The Boss of Taroomba. E. W. Hornung
you walk into the parlor and hear the banjo ring?
Oh, listen to de darkies how merrily dey sing!
The chorus ended with a whoop which assured the soloist that he was amusing his men; and having himself one of those susceptible, excitable natures which can enter into almost anything, given the fair wind of appreciation to fill their sails, the little musician began actually to enjoy the nonsense himself. His long fingers rang out the tinkling accompaniment with a crisp, confident touch. He sang the second verse, which built up the universe in numbers calculated to shock a religious or even a reasonably cultivated order of mind, as though he were by no means ashamed of it. And so far as culture and religion were concerned he was tolerably safe—each fresh peal of laughter reassured him of this. That the laugh was with him he never doubted until the end of the third verse. Then it was that the roars of merriment rose louder than ever, and that their note suddenly struck the musician's trained ear as false. He sang through the next verse with an overwhelming sense of its inanity, and with the life gone out of his voice and fingers alike. Still they roared with laughter, but he who made them knew now that the laugh was at his expense. He turned hot all over, then cold, then hotter than ever. A shadow was dancing on the music in front of him; he could hear a suppressed titter at the back of the boisterous laughter; something brushed against his hair, and he could bear it all no longer. Snatching his fingers from the keys, he wheeled round on the music-stool in time to catch the heavy youth Sanderson in the mimic act of braining him with a chair; his tongue was out like a brat's, his eyes shone with a baleful mirth, while the red-bearded man was rolling about the room in an ecstasy of malicious merriment.
The singer sprang to his feet in a palsy of indignation. His dark eyes glared with the dumb rage of a wounded animal; then they ranged round the room for something with which to strike, and before Sanderson had time to drop the chair he had been brandishing over the other's head, the musician had snatched up the kerosene lamp from the top of the piano, and was poising it in the air with murderous intent. Yet his anger had not blinded him utterly. His flashing eyes were fixed upon the fat mocking face which he longed to mark for life, but he could also see beyond it, and what he saw made him put down the lamp without a word.
At the other side of the room was a door leading out upon the veranda; it had been open all the evening, and now it was the frame of an unlooked-for picture, for a tall, strong girl was standing upon the threshold.
"Well, I never!" said she, calmly, as she came into their midst with a slow, commanding stride. "So this is the way you play when I'm away, is it? What poor little mice they are, to be sure!"
Sanderson had put down the chair, and was looking indescribably foolish. The boy in the spectacles, though he had been a merely passive party to the late proceedings, seemed only a little less uncomfortable. The man on the sofa and the little trembling musician were devouring the girl with their eyes. It was the personage with the beard who swaggered forward into the breach.
"Good-evening, Naomi," said he, holding out a hand which she refused to see. "This is Mr. Engelhardt, who has come to tune your piano for you. Mr. Engelhardt—Miss Pryse."
The hand which had been refused to the man who was in a position to address Miss Pryse as Naomi, was held out frankly to the stranger. It was a firm, cool hand, which left him a stronger and a saner man for its touch.
"I am delighted to see you, Mr. Engelhardt. I congratulate you on your songs, and on your spirit, too. It was about time that Mr. Sanderson met somebody who objected to his peculiar form of fun. He has been spoiling for this ever since I have known him!"
"Come, I say, Naomi," said the man who was on familiar terms with her, "it was all meant in good part, you know. You're rather rough upon poor Sandy."
"Not so rough as both you and he have been upon a visitor. I am ashamed of you all!"
Her scornful eyes looked black in the lamplight; her eyebrows were black. This with her splendid coloring was all the musician could be sure of; though his gaze never shifted from her face. Now she turned to him and said, kindly:
"I have been enjoying your songs immensely—especially the comic one. I came in some time ago, and have been listening to everything. You sing splendidly."
"These gentlemen will hardly agree with you."
"These gentlemen," said Miss Pryse, laying an unpleasant stress on the word, "disagree with me horribly at times. They make me ill. What a lot of songs you have brought!"
"I brought them to sell," said the young fellow, blushing. "I have just started business—set up shop at Deniliquin—a music-shop, you know. I am making a round to tune the pianos at the stations."
"What a capital idea! You will find ours in a terrible state, I'm afraid."
"Yes, it is rather bad; I was talking about it to the boss before I started to make a fool of myself."
"To the boss, do you say?"
"Yes."
"And pray which is he?"
The piano-tuner pointed to the bushy red beard.
"Why, bless your life," cried Naomi Pryse, as the red beard split across and showed its teeth, "he's not the boss! Don't you believe it. If you've anything to say to the boss, you'd better come outside and say it."
"But which is he, Miss Pryse?"
"He's a she, and you're talking to her now, Mr. Engelhardt!"
CHAPTER II A FRIEND INDEED
"Do you mean to say that you have never heard of the female boss of Taroomba?" said Naomi Pryse, as she led the piano-tuner across the veranda and out into the station-yard. The moon was gleaming upon the galvanized-iron roofs of the various buildings, and it picked out the girl's smile as she turned to question her companion.
"No, I never heard of you before," replied the piano-tuner, stolidly. For the moment the girl and the moonlight stupefied him. The scene in the room was still before his eyes and in his ears.
"Well, that's one for me! What station have you come from to-day?"
"Kerulijah."
"And you never heard of me there! Ah, well, I'm very seldom up here. I've only come for the shearing. Still, the whole place is mine, and I'm not exactly a cipher in the business either; I rather thought I was the talk of the back-blocks. At one time I know I was. I'm very vain, you see."
"You have something to be vain about," said the piano-tuner, looking at her frankly.
She made him a courtesy in the moonlit yard.
"Thank you kindly. But I'm not satisfied yet; I understand that you arrived in time for supper; didn't you hear of me at table?"
"I just heard your name."
"Who mentioned it?"
"The fellow with the beard."
"Prettily?"
"I think so. He was wondering where you were. He seems to know you very well?"
"He has known me all my life. He is a sort of connection. He was overseer here when my father died a year or two ago. He is the manager now."
"But you are the boss?"
"I am so! His name, by the way, is Gilroy—my mother was a Gilroy, too. See? That's why he calls me Naomi; I call him Monty when I am not wroth with him. I am disgusted with them all to-night! But you mustn't mind them; it's only their way. Did you speak to the overseer, Tom Chester?"
"Which was he?"
"The one on the sofa."
"No, he hardly spoke to me."
"Well, he's a very good sort; you would like