P. C. Wren: Adventure Novels & Tales From the Foreign Legion. P. C. Wren
himself and the camel, and—return. After enough food to hearten them both for the thirty-mile journey he would go as fast as camel's legs could move to Lucille and the announcement that would send her frantic with joy. He would take her in his arms—then they would waltz for an hour to keep themselves from behaving like lunatics…. Fear was dead! The SNAKE was dead—killed by the SWORD, the Sword that Lucille had brought, and thereby saved him! Madness was dead! Joy, Peace, Sanity, Health were come—the wedding-bells were trembling to burst into peals of joyous announcement.
He would, for Lucille's sake and the names of de Warrenne and Stukeley, show whether he was a Coward or a snake-fearing Lunatic, an epileptic, an unfit-to-marry monstrosity and freak. He would show the Harley Street physicians how much he feared snakes, and would challenge them to an undertaking which would give them food for thought before acceptance…. Where were his boots? He must fly to Lucille!…
And then the galloping hoofs of a horse were heard thudding towards the hut, and, hastening to the door, he saw Lucille whipping a lathered horse.
Rushing towards her he shouted:—
"Will you marry me to-morrow? Will you marry me to-day, Lucille?" and, as she pulled her horse in, he darted back into the room and reappeared twirling a twitching cobra by its tail, and laughing uproariously….
Lucille appeared to be about to faint as he dropped it, seized her in his arms, and said:—
"Darling, I am cured! I have not the slightest fear of snakes. The Sword has saved me. I am a Man again."
He told her all as she sat laughing and sobbing for joy and the dying snake lay at their feet.
In her heart of hearts Lucille determined that the wedding should take place immediately, so that if this were but a temporary respite, the result of the flash of daring inspired by the Sword, she would have the right to care for him for the rest of his life … She would——
"Look!" she suddenly shrieked, and pointed to where, in the doorway, cutting them off from escape, was the mate of the cobra that lay mangled before them. Had the injured reptile in some way called its mate—or were they regular inhabitants of this deserted hut?
It was Lucille's first experience of cobras and she shuddered to see the second—evidently comprehending, aggressive, vengeful—would it spring from there … and the Sword lay on the bed, out of reach.
Dam arose with a laugh, picked up his heavy boot as he did so, and, all in one swift movement, hurled it at the half-coiled swaying creature, with the true aim of the first-class cricketer and trained athlete; then, following his boot with a leap, he snatched at the tail of the coiling, thrashing reptile and "cracked" the snake as a carter cracks a whip—whereafter it dangled limp and dead from his hand! Lucille shrieked, paled, and sprang towards him.
"Oh, Dam!" she cried, "how could you!"
"Pooh, Kiddy," he replied. "I'm going to invite the Harley Street cove to have a match at that—and I'm going to give a little exhibition of it on the lawn at Monksmead—to all the good folk who witnessed my disgrace…. What's a snake after all? It's my turn now;" and Lucille's heart was at rest and very thankful. This was not a temporary "cure". Oh, thank God for her inspiration anent the Sword … Thank God, thank God!…
Seven Years After
A beautiful woman, whose face is that of one whose soul is full of peace and joy, passes up the great staircase of the stately mansion of Monksmead. Slowly, because her hand holds that of a chubby youth of five, a picture of sturdy health, strength and happiness. They pass beneath an ancient Sword and the boy wheels to the right, stiffens himself, brings his heels together, and raises a fat little hand to his forehead in solemn salute. The journey is continued without remark until they reach the day nursery, a big, bright room of which a striking feature is the mural decoration in a conventional pattern of entwined serpents, the number of brilliant pictures of snakes, framed and hung upon the walls, and two glass cases, the one containing a pair of stuffed cobras and the other a finely-mounted specimen of a boa-constrictor (which had once been the pride of the heart of a Folkestone taxidermist).
"Go away, Mitthis Beaton," says the small boy to a white-haired but fresh-looking and comely old dame; "I'se not going to bed till Mummy hath tolded me about ve bwacelet again."
"But I've told you a thousand times, Dammykins," says the lady.
"Well, now tell me ten hundred times," replies the young man coolly, and attempts to draw from the lady's wrist a huge and remarkable bracelet.
This uncommon ornament consists of a great ruby-eyed gold snake which coils around the lady's arm and which is pierced through every coil by a platinum, diamond-hilted sword, an exact model of the Sword which hangs on the staircase.
"You tell me, Sonny, for a change," suggests the lady.
"Velly well," replies the boy…. "Vere was once a Daddy and a hobberell gweat Thnake always bovvered him and followed him about and wouldn't let him gone to thleep and made him be ill like he had eaten too much sweets, and the doctor came and gave him lotths of meddisnin. Then he had to wun away from the Thnake, but it wunned after him, and it wath jutht going to kill him when Mummy bwoughted the Thword and Daddy killed the Thnake all dead. And I am going to have the Thword when I gwow up, but vere aren't any more bad Thnakes. They is all good now and Daddy likes vem and I likes vem. Amen."
"I never said Amen, when I told you the story, Sonny," remarks the lady.
"Well you can, now I have tolded you it," permits her son. "It means bus32—all finished. Mitthis Beaton thaid tho. And when I am as big as Daddy I'm going to be the Generwal of the Queenth Gweyth and thay 'Charge!' and wear the Thword."
Lucille de Warrenne here smothers conversation in the manner common to worshipping mothers whose prodigies make remarks indicative of marvellous precocity, in fact absolutely unique intelligence.
Epilogue
Is it well, O my Soul, is it well?
In silent aisles of sombre tone
Where phantoms roam, thou dwell'st apart
In drear alone.
Where serpents coil and night-birds dart
Thou liest prone, O Heart, my Heart,
In dread unknown.
O Soul of Night, surpassing fair,
Guide this poor spirit through the air,
And thus atone …
This sad Soul, searching for the light….
O Soul of Night, enstarréd bright,
Shine over all.
Enforce thy right to fend for us
Extend thy power to fight for us
Raise thou night's pall.
Ensteep our minds in loveliness
In all sweet hope and godliness
Give guard o'er all …
This brave Soul striving in stern fight….
Thou soul of Night, thou spirit-elf,
Rise up and bless.
Help us to cleanse in holiness
Show how to dress in saintliness
Our weary selves,
Expurge our deeds of earthiness