Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker. Марк Туллий Цицерон
evidently harsh, are somewhat softer. Even the statues of Myron are not sufficiently alive; and yet you would not hesitate to pronounce them beautiful. But those of Polycletes are much finer, and, in my mind, completely finished. The case is the same in Painting; for in the works of Zeuxis, Polygnotus, Timanthes, and several other masters who confined themselves to the use of four colours, we commend the air and the symmetry of their figures; but in Aetion, Nicomachus, Protogenes, and Apelles, every thing is finished to perfection. This, I believe, will hold equally true in all the other arts; for there is not one of them which was invented and completed at the same time. I cannot doubt, for instance, that there were many Poets before Homer: we may infer it from those very songs which he himself informs us were sung at the feasts of the Phaeacians, and of the profligate suitors of Penelope. Nay, to go no farther, what is become of the ancient poems of our own countrymen?"
"Such as the Fauns and rustic Bards compos'd,
When none the rocks of poetry had cross'd,
Nor wish'd to form his style by rules of art,
Before this vent'rous man: &c.
"Old Ennius here speaks of himself; nor does he carry his boast beyond the bounds of truth: the case being really as he describes it. For we had only an Odyssey in Latin, which resembled one of the rough and unfinished statues of Daedalus; and some dramatic pieces of Livius, which will scarcely bear a second reading. This Livius exhibited his first performance at Rome in the Consulship of M. Tuditanus, and C. Clodius the son of Caecus, the year before Ennius was born, and, according to the account of my friend Atticus, (whom I choose to follow) the five hundred and fourteenth from the building of the city. But historians are not agreed about the date of the year. Attius informs us that Livius was taken prisoner at Tarentum by Quintus Maximus in his fifth Consulship, about thirty years after he is said by Atticus, and our ancient annals, to have introduced the drama. He adds that he exhibited his first dramatic piece about eleven years after, in the Consulship of C. Cornelius and Q. Minucius, at the public games which Salinator had vowed to the Goddess of Youth for his victory over the Senones. But in this, Attius was so far mistaken, that Ennius, when the persons above-mentioned were Consuls, was forty years old: so that if Livius was of the same age, as in this case he would have been, the first dramatic author we had must have been younger than Plautus and Naevius, who had exhibited a great number of plays before the time he specifies. If these remarks, my Brutus, appear unsuitable to the subject before us, you must throw the whole blame upon Atticus, who has inspired me with a strange curiosity to enquire into the age of illustrious men, and the respective times of their appearance."—"On the contrary," said Brutus, "I am highly pleased that you have carried your attention so far; and I think your remarks well adapted to the curious task you have undertaken, the giving us a history of the different classes of Orators in their proper order."—"You understand me right," said I; "and I heartily wish those venerable Odes were still extant, which Cato informs us in his Antiquities, used to be sung by every guest in his turn at the homely feasts of our ancestors, many ages before, to commemorate the feats of their heroes. But the Punic war of that antiquated Poet, whom Ennius so proudly ranks among the Fauns and rustic Bards, affords me as exquisite a pleasure as the finest statue that was ever formed by Myron. Ennius, I allow, was a more finished writer: but if he had really undervalued the other, as he pretends to do, he would scarcely have omitted such a bloody war as the first Punic, when he attempted professedly to describe all the wars of the Republic. Nay he himself assigns the reason.
"Others" (said he) "that cruel war have sung:"
Very true, and they have sung it with great order and precision, though not, indeed, in such elegant strains as yourself. This you ought to have acknowledged, as you must certainly be conscious that you have borrowed many ornaments from Naevius; or if you refuse to own it, I shall tell you plainly that you have pilfered them.
