The Autobiography of an Ex-Colored Man. James Weldon Johnson
in his praise that he touched my vanity—which was great—and more than that; he displayed that sincere appreciation which always arouses an artist to his best effort, and, too, in an unexplainable manner, makes him feel like shedding tears. I showed my gratitude by playing for him a Chopin waltz with all the feeling that was in me. When I had finished, my mother's eyes were glistening with tears; my father stepped across the room, seized me in his arms, and squeezed me to his breast. I am certain that for that moment he was proud to be my father. He sat and held me standing between his knees while he talked to my mother. I, in the mean time, examined him with more curiosity, perhaps, than politeness. I interrupted the conversation by asking: "Mother, is he going to stay with us now?" I found it impossible to frame the word "father"; it was too new to me; so I asked the question through my mother. Without waiting for her to speak, my father answered: "I've got to go back to New York this afternoon, but I'm coming to see you again." I turned abruptly and went over to my mother, and almost in a whisper reminded her that I had an appointment which I should not miss; to my pleasant surprise she said that she would give me something to eat at once so that I might go. She went out of the room and I began to gather from off the piano the music I needed. When I had finished, my father, who had been watching me, asked: "Are you going?" I replied: "Yes, sir, I've got to go to practice for a concert." He spoke some words of advice to me about being a good boy and taking care of my mother when I grew up, and added that he was going to send me something nice from New York. My mother called, and I said good-bye to him and went out. I saw him only once after that.
I quickly swallowed down what my mother had put on the table for me, seized my cap and music, and hurried off to my teacher's house. On the way I could think of nothing but this new father, where he came from, where he had been, why he was here, and why he would not stay. In my mind I ran over the whole list of fathers I had become acquainted with in my reading, but I could not classify him. The thought did not cross my mind that he was different from me, and even if it had, the mystery would not thereby have been explained; for, notwithstanding my changed relations with most of my schoolmates, I had only a faint knowledge of prejudice and no idea at all how it ramified and affected our entire social organism. I felt, however, that there was something about the whole affair which had to be hid.
When I arrived, I found that she of the brown eyes had been rehearsing with my teacher and was on the point of leaving. My teacher, with some expressions of surprise, asked why I was late, and I stammered out the first deliberate lie of which I have any recollection. I told him that when I reached home from school, I found my mother quite sick, and that I had stayed with her awhile before coming. Then unnecessarily and gratuitously—to give my words force of conviction, I suppose—I added: "I don't think she'll be with us very long." In speaking these words I must have been comical; for I noticed that my teacher, instead of showing signs of anxiety or sorrow, half hid a smile. But how little did I know that in that lie I was speaking a prophecy!
She of the brown eyes unpacked her violin, and we went through the duet several times. I was soon lost to all other thoughts in the delights of music and love. I saw delights of love without reservation; for at no time of life is love so pure, so delicious, so poetic, so romantic, as it is in boyhood. A great deal has been said about the heart of a girl when she' stands "where the brook and river meet," but what she feels is negative; more interesting is the heart of a boy when just at the budding dawn of manhood he stands looking wide-eyed into the long vistas opening before him; when he first becomes conscious of the awakening and quickening of strange desires and unknown powers; when what he sees and feels is still shadowy and mystical enough to be intangible, and, so, more beautiful; when his imagination is unsullied, and his faith new and whole—then it is that love wears a halo. The man who has not loved before he was fourteen has missed a foretaste of Elysium.
When I reached home, it was quite dark and I found my mother without a light, sitting rocking in a chair, as she so often used to do in my childhood days, looking into the fire and singing softly to herself. I nestled close to her, and, with her arms round me, she haltingly told me who my father was—a great man, a fine gentleman—he loved me and loved her very much; he was going to make a great man of me: All she said was so limited by reserve and so colored by her feelings that it was but half truth; and so I did not yet fully understand.
III
Perhaps I ought not pass on in this narrative without mentioning that the duet was a great success, so great that we were obliged to respond with two encores. It seemed to me that life could hold no greater joy than it contained when I took her hand and we stepped down to the front of the stage bowing to our enthusiastic audience. When we reached the little dressing-room, where the other performers were applauding as wildly as the audience, she impulsively threw both her arms round me and kissed me, while I struggled to get away.
One day a couple of weeks after my father had been to see us, a wagon drove up to our cottage loaded with a big box. I was about to tell the men on the wagon that they had made a mistake, when my mother, acting darkly wise, told them to bring their load in; she had them unpack the box, and quickly there was evolved from the boards, paper, and other packing material a beautiful, brand-new, upright piano. Then she informed me that it was a present to me from my father. I at once sat down and ran my fingers over the keys; the full, mellow tone of the instrument was ravishing. I thought, almost remorsefully, of how I had left my father; but, even so, there momentarily crossed my mind a feeling of disappointment that the piano was not a grand. The new instrument greatly increased the pleasure of my hours of study and practice at home.
Shortly after this I was made a member of the boys' choir, it being found that I possessed a clear, strong soprano voice. I enjoyed the singing very much. About a year later I began the study of the pipe organ and the theory of music; and before I finished the grammar school, I had written out several simple preludes for organ which won the admiration of my teacher, and which he did me the honor to play at services.
The older I grew, the more thought I gave to the question of my mother's and my position, and what was our exact relation to the world in general. My idea of the whole matter was rather hazy. My study of United States history had been confined to those periods which were designated in my book as "Discovery," "Colonial," "Revolutionary," and "Constitutional." I now began to study about the Civil War, but the story was told in such a condensed and skipping style that I gained from it very little real information. It is a marvel how children ever learn any history out of books of that sort. And, too, I began now to read the newspapers; I often saw articles which aroused my curiosity, but did not enlighten me. But one day I drew from the circulating library a book that cleared the whole mystery, a book that I read with the same feverish intensity with which I had read the old Bible stories, a book that gave me my first perspective of the life I was entering; that book was Uncle Tom's Cabin.
This work of Harriet Beecher Stowe has been the object of much unfavorable criticism. It has been assailed, not only as fiction of the most imaginative sort, but as being a direct misrepresentation. Several successful attempts have lately been made to displace the book from Northern school libraries. Its critics would brush it aside with the remark that there never was a Negro as good as Uncle Tom, nor a slave-holder as bad as Legree. For my part, I was never an admirer of Uncle Tom, nor of his type of goodness; but I believe that there were lots of old Negroes as foolishly good as he; the proof of which is that they knowingly stayed and worked the plantations that furnished sinews for the army which was fighting to keep them enslaved. But in these later years several cases have come to my personal knowledge in which old Negroes have died and left what was a considerable fortune to the descendants of their former masters. I do not think it takes any great stretch of the imagination to believe there was a fairly large class of slave-holders typified in Legree. And we must also remember that the author depicted a number of worthless if not vicious Negroes, and a slave-holder who was as much of a Christian and a gentleman as it was possible for one in his position to be; that she pictured the happy, singing, shuffling "darky" as well as the mother wailing for her child sold "down river."
I do not think it is claiming too much to say that Uncle Tom's Cabin was a fair and truthful panorama