Wives and Daughters. Elizabeth Cleghorn Gaskell

Wives and Daughters - Elizabeth Cleghorn Gaskell


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but things were so far arranged, and the real advantages were so great, that he thought it was best to take no notice, but even to submit to the indignity of pill-making. He was consoled for all these rubs by Mr. Gibson's manner at last when the supreme moment of final parting arrived. The doctor did not say much; but there was something of real sympathy in his manner that spoke straight to the father's heart, and an implied "you have trusted me with your boy, and I have accepted the trust in full," in each of the few last words.

      Mr. Gibson knew his business and human nature too well to distinguish young Coxe by any overt marks of favouritism; but he could not help showing the lad occasionally that he regarded him with especial interest as the son of a friend. Besides this claim upon his regard, there was something about the young man himself that pleased Mr. Gibson. He was rash and impulsive, apt to speak, hitting the nail on the head sometimes with unconscious cleverness, at other times making gross and startling blunders. Mr. Gibson used to tell him that his motto would always be "kill or cure," and to this Mr. Coxe once made answer that he thought it was the best motto a doctor could have; for if he could not cure the patient, it was surely best to get him out of his misery quietly, and at once. Mr. Wynne looked up in surprise, and observed that he should be afraid that such putting out of misery might be looked upon as homicide by some people. Mr. Gibson said in a dry tone, that for his part he should not mind the imputation of homicide, but that it would not do to make away with profitable patients in so speedy a manner; and that he thought that as long as they were willing and able to pay two-and-sixpence for the doctor's visit, it was his duty to keep them alive; of course, when they became paupers the case was different. Mr. Wynne pondered over this speech; Mr. Coxe only laughed. At last Mr. Wynne said—

      "But you go every morning, sir, before breakfast to see old Nancy Grant, and you've ordered her this medicine, sir, which is about the most costly in Corbyn's bill?"

      "Have you not found out how difficult it is for men to live up to their precepts? You've a great deal to learn yet, Mr. Wynne!" said Mr. Gibson, leaving the surgery as he spoke.

      "I never can make the governor out," said Mr. Wynne, in a tone of utter despair. "What are you laughing at, Coxey?"

      "Oh! I'm thinking how blest you are in having parents who have instilled moral principles into your youthful bosom. You'd go and be poisoning all the paupers off, if you hadn't been told that murder was a crime by your mother; you'd be thinking you were doing as you were bid, and quote old Gibson's words when you came to be tried. 'Please, my lord judge, they were not able to pay for my visits, and so I followed the rules of the profession as taught me by Mr. Gibson, the great surgeon at Hollingford, and poisoned the paupers.'"

      "I can't bear that scoffing way of his."

      "And I like it. If it wasn't for the governor's fun, and the tamarinds, and something else that I know of, I would run off to India. I hate stifling rooms, and sick people, and the smell of drugs, and the stink of pills on my hands;—faugh!"

      CHAPTER V.

      CALF-LOVE.

       Table of Contents

      One day, for some reason or other, Mr. Gibson came home unexpectedly. He was crossing the hall, having come in by the garden-door—the garden communicated with the stable-yard, where he had left his horse—when the kitchen door opened, and the girl who was underling in the establishment, came quickly into the hall with a note in her hand, and made as if she was taking it upstairs; but on seeing her master she gave a little start, and turned back as if to hide herself in the kitchen. If she had not made this movement, so conscious of guilt, Mr. Gibson, who was anything but suspicious, would never have taken any notice of her. As it was, he stepped quickly forwards, opened the kitchen door, and called out "Bethia" so sharply that she could not delay coming forwards.

      "Give me that note," he said. She hesitated a little.

      "It's for Miss Molly," she stammered out.

      "Give it to me!" he repeated more quickly than before. She looked as if she would cry; but still she kept the note tight held behind her back.

      "He said as I was to give it into her own hands; and I promised as I would, faithful."

      "Cook, go and find Miss Molly. Tell her to come here at once."

      He fixed Bethia with his eyes. It was of no use trying to escape: she might have thrown it into the fire, but she had not presence of mind enough. She stood immovable, only her eyes looked any way rather than encounter her master's steady gaze. "Molly, my dear!"

      "Papa! I did not know you were at home," said innocent, wondering Molly.

      "Bethia, keep your word. Here is Miss Molly; give her the note."

      "Indeed, miss, I couldn't help it!"

      Molly took the note, but before she could open it, her father said—"That's all, my dear; you needn't read it. Give it to me. Tell those who sent you, Bethia, that all letters for Miss Molly must pass through my hands. Now be off with you, goosey, and go back to where you came from."

A Love Letter. Click to ENLARGE

      "Papa, I shall make you tell me who my correspondent is."

      "We'll see about that, by-and-by."

      She went a little reluctantly, with ungratified curiosity, upstairs to Miss Eyre, who was still her daily companion, if not her governess. He turned into the empty dining-room, shut the door, broke the seal of the note, and began to read it. It was a flaming love-letter from Mr. Coxe; who professed himself unable to go on seeing her day after day without speaking to her of the passion she had inspired—an "eternal passion," he called it; on reading which Mr. Gibson laughed a little. Would she not look kindly at him? would she not think of him whose only thought was of her? and so on, with a very proper admixture of violent compliments to her beauty. She was fair, not pale; her eyes were loadstars, her dimples marks of Cupid's finger, &c.

      Mr. Gibson finished reading it; and began to think about it in his own mind. "Who would have thought the lad had been so poetical? but, to be sure, there's a 'Shakspeare' in the surgery library: I'll take it away and put 'Johnson's Dictionary' instead. One comfort is the conviction of her perfect innocence—ignorance, I should rather say—for it's easy to see it's the first 'confession of his love,' as he calls it. But it's an awful worry—to begin with lovers so early. Why, she's only just seventeen—not seventeen, indeed, till July; not for six weeks yet. Sixteen and three-quarters! Why, she's quite a baby. To be sure—poor Jeanie was not so old, and how I did love her!" (Mrs. Gibson's name was Mary, so he must have been referring to some one else.) Then his thoughts wandered back to other days, though he still held the open note in his hand. By-and-by his eyes fell upon it again, and his mind came back to bear upon the present time. "I'll not be hard upon him. I'll give him a hint; he's quite sharp enough to take it. Poor laddie! if I send him away, which would be the wisest course, I do believe he's got no home to go to."

      After a little more consideration in the same strain, Mr. Gibson went and sat down at the writing-table and wrote the following formula:—

Master Coxe.

      ("That 'master' will touch him to the quick," said Mr. Gibson to himself as he wrote the word.)

Verecundiæ
i. Fidelitatis Domesticæ
i. Reticentiæ gr. iij.
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