"Cotemporary with the Cato above-mentioned (though somewhat older) were C. Flaminius, C. Varro, Q. Maximus, Q. Metellus, P. Lentulus, and P. Crassus who was joint Consul with the elder Africanus. This Scipio, we are told, was not destitute of the powers of Elocution: but his son, who adopted the younger Scipio (the son of Paulus Aemilius) would have stood foremost in the list of Orators, if he had possessed a firmer constitution. This is evident from a few Speeches, and a Greek History of his, which are very agreeably written. In the same class we may place Sextus Aelius, who was the best lawyer of his time, and a ready speaker. A little after these, was C. Sulpicius Gallus, who was better acquainted with the Grecian literature than all the rest of the nobility, and was reckoned a graceful Orator, being equally distinguished, in every other respect, by the superior elegance of his taste; for a more copious and splendid way of speaking began now to prevail. When this Sulpicius, in quality of Praetor, was celebrating the public shews in honour of Apollo, died the Poet Ennius, in the Consulship of Q. Marcius and Cn. Servilius, after exhibiting his Tragedy of Thyestes. At the same time lived Tiberius Gracchus, the son of Publius, who was twice Consul and Censor: a Greek Oration of his to the Rhodians is still extant, and he bore the character of a worthy citizen, and an eloquent Speaker. We are likewise told that P. Scipio Nasica, surnamed The Darling of the People, and who also had the honor to be twice chosen Consul and Censor, was esteemed an able Orator: To him we may add L. Lentulus, who was joint Consul with C. Figulus;—Q. Nobilior, the son of Marcus, who was inclined to the study of literature by his father's example, and presented Ennius (who had served under his father in Aetolia) with the freedom of the City, when he founded a colony in quality of Triumvir: and his colleague, T. Annius Luscus, who is said to have been tolerably eloquent. We are likewise informed that L. Paulus, the father of Africanus, defended the character of an eminent citizen in a public speech; and that Cato, who died in the 83d year of his age, was then living, and actually pleaded, that very year, against the defendant Servius Galba, in the open Forum, with great energy and spirit:—he has left a copy of this Oration behind him. But when Cato was in the decline of life, a crowd of Orators, all younger than himself, made their appearance at the same time: For A. Albinus, who wrote a History in Greek, and shared the Consulship with L. Lucullus, was greatly admired for his learning and Elocution: and almost equal to him were Servius Fulvius, and Servius Fabius Pictor, the latter of whom was well acquainted with the laws of his country, the Belles Lettres, and the History of Antiquity. Quintus Fabius Labeo was likewise adorned with the same accomplishments. But Q. Metellus whose four sons attained the consular dignity, was admired for his Eloquence beyond the rest;—he undertook the defence of L. Cotta, when he was accused by Africanus—and composed many other Speeches, particularly that against Tiberius Gracchus, which we have a full account of in the Annals of C. Fannius. L. Cotta himself was likewise reckoned a veteran; but C. Laelius, and P. Africanus were allowed by all to be more finished Speakers: their Orations are still extant, and may serve as specimens of their respective abilities. But Servius Galba, who was something older than any of them, was indisputably the best speaker of the age. He was the first among the Romans who displayed the proper and distinguishing talents of an Orator, such as, digressing from his subject to embellish and diversify it—soothing or alarming the passions, exhibiting every circumstance in the strongest light—imploring the compassion of his audience, and artfully enlarging on those topics, or general principles of Prudence or Morality, on which the stress of his argument depended: and yet, I know not how, though he is allowed to have been the greatest Orator of his time, the Orations he has left are more lifeless, and have a more antiquated air, than those of Laelius, or Scipio, or even of Cato himself: in short, the strength and substance of them has so far evaporated, that we have scarcely any thing of them remaining but the bare skeletons. In the same manner, though both Laelius and Scipio are greatly extolled for their abilities; the preference was given to Laelius as a speaker; and yet his Oration, in defence of the privileges of the Sacerdotal College, has no greater merit than any one you may please to fix upon of the numerous speeches of Scipio. Nothing, indeed, can be sweeter and milder than that of Laelius, nor could any thing have been urged with greater dignity to support the honour of religion: but, of the two, Laelius appears to me to be rougher, and more old-fashioned than Scipio; and, as different Speakers have different tastes, he had in my mind too strong a relish for antiquity, and was too fond of using obsolete expressions. But such is the jealousy of mankind, that they will not allow the same person to be possessed of too many perfections. For as in military prowess they thought it impossible that any man could vie with Scipio, though Laelius had not