The Abominations of Modern Society. T. De Witt Talmage
well nigh insolvent before they get buried. Many men would not die at all, if they had to wait until they could afford it.
Excessive fashion is productive of a most ruinous strife. The expenditure of many households is adjusted by what their neighbors have, not by what they themselves can afford to have; and the great anxiety is as to who shall have the finest house and the most costly equipage. The weapons used in the warfare of social life are not Minié rifles, and Dahlgren guns, and Hotchkiss shells, but chairs and mirrors, and vases, and Gobelins, and Axminsters. Many household establishments are like racing steamboats, propelled at the utmost strain and risk, and just coming to a terrific explosion. "Who cares," say they, "if we only come out ahead?"
There is no one cause to-day of more financial embarrassment, and of more dishonesties, than this determination, at all hazards, to live as well as or better than other people. There are persons who will risk their eternity upon one fine looking-glass, or who will dash out the splendors of heaven to get another trinket.
"My house is too small." "But," says some one, "you cannot pay for a larger." "Never mind that; my friends have a better residence, and so will I." "A dress of that pattern I must have. I cannot afford it by a great deal; but who cares for that? My neighbor had one from that pattern, and I must have one." There are scores of men in the dungeons of the penitentiary, who risked honor, business—everything, in the effort to shine like others. Though the heavens fall, they must be "in the fashion."
The most famous frauds of the day have resulted from this feeling. It keeps hundreds of men struggling for their commercial existence. The trouble is that some are caught and incarcerated, if their larceny be small. If it be great, they escape, and build their castle on the Rhine. Men go into jail, not because they steal, but because they did not steal enough.
Again: excessive fashion makes people unnatural and untrue. It is a factory from which has come forth more hollow pretences, and unmeaning flatteries, and hypocrisies, than the Lowell Mills ever turned out shawls and garments.
Fashion is the greatest of all liars. It has made society insincere. You know not what to believe. When people ask you to come, you do not know whether or not they want you to come. When they send their regards, you do not know whether it is an expression of their heart, or an external civility. We have learned to take almost everything at a discount. Word is sent, "Not at home," when they are only too lazy to dress themselves. They say, "The furnace has just gone out," when in truth they have had no fire in it all winter. They apologize for the unusual barrenness of their table, when they never live any better. They decry their most luxurious entertainments, to win a shower of approval. They apologize for their appearance, as though it were unusual, when always at home they look just so. They would make you believe that some nice sketch on the wall was the work of a master painter. "It was an heir-loom, and once hung on the walls of a castle; and a duke gave it to their grandfather." People who will lie about nothing else, will lie about a picture. On a small income we must make the world believe that we are affluent, and our life becomes a cheat, a counterfeit, and a sham.
Few persons are really natural. When I say this, I do not mean to slur cultured manners. It is right that we should have more admiration for the sculptured marble than for the unhewn block of the quarry. From many circles in life fashion has driven out vivacity and enthusiasm. A frozen dignity instead floats about the room, and iceberg grinds against iceberg. You must not laugh outright: it is vulgar. You must smile. You must not dash rapidly across the room: you must glide. There is a round of bows, and grins, and flatteries, and oh's! and ah's! and simperings, and namby-pambyism—a world of which is not worth one good, round, honest peal of laughter. From such a hollow round the tortured guest retires at the close of the evening, and assures his host that he has enjoyed himself.
Thus social life has been contorted, and deformed, until, in some mountain cabin, where rustics gather to the quilting or the apple-paring, there is more good cheer than in all the frescoed ice-houses of the metropolis.
We want, in all the higher circles of society, more warmth of heart and naturalness of behavior, and not so many refrigerators.
Again: inordinate fashion is incompatible with happiness. Those who depend for their comfort upon the admiration of others are subject to frequent disappointment. Somebody will criticise their appearance, or surpass them in brilliancy, or will receive more attention. Oh! the jealousy, and detraction, and heart-burnings of those who move in this bewildered maze!
The clock strikes one, and the company begins to disperse. The host has done everything to make all his guests happy; but now that they are on the street, hear their criticisms of everybody and everything. "Did you see her in such and such apparel?" "Wasn't she a perfect fright!" "What a pity that such an one is so awkward and uncouth!" "Well, really—I would rather never be spoken to than be seen with such a man as that!"
Poor butterflies! Bright wings do not always bring happiness. "She that liveth in pleasure is dead while she liveth." The revelations of high life that come to the challenge and the fight are only the occasional croppings out of disquietudes that are, underneath, like the stars of heaven for multitude, but like the demons of the pit for hate. The misery that to-night in the cellar cuddles up in the straw is not so utter as the princely disquietude which stalks through splendid drawing-rooms, brooding over the slights and offences of high life. The bitterness of trouble seems not so unfitting, when drunk out of a pewter mug, as when it pours from the chased lips of a golden chalice. In the sharp crack of the voluptuary's pistol, putting an end to his earthly misery, I hear the confirmation that in a hollow, fastidious life there is no peace.
Again: Excessive devotion to fashion is productive of physical disease, mental imbecility, and spiritual withering.
Apparel insufficient to keep out the cold and the rain, or so fitted upon the person that the functions of life are restrained; late hours, filled with excitement and feasting; free draughts of wine, that make one not beastly intoxicated, but only fashionably drunk; and luxurious indolence—are the instruments by which this unreal life pushes its disciples into valetudinarianism and the grave. Along the walks of high life Death goes a mowing—and such harvests as are reaped! Materia medica has been exhausted to find curatives for these physiological devastations. Dropsies, cancers, consumptions, gout, and almost every infirmity in all the realm of pathology, have been the penalty paid. To counteract the damage, pharmacy has gone forth with medicament, panacea, elixir, embrocation, salve, and cataplasm.
To-night, with swollen feet, upon cushioned ottoman, and groaning with aches innumerable, is the votary of luxurious living, not half so happy as his groom or coal-heaver.
Fashion is the world's undertaker, and drives thousands of hearses to Laurel Hill and Greenwood.
But, worse than that, this folly is an intellectual depletion. This endless study of proprieties and etiquette, patterns and styles, is bedwarfing to the intellect. I never knew a man or a woman of extreme fashion that knew much. How belittling the study of the cut of a coat, or the tie of a cravat, or the wrinkle in a shoe, or the color of a ribbon! How they are worried if something gets untied, or hangs awry, or is not nicely adjusted! With a mind capable of measuring the height and depth of great subjects; able to unravel mysteries; to walk through the universe; to soar up into the infinity of God's attributes—hovering perpetually over a new style of mantilla! I have known men, reckless as to their character, and regardless of interests momentous and eternal, exasperated by the shape of a vest-button!
What is the matter with that woman—wrought up into the agony of despair? O, her muff is out of fashion!
Worse than all—this folly is not satisfied until it has extirpated every moral sentiment, and blasted the soul. A wardrobe is the rock upon which many a soul has been riven. The excitement of a luxurious life has been the vortex that has swallowed up more souls than the Maelstrom off Norway ever devoured ships. What room for elevating themes in a heart filled with the trivial and unreal? Who can wonder that in this haste for sun-gilded bawbles and winged thistle-down, men should tumble into ruin? The travellers to destruction are not all clothed in rags. On that road chariot jostles against chariot; and behind steeds in harness golden-plated and glittering, they go down, coach and four, herald and postilion, racketing on the