The Complete Works of George Bernard Shaw. GEORGE BERNARD SHAW
attention by the poor figure it made in the castle hall, and that Bashville was requesting him, with covert superciliousness, to remove his property. On second thoughts, his self-esteem rejected this suspicion as too humiliating; but he resolved to show Bashville that he had a gentleman to deal with. So he took the stick, and instead of thanking Bashville, handed him five shillings.
Bashville smiled and shook his head. “Oh, no, sir,” he said, “thank you all the same! Those are not my views.”
“The more fool you,” said Parker, pocketing the coins, and turning away.
Bashville’s countenance changed. “Come, come, sir,” he said, following Parker to the foot of the stops, “fair words deserve fair words. I am no more a fool than you are. A gentleman should know his place as well as a servant.”
“Oh, go to the devil,” muttered Parker, turning very red and hurrying away.
“If you weren’t my mistress’s guest,” said Bashville, looking menacingly after him, “I’d send you to bed for a week for sending me to the devil.”
CHAPTER V
Miss Carew remorselessly carried out her intention of going to London, where she took a house in Regent’s Park, to the disappointment of Alice, who had hoped to live in Mayfair, or at least in South Kensington. But Lydia set great store by the high northerly ground and open air of the park; and Alice found almost perfect happiness in driving through London in a fine carriage and fine clothes. She liked that better than concerts of classical music, which she did not particularly relish, or even than the opera, to which they went often. The theatres pleased her more, though the amusements there were tamer than she had expected. Society was delightful to her because it was real London society. She acquired a mania for dancing; went out every night, and seemed to herself far more distinguished and attractive than she had ever been in Wiltstoken, where she had nevertheless held a sufficiently favorable opinion of her own manners and person.
Lydia did not share all these dissipations. She easily procured invitations and chaperones for Alice, who wondered why so intelligent a woman would take the trouble to sit out a stupid concert, and then go home, just as the real pleasure of the evening was beginning.
One Saturday morning, at breakfast, Lydia said,
“Your late hours begin to interfere with the freshness of your complexion, Alice. I am getting a little fatigued, myself, with literary work. I will go to the Crystal Palace to-day, and wander about the gardens for a while; there is to be a concert in the afternoon for the benefit of Madame Szczymplica, whose playing you do not admire. Will you come with me?”
“Of course,” said Alice, resolutely dutiful.
“Of choice; not of course,” said Lydia. “Are you engaged for tomorrow evening?”
“Sunday? Oh, no. Besides, I consider all my engagements subject to your convenience.”
There was a pause, long enough for this assurance to fall perfectly flat. Alice bit her lip. Then Lydia said, “Do you know Mrs. Hoskyn?”
“Mrs. Hoskyn who gives Sunday evenings? Shall we go there?” said Alice, eagerly. “People often ask me whether I have been at one of them. But I don’t know her — though I have seen her. Is she nice?”
“She is a young woman who has read a great deal of art criticism, and been deeply impressed by it. She has made her house famous by bringing there all the clever people she meets, and making them so comfortable that they take care to come again. But she has not, fortunately for her, allowed her craze for art to get the better of her commonsense. She married a prosperous man of business, who probably never read anything but a newspaper since he left school; and there is probably not a happier pair in England.”
“I presume she had sense enough to know that she could not afford to choose,” said Alice, complacently. “She is very ugly.”
“Do you think so? She has many admirers, and was, I am told, engaged to Mr. Herbert, the artist, before she met Mr. Hoskyn. We shall meet Mr. Herbert there tomorrow, and a number of celebrated persons besides — his wife, Madame Szczymplica the pianiste, Owen Jack the composer, Hawkshaw the poet, Conolly the inventor, and others. The occasion will be a special one, as Herr Abendgasse, a remarkable German socialist and art critic, is to deliver a lecture on ‘The True in Art.’ Be careful, in speaking of him in society, to refer to him as a sociologist, and not as a socialist. Are you particularly anxious to hear him lecture?”
“No doubt it will be very interesting,” said Alice. “I should not like to miss the opportunity of going to Mrs. Hoskyn’s. People so often ask me whether I have been there, and whether I know this, that, and the other celebrated person, that I feel quite embarrassed by my rustic ignorance.”
“Because,” pursued Lydia, “I had intended not to go until after the lecture. Herr Abendgasse is enthusiastic and eloquent, but not original; and as I have imbibed all his ideas direct from their inventors, I do not feel called upon to listen to his exposition of them. So that, unless you are specially interested—”
“Not at all. If he is a socialist I should much rather not listen to him, particularly on Sunday evening.”
So it was arranged that they should go to Mrs. Hoskyn’s after the lecture. Meanwhile they went to Sydenham, where Alice went through the Crystal Palace with provincial curiosity, and Lydia answered her questions encyclopedically. In the afternoon there was a concert, at which a band played several long pieces of music, which Lydia seemed to enjoy, though she found fault with the performers. Alice, able to detect neither the faults in the execution nor the beauty of the music, did as she saw the others do — pretended to be pleased and applauded decorously. Madame Szczymplica, whom she expected to meet at Mrs. Hoskyn’s, appeared, and played a fantasia for pianoforte and orchestra by the famous Jack, another of Mrs. Hoskyn’s circle. There was in the programme an analysis of this composition from which Alice learned that by attentively listening to the adagio she could hear the angels singing therein. She listened as attentively as she could, but heard no angels, and was astonished when, at the conclusion of the fantasia, the audience applauded Madame Szczymplica as if she had made them hear the music of the spheres. Even Lydia seemed moved, and said,
“Strange, that she is only a woman like the rest of us, with just the same narrow bounds to her existence, and just the same prosaic cares — that she will go by train to Victoria, and from thence home in a common vehicle instead of embarking in a great shell and being drawn by swans to some enchanted island. Her playing reminds me of myself as I was when I believed in fairyland, and indeed knew little about any other land.”
“They say,” said Alice, “that her husband is very jealous, and that she leads him a terrible life.”
“THEY SAY anything that brings gifted people to the level of their own experience. Doubtless they are right. I have not met Mr. Herbert, but I have seen his pictures, which suggest that he reads everything and sees nothing; for they all represent scenes described in some poem. If one could only find an educated man who had never read a book, what a delightful companion he would be!”
When the concert was over they did not return directly to town, as Lydia wished to walk awhile in the gardens. In consequence, when they left Sydenham, they got into a Waterloo train, and so had to change at Clapham Junction. It was a fine summer evening, and Alice, though she thought that it became ladies to hide themselves from the public in waiting-rooms at railway stations, did not attempt to dissuade Lydia from walking to and fro at an unfrequented end of the platform, which terminated in a bank covered with flowers.
“To my mind,” said Lydia, “Clapham Junction is one of the prettiest places about London.”
“Indeed!” said Alice, a little maliciously. “I thought that all artistic people looked on junctions and railway lines as blots on the landscape.”
“Some