The Christian. Sir Hall Caine
in!”
He found the vicar, with a manuscript in hand, rehearsing his Sunday's sermon. It was a shock to John, but it helped him to understand what his uncle had said about the canon's Pentecost.
The canon's brow was clouded. “Ah, is it you? I was sorry to see you getting out of a third-class carriage to-day, Mr. Storm.”
John answered that it was the poor man's class, and therefore, he thought, it ought to be his.
“You do yourself an injustice, Mr. Storm. Besides, to tell you the truth, I don't choose that my assistant clergy——”
John looked ashamed. “If that is your view, sir,” he said, “I don't know what you'll say to what I've been doing since.”
“I've heard of it, and I confess I'm not pleased. Whatever your old protégée may be, my house is no place for her. I help to maintain charitable institutions for such cases, and I will ask you to lose no time in having her removed to the hospital.”
John was crushed. “Very well, sir, if that is your wish; only I thought you said my rooms——Besides, the poor old thing fills her place as well as Queen Victoria, and perhaps the angels are watching the one as much as the other.”
Next day John Storm called to see the old woman at Martha's Vineyard, and he saw the matron, the house doctor, and a staff nurse as well. His adventure was known to everybody at the hospital. Once or twice he caught looks of amused compassion, and heard a twitter of laughter. As he stood by the bed, the old woman muttered: “I knoo ez it wuzn't the work'us, my dear. He spoke to me friendly and squeedged my 'and.”
Coming through the wards he had looked for a face he could not see; but just then he was aware of a young woman, in the print dress and white apron of a nurse, standing in silence at the bed-head. It was Glory, and her eyes were wet with tears.
“You mustn't do such things,” she said hoarsely; “I can't bear it,” and she stamped her foot. “Don't you see that these people——”
But she turned about and was gone before he could reply. Glory was ashamed for him. Perhaps she had been taking his part! He felt the blood mounting to his face, and his cheeks tingling. Glory! His eyes were swimming, and he dared not look after her; but he could have found it in his heart to kiss the old bag of bones on the bed.
That night he wrote to the parson in the island: “Glory has left off her home garments, and now looks more beautiful than ever in the white simplicity of the costume of the nurse. Her vocation is a great one. God grant she may hold on to it!” Then something about the fallacy of ceremonial religion and the impossibility of pleasing God by such religious formalities. “But if we have publicans and Pharisees now, even as they existed in Christ's time, all the more service is waiting for that man for whom life has no ambitions, death no terrors. I thank God I am in a great measure dead to these things. … I will fulfil my promise to look after Glory. My constant prayer is against Agag. It is so easy for him to get a foothold in a girl's heart here. This great new world, with its fashions, its gaieties, its beauty, and its brightness—no wonder if a beautiful young girl, tingling with life and ruddy health, should burn with impatience to fling herself into the arms of it. Agag is in London, and as insinuating as ever.”
VI.
On Sunday morning his fellow-curate came to his room to accompany him to church. The Rev. Joshua Golightly was a little man with a hook nose, small keen eyes, scanty hair, and a voice that was something between a whisper and a whistle. He bowed subserviently, and made meek little speeches.
“I do trust you will not be disappointed with our church and service. We do all we can to make them worthy of our people.”
As they walked down the streets he talked first of the church officers—there were honorary wardens, gentlemen sidesmen, and lady superintendents of floral decorations; then of the choir, which consisted of organist and choir master, professional members, voluntary members, and choir secretary. The anthem was sung by a professional singer, generally the tenor from the opera; the canon could always get such people—he was a great favourite with artistes and “the profession.” Of course, the singers were paid, and the difficulty this week had been due to the exorbitant fee demanded by the Italian barytone from Covent Garden.
Disappointment and disenchantment were falling on John Storm at every step.
All Saints' was a plain, dark structure with a courtyard in front. The bells were ringing, and a line of carriages was drawing up at the portico as at the entrance to a theatre, discharging their occupants and passing on. Vergers in yellow and buff, with knee-breeches, silk stockings, and powdered wigs, were receiving the congregation at the doors.
“Let us go in by the west door—I should like you to see the screen to advantage,” said Mr. Golightly.
The inside of the church was gorgeous. As far up as the clerestory every wall was frescoed, and every timber of the roof was gilded. At the chancel end there was a wrought-iron screen of delicate tracery, and the altar was laden with gold candlesticks. Above the altar and at either side of it were stained glass windows. The morning sun was shining through them and filling the chancel with warm splashes of light. Ladies in beautiful spring dresses were following the vergers up the aisles.
“This way,” the curate whispered, and John Storm entered the sacristy by a low doorway like the auditorium entrance to a stage. There he met some six others of his fellow-curates. They nodded to him and went on arranging their surplices. The choir were gathering in their own quarters, where the violins were tuning up and the choir boys were laughing and behaving after their kind.
The bell slackened and stopped, and the organ began to play. When all were ready they stepped into a long corridor and formed in line with their faces to the chancel and their backs to a little door, at which a verger in blue stood guard.
“The canon's room,” whispered Mr. Golightly.
A prayer was said by some one, the choir sang the response, and then they walked in procession to their places in the chancel, the choir boys first, the canon last. Seen through the tracery of the screen, the congregation appeared to fill every sitting in the church with a blaze of light and colour, and the atmosphere was laden with delicate perfume.
The service was choral. An anthem was sung at the close of the sermon, the collection being made during the hymn before it. The professional singer looked like any other chorister in his surplice, save for his swarthy face and heavy mustache.
The canon preached. He wore his doctor's hood of scarlet cloth. His sermon was eloquent and literary, and it was delivered with elocutionary power. There were many references to great writers, painters, and musicians, including a panegyric on Michael Angelo and a quotation from Browning. The sermon concluded with a passage from Dante in the original.
John Storm was dazed and perplexed. When the service was over he came out alone, returning down the nave, which was now empty but still fragrant. Among other notices pasted on a board in the porch he found this one: “The vicar and wardens, having learned with regret that purses have been lost on leaving the church, recommend the congregation to bring only such money as they may need for the offertory.”
Had he been to the house of God? No matter! God ruled the world in righteousness and wrought out everything to his own glory.
Next morning he began duty as chaplain at the hospital, and when he had finished the reading of his first prayers he could see that he had lived down some of the derision due to his adventure with the old woman. That poor old bag of bones was sinking and could not last much longer.
Going out by way of the dispensary, he saw Glory again, and heard that she had been at church the day before. It was lovely. All those hundreds of nice-looking people in gay colours, with the rustle of silk and the hum