Clipped Wings. Hughes Rupert
and to delay the invitation to a later point. But it was too late now. He had already dropped into the place beside her, not noticing until too late that he sat upon a novel and a magazine or two and an embroidery hoop on which she had intended to work. But he was on so many pins and needles that he hardly heeded one more.
College men are increasingly frequent on the stage, but not yet frequent enough to escape a little prestige or a little prejudice, according to the point of view. In Sheila’s case Eldon gained prestige and a touch of majesty that put her wits to some embarrassment for conversation. It was one thing to be gracious to a starveling actor with a two-line rôle; it was quite another to be gracious to a football hero full of fame and learning.
Mrs. Vining, however, had played grandes dames too long to look up to anybody. She felt at ease even in the presence of this big third-baseman, or coxswain, or whatever he had been on his football nine. She said, “Been on the stage long, Mr. Eldon?”
Eldon grinned meekly, looked up and down the aisle with mock anxiety, and answered: “The stage-manager isn’t listening? This is my first engagement.”
“Really?” was the only comment Sheila could think of.
After his long silence in the company, and under the warming influence of Sheila’s presence, the snows of pent-up reminiscence came down in a flood of confession:
“I don’t really belong on the stage, you know. I haven’t a big enough part to show how bad an actor I really could be if I had the chance. But I set my mind on going on the stage, and go I went.”
“Did you find it hard to get a position?”
“Well, when I left college and the question of my profession came up, dad and I had several hot-and-heavies. Finally he swore that if I didn’t accept a job in his office I need never darken his door again. Business of turning out of house. Father shaking fist. Son exit center, swearing he will never come back again. Sound of door slamming heard off.”
Sheila still loved life in theatrical terms. “But what did your poor mother do?” she said.
A film seemed to veil Eldon’s eyes as he mumbled: “She wasn’t there. She was spared that.” Then he gulped down his private grief and went on with his more congenial self-derision: “I left home, feeling like Columbus going to discover America. I didn’t expect to star the first year, but I thought I could get some kind of a job. I went to New York and called on all the managers. I was such an ignoramus that I hadn’t heard of the agencies. I got to know several office-boys very well before one of them told me about the employment bureaus. Well, you know all about that agency game.”
Sheila had been spared the passage through this Inferno on her way to the Purgatory of apprenticeship. But she had heard enough about it to feel sad for him, and she spared him any allusions to her superior luck. Still, she encouraged him to describe his own adventures.
He told of the hardships he encountered and the siege he laid to the theater before he found a breach in its walls to crawl through. Constantly he paused to apologize for his garrulity, but Sheila urged him on. She had been born within the walls and she knew almost nothing of the struggles that others met except from hearsay. And she had never heard say from just such a man with just such a determination. So she coaxed him on and on with his history, as Desdemona persuaded Othello to talk. With a greedy ear she devoured up his discourse and made him dilate all his pilgrimage. Only, Eldon was not a Blackmoor, and it was of his defeats and not his victories that he told. Which made him perhaps all the more attractive, seeing that he was well born and well made.
He laughed at his own ignorance, and felt none of the pity for himself that Sheila felt for him. When she praised his determination, he sneered at himself:
“It was just bull-headed stubbornness. I was ashamed to go back to my dad and eat veal, and so I didn’t eat much of anything for a long while. The only jobs I could get were off the stage, and I held them just long enough to save up for another try. How these actors keep alive I can’t imagine. I nearly starved to death. It wouldn’t have been much of a loss to the stage if I had, but it wasn’t much fun for me. I wore out my clothes and wore out my shoes and my overcoat and my hat. I wore out everything but my common sense. If I’d had any of that I’d have given up.”
Mrs. Vining moved uneasily. “If you’d had common sense you wouldn’t have tried to get on the stage.”
“Auntie!” Sheila gasped. But she put up her old hand like a decayed czarina:
“And if you have common sense you’ll never succeed, now that you’re here.”
When this bewildered Eldon, she added, with the dignity of a priestess: “Acting is an art, not a business; and people come to see artists, not business men. Half of the actors are just drummers traveling about; but the real successes are made by geniuses who have charm and individuality and insight and uncommon sense. I think you’re probably just fool enough to succeed. But go on.”
Eldon felt both flattered and dismayed by this pronouncement. He began to talk to hide his confusion.
“I’m a fool, all right. Whether I’m just the right sort of a fool—Well, anyway—my money didn’t last long, and I owed everybody that would trust me for a meal or a room. The office-boys gave me impudence until I wore that out too, and then they treated me like any old bench-warmer in the park. The agents grew sick of the sight of me. They sent me to the managers until they had instructions not to send me again. But still I stuck at it, the Lord knows why.
“One day I went the rounds of the agencies as usual. When I came to the last one I was so nauseated with the idiocy of asking the same old grocery-boy’s question, ‘Anything to-day?’ I just put my head in at the door, gave one hungry look around, and started away again. The agent—Mrs. Sanchez, it was—beckoned to me, but I didn’t see; she called after me, but I didn’t hear; she sent an office-boy to bring me back.
“When I squeezed through the crowd in the office it was like being called out of my place in the bread-line to get the last loaf of the day. I felt ashamed of my success and I was afraid that I was going to be asked to take the place of some Broadway star who had suddenly fallen ill.
“Mrs. Sanchez swung open the gate in the rail and said: ‘Young man, can you sing?’
“My heart fell to the floor and I stepped on it. I heard myself saying, ‘Is Caruso sick?’
“Mrs. Sanchez explained: ‘It’s not so bad as all that. But can you carry a tune?’
“I told her that I used to growl as loud a bass as the rest of them when we sang on the college fence.
“ ‘That’s enough,’ said Mrs. Sanchez. ‘They’re putting on a Civil War play and they want a man to be one of a crowd of soldiers who sing at the camp-fire in one of the acts. The part isn’t big enough to pay a singer and there is nothing else to do but get shot and play dead in the battle scene.’
“I told her I thought I could play dead to the satisfaction of any reasonable manager and she gave me a card to the producer.
“Then she said, ‘You’ve never been on the stage, have you?’
“I shook my head. She told me to tell the producer that I had just come in from the road with a play that had closed after a six months’ run. I took the card and dashed out of the office so fast I nearly knocked over a poor old thing with a head of hair like a bushel of excelsior. It took me two days to get to the producer, and then he told me that it had been decided not to send the play out, since the theatrical conditions were so bad.”
Mrs. Vining interpolated, “Theatrical conditions are like the weather—always dangerous for people with poor circulation.”
“I went back to the office,” said Eldon, “and told Mrs. Sanchez the situation. The other members of the company had beaten me there. The poor old soul was broken-hearted, and I don’t believe she regretted her lost commissions as much as the disappointment of the actors.
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