Vintage Mysteries – 6 Intriguing Brainteasers in One Premium Edition. E. W. Hornung
paused to breathe. A latchkey closed the door behind her very softly; she was in the crisp, clean air at last.
But it was no hour for finding cabs; it was the hour of the scavenger and no other being; and Rachel walked into broad sunlight before she spied a solitary hansom. It was then she did the strangest thing; instead of driving straight back for her trunk, when near the house she gave the cabman other directions, subsequently stopping him at one with a card in the window.
A woman answered the bell with surprising celerity, and a face first startled and then incensed at the sight of Mrs. Minchin.
"So you never came!" cried the woman, bitterly.
"I was prevented," Rachel replied coldly. "Well?"
And the monosyllable was a whisper.
"He is still alive," said the woman at the door.
"Is that all?" asked Rachel, a catch in her voice.
"It is all I'll say till the doctor has been."
"But he has got through the night," sighed Rachel, thankfully. "I could see the light in his room from hour to hour, even though I could not come. Did you sit up with him all night long?"
"Every minute of the night," said the other, with undisguised severity in her fixed red eyes. "I never left him, and I never closed a lid."
"I am so sorry!" cried Rachel, too sorry even for renewed indignation at the cause. "But I couldn't help it," she continued, "I really could not. We—I am going abroad—very suddenly. Poor Mr. Severino! I do wish there was anything I could do! But you must get a professional nurse. And when he does recover—for something assures me that he will—you can tell him—"
Rachel hesitated, the red eyes reading hers.
"Tell him I hope he will recover altogether," she said at length; "mind, altogether! I have gone away for good, tell Mr. Severino; but, as I wasn't able to do so after all, I would rather you didn't mention that I ever thought of nursing him, or that I called last thing to ask how he was."
And that was her farewell message to the very young man with whom a hole-and-corner scandal had coupled Rachel Minchin's name; it was to be a final utterance in yet another respect, and one of no slight or private significance, as the sequel will show. Within a minute or two of its delivery, Rachel was on her own doorstep for the last time, deftly and gently turning the latchkey, while the birds sang to frenzy in a neighboring garden, and the early sun glanced fierily from the brass knocker and letter-box. Another moment and the door had been flung wide open by a police officer, who seemed to fill the narrow hall, with a comrade behind him and both servants on the stairs. And with little further warning Mrs. Minchin was shown her husband, seated much as she had left him in the professor's chair, but with his feet raised stiffly upon another, and the hand of death over every inch of him in the broad north light that filled the room.
The young widow stood gazing upon her dead, and four pairs of eyes gazed yet more closely at her. But there was little to gather from the strained profile with the white cheek and the unyielding lips. Not a cry had left them; she had but crossed the threshold, and stopped that instant in the middle of the worn carpet, the sharpest of silhouettes against a background of grim tomes. There was no swaying of the lissome figure, no snatching for support, no question spoken or unspoken. In moments of acute surprise the most surprising feature is often the way in which we ourselves receive the shock; a sudden and complete detachment, not the least common of immediate results, makes us sometimes even conscious of our failure to feel as we would or should; and it was so with Rachel Minchin in the first moments of her tragic freedom. So God had sundered whom God had joined together! And this was the man whom she had married for love; and she could look upon his clay unmoved! Her mind leapt to a minor consideration, that still made her shudder, as eight eyes noted from the door; he must have been dead when she came down and found him seated in shadow; she had misjudged the dead, if not the living. The pose of the head was unaltered, the chin upon the chest, the mouth closed in death as naturally as in sleep. No wonder his wife had been deceived. And yet there was something unfamiliar, something negligent and noble, and all unlike the living man; so that Rachel could already marvel that she had not at once detected this dignity and this distinction, only too foreign to her husband as she had learnt to know him best, but unattainable in the noblest save by death. And her eyes had risen to the slice of sky in the upper half of the window, and at last the tears were rising in her eyes, when they filled instead with sudden horror and enlightenment.
There was a jagged hole in the pane above the hasp; an upset of ink on the desk beneath the window; and the ink was drying with the dead man's blood, in which she now perceived him to be soaked, while the newspaper on the floor beside him was crisp as toast from that which it had hidden when she saw him last.
"Murdered!" whispered Rachel, breaking her long silence with a gasp. "The work of thieves!"
The policemen exchanged a rapid glance.
"Looks like it," said the one who had opened the door, "I admit."
There was a superfluous dryness in his tone; but Rachel no more noticed this than the further craning of heads in the doorway.
"But can you doubt it?" she cried, pointing from the broken window to the spilled ink. "Did you think that he had shot himself?"
And her horror heightened at a thought more terrible to her than all the rest. But the constable shook his head.
"We should have found the pistol—which we can't," said he. "But shot he is, and through the heart."
"Then who could it be but thieves?"
"That's what we all want to know," said the officer; and still Rachel had no time to think about his tone; for now she was bending over the body, her white hands clenched, and agony enough in her white face.
"Look! look!" she cried, beckoning to them all. "He was wearing his watch last night; that I can swear; and it has gone!"
"You are sure he was wearing it?" asked the same constable, approaching.
"Absolutely certain."
"Well, if that's so," said he, "and it can't be found, it will be a point in your favor."
Rachel sprang upright, her wet eyes wide with pure astonishment.
"In my favor?" she cried. "Will you have the goodness to explain yourself?"
The constables were standing on either side of her now.
"Well," replied the spokesman of the pair, "I don't like the way that window's broken, for one thing, and if you look at it you'll see what I mean. The broken glass is all outside on the sill. But that's not all, ma'am; and, as you have a cab, we might do worse than drive to the station before more people are about."
Chapter II
The Case for the Crown
It was years since there had been a promise of such sensation at the Old Bailey, and never, perhaps, was competition keener for the very few seats available in that antique theatre of justice. Nor, indeed, could the most enterprising of modern managers, with the star of all the stages at his beck for the shortest of seasons, have done more to spread the lady's fame, or to excite a passionate curiosity in the public mind, than was done for Rachel Minchin by her official enemies of the Metropolitan Police.
Whether these gentry had their case even more complete than they pretended, when the prisoner was finally committed for trial, or whether the last discoveries were really made in the ensuing fortnight, is now of small account—though the point provided more than one excuse for acrimony on the part of defending counsel during the hearing of the case. It is certain, however, that shortly after the committal it became known that much new evidence was to be forthcoming at the trial; that the case against the prisoner would be found even blacker than before; and that the witnesses were so many in number, and their testimony so entirely circumstantial,