this ostrich-like expedient did not recommend itself to the Metropolitan Filipp, who declared that if it came in at one gate he should go out at another. Happily the Cardinal showed a more accommodating spirit, and, when the situation had been explained to him by the Prince’s messengers, consented to have the Cross smuggled through in a sledge. This concession smoothed over the difficulty, and the catastrophe of the whole bridal train being kept waiting for days in the snow outside Moskva till one or other of the churchmen gave way, was happily averted.96 1472From the moment that Sophie Paleologus became mated with Ivan comparatively little is heard of her; her personality is swallowed up in that of the Grand Prince. But the influence of the Greek Princess can be traced in many of the important developments of this reign. Born amid the extravagant ceremonial of the Byzantine Court, and treasuring the memory of those splendid myths and vanities, the more perhaps because they were wholly lost, the exile transplanted to the rugged soil of Moskovy the ideals that had waxed to fantastic growth on the humid shores of the Bosphorus. The Velikie-kniaz of yore, moving freely among his boyarins and subjects, develops gradually into the heaven-born Sovereign, a being removed from contact with the ordinary sons of earth, withdrawn from profane touch into a Holy of Holies of pomp and ceremony. Here again Ivan was manifestly fitted to assist in working out this evolution. His cold-blooded, calculated policy, his pitiless, passionless judgment, his baleful glance, which is said to have caused women to faint, were meet attributes of a majesty that was accounted something more than human.

      In his capacity of appeal judge of Novgorodian suits, Ivan found his influence over the affairs of the city daily growing stronger; an accident furnished him with the pretext for bringing the republic wholly under his authority. By a clerical error in a petition his style was written Sovereign (Gosoudar), instead of Lord (Gospodin). A nod is as good as a wink to an Argus-eyed prince. Ivan thanked the citizens for their voluntary submission and assumed the new title. Novgorod rose in angry rebellion against this last blow at her independence; the faction of Martha lifted its head anew, and the eyes of all men turned towards the King of Poland. But from that quarter came no help. Kazimir was engaged in a struggle with Matthias of Hungary on the one hand and the Teutonic Order on the other, and had, moreover, to maintain his son Vladislas on the throne of Bohemia; hence he was not in a position to court the hostility of the Prince of Moskva. Novgorod had to front alone the overwhelming forces which Ivan led against her. The Archbishop Theofil flitted backwards and forwards between the city and the Prince’s camp, but saw never a sign of yielding on that impassive countenance; saw only fresh troops arriving to swell the monarch’s array. The unequal struggle could have but one end. “Who can resist God and Great Novgorod?” The proud sphinx-riddle had at last been answered, and the republic perished, strangled in the toils of autocracy. 1477As Gosoudar Ivan entered the humbled city the sovereign functions of vetché and posadnik were abolished, and the whole province of Novgorod was added to the domain of Moskva. Loaded with an enormous booty, wrenched by way of fine from the citizens, the Grand Prince returned to his capital, bearing with him as prisoners many of the merchants and boyarins of the disaffected party, and the bereaved Martha, the Helen of this smitten Troy. Bearing also a yet more notable captive, the great bell of Yaroslav, which for many a hundred year had hung like a watchful sprite in its beetling belfry, had clanged, boomed, and sobbed its summonses to council, strife, or revelry, had roused the sleepy monks in many a marsh-girt monastery, and witched with muffled echoes the seals of Lake Ilmen—this voice of Novgorod’s liberty was borne away in the conqueror’s train, to be hung in the new Ouspienskie Cathedral at Moskva, and eat out its life in droning solemn flatteries on Moskovite high-days. Perchance as they lifted it down from its long-accustomed tower it clashed forth one last discordant knell, a passing-bell for the soul of the great republic.


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