Doña Perfecta (Unabridged). Benito Pérez Galdós
brim of the old velvet hat; the sinewy brown hand that grasped a green switch, and the broad foot that, with every movement, made the iron spur jingle.
“Are you Senor Don Jose de Rey?” asked the peasant, raising his hand to his hat.
“Yes; and you, I take it,” answered the traveller joyfully, “are Dona Perfecta’s servant, who have come to the station to meet me and show me the way to Orbajosa?”
“The same. Whenever you are ready to start. The pony runs like the wind. And Senor Don Jose, I am sure, is a good rider. For what comes by race—”
“Which is the way out?” asked the traveller, with impatience. “Come, let us start, senor—What is your name?”
“My name is Pedro Lucas,” answered the man of the gray cloak, again making a motion to take off his hat; “but they call me Uncle Licurgo. Where is the young gentleman’s baggage?”
“There it is—there under the cloak. There are three pieces—two portmanteaus and a box of books for Senor Don Cayetano. Here is the check.”
A moment later cavalier and squire found themselves behind the barracks called a depot, and facing a road which, starting at this point, disappeared among the neighboring hills, on whose naked slopes could be vaguely distinguished the miserable hamlet of Villahorrenda. There were three animals to carry the men and the luggage. A not ill-looking nag was destined for the cavalier; Uncle Licurgo was to ride a venerable hack, somewhat loose in the joints, but sure-footed; and the mule, which was to be led by a stout country boy of active limbs and fiery blood, was to carry the luggage.
Before the caravan had put itself in motion the train had started, and was now creeping along the road with the lazy deliberation of a way train, awakening, as it receded in the distance, deep subterranean echoes. As it entered the tunnel at kilometre 172, the steam issued from the steam whistle with a shriek that resounded through the air. From the dark mouth of the tunnel came volumes of whitish smoke, a succession of shrill screams like the blasts of a trumpet followed, and at the sound of its stentorian voice villages, towns, the whole surrounding country awoke. Here a cock began to crow, further on another. Day was beginning to dawn.
Chapter II
A Journey In The Heart Of Spain
When they had proceeded some distance on their way and had left behind them the hovels of Villahorrenda, the traveller, who was young and handsome spoke thus:
“Tell me, Senor Solon—”
“Licurgo, at your service.”
“Senor Licurgo, I mean. But I was right in giving you the name of a wise legislator of antiquity. Excuse the mistake. But to come to the point. Tell me, how is my aunt?”
“As handsome as ever,” answered the peasant, pushing his beast forward a little. “Time seems to stand still with Senora Dona Perfecta. They say that God gives long life to the good, and if that is so that angel of the Lord ought to live a thousand years. If all the blessings that are showered on her in this world were feathers, the senora would need no other wings to go up to heaven with.”
“And my cousin, Senorita Rosario?”
“The senora over again!” said the peasant. “What more can I tell you of Dona Rosarito but that that she is the living image of her mother? You will have a treasure, Senor Don Jose, if it is true, as I hear, that you have come to be married to her. She will be a worthy mate for you, and the young lady will have nothing to complain of, either. Between Pedro and Pedro the difference is not very great.”
“And Senor Don Cayetano?”
“Buried in his books as usual. He has a library bigger than the cathedral; and he roots up the earth, besides, searching for stones covered with fantastical scrawls, that were written, they say, by the Moors.”
“How soon shall we reach Orbajosa?”
“By nine o’clock, God willing. How delighted the senora will be when she sees her nephew! And yesterday, Senorita Rosario was putting the room you are to have in order. As they have never seen you, both mother and daughter think of nothing else but what Senor Don Jose is like, or is not like. The time has now come for letters to be silent and tongues to talk. The young lady will see her cousin and all will be joy and merry-making. If God wills, all will end happily, as the saying is.”
“As neither my aunt nor my cousin has yet seen me,” said the traveller smiling, “it is not wise to make plans.”
“That’s true; for that reason it was said that the bay horse is of one mind and he who saddles him of another,” answered the peasant. “But the face does not lie. What a jewel you are getting! and she, what a handsome man!”
The young man did not hear Uncle Licurgo’s last words, for he was preoccupied with his own thoughts. Arrived at a bend in the road, the peasant turned his horse’s head in another direction, saying:
“We must follow this path now. The bridge is broken, and the river can only be forded at the Hill of the Lilies.”
“The Hill of the Lilies,” repeated the cavalier, emerging from his revery. “How abundant beautiful names are in these unattractive localities! Since I have been travelling in this part of the country the terrible irony of the names is a constant surprise to me. Some place that is remarkable for its barren aspect and the desolate sadness of the landscape is called Valleameno (Pleasant Valley). Some wretched mud-walled village stretched on a barren plain and proclaiming its poverty in diverse ways has the insolence to call itself Villarica (Rich Town); and some arid and stony ravine, where not even the thistles can find nourishment, calls itself, nevertheless, Valdeflores (Vale of Flowers). That hill in front of us is the Hill of the Lilies? But where, in Heaven’s name, are the lilies? I see nothing but stones and withered grass. Call it Hill of Desolation, and you will be right. With the exception of Villahorrenda, whose appearance corresponds with its name, all is irony here. Beautiful words, a prosaic and mean reality. The blind would be happy in this country, which for the tongue is a Paradise and for the eyes a hell.”
Senor Licurgo either did not hear the young man’s words, or, hearing, he paid no attention to them. When they had forded the river, which, turbid and impetuous, hurried on with impatient haste, as if fleeing from its own hands, the peasant pointed with outstretched arm to some barren and extensive fields that were to be seen on the left, and said:
“Those are the Poplars of Bustamante.”
“My lands!” exclaimed the traveller joyfully, gazing at the melancholy fields illumined by the early morning light. “For the first time, I see the patrimony which I inherited from my mother. The poor woman used to praise this country so extravagantly, and tell me so many marvellous things about it when I was a child, that I thought that to be here was to be in heaven. Fruits, flowers, game, large and small; mountains, lakes, rivers, romantic streams, pastoral hills, all were to be found in the Poplars of Bustamante; in this favored land, the best and most beautiful on the earth. But what is to be said? The people of this place live in their imaginations. If I had been brought here in my youth, when I shared the ideas and the enthusiasm of my dear mother, I suppose that I, too, would have been enchanted with these bare hills, these arid or marshy plains, these dilapidated farmhouses, these rickety norias, whose buckets drip water enough to sprinkle half a dozen cabbages, this wretched and barren desolation that surrounds me.”
“It is the best land in the country,” said Senor Licurgo; “and for the chick-pea, there is no other like it.”
“I am delighted to hear it, for since they came into my possession these famous lands have never brought me a penny.”
The wise legislator of Sparta scratched his ear and gave a sigh.
“But I have been told,” continued the young man, “that some of the neighboring proprietors have put their ploughs in these estates