Arthur B. Reeve Crime & Mystery Boxed Set. Arthur B. Reeve
Edith Atherton?"
"The same way. They both carry it. I won't go into the Mendelian law on the subject. We are clearing up much that is obscure. But as to Burroughs, he should marry, if at all, some one without that particular taint. I believe that in a few generations by proper mating most taints might be bred out of families."
Maude Schofield evidently did not agree with Dr. Crafts on some point, and, noticing it, he seemed to be in the position both of explaining his contention to us and of defending it before his fair assistant.
"It is my opinion, as far as I have gone with the data," he added, "that there is hope for many of those whose family history shows certain nervous taints. A sweeping prohibition of such marriages would be futile, perhaps injurious. It is necessary that the mating be carefully made, however, to prevent intensifying the taint. You see, though I am a eugenist I am not an extremist."
He paused, then resumed argumentatively: "Then there are other questions, too, like that of genius with its close relation to manic depressive insanity. Also, there is decrease enough in the birth rate, without adding an excuse for it. No, that a young man like Atherton should take the subject seriously, instead of spending his time in wild dissipation, like his father, is certainly creditable, argues in itself that there still must exist some strength in his stock.
"And, of course," he continued warmly, "when I say that weakness in a trait--not in all traits, by any means--should marry strength and that strength may marry weakness, I don't mean that all matches should be like that. If we are too strict we may prohibit practically all marriages. In Atherton's case, as in many another, I felt that I should interpret the rule as sanely as possible."
"Strength should marry strength, and weakness should never marry," persisted Maude Schofield. "Nothing short of that will satisfy the true eugenist."
"Theoretically," objected Crafts. "But Atherton was going to marry, anyhow. The only thing for me to do was to lay down a rule which he might follow safely. Besides, any other rule meant sure disaster."
"It was the only rule with half a chance of being followed and at any rate," drawled Kennedy, as the eugenists wrangled, "what difference does it make in this case? As nearly as I can make out it is Mrs. Atherton herself, not Atherton, who is ill."
Maude Schofield had risen to return to supervising a clerk who needed help. She left us, still unconvinced.
"That is a very clever girl," remarked Kennedy as she shut the door and he scanned Dr. Crafts' face dosely.
"Very," assented the Doctor.
"The Schofields come of good stock?" hazarded Kennedy.
"Very," assented Dr. Crafts again.
Evidently he did not care to talk about individual cases, and I felt that the rule was a safe one, to prevent Eugenics from becoming Gossip. Kennedy thanked him for his courtesy, and we left apparently on the best of terms both with Crafts and his assistant.
Chapter XXXIII
The Sex Control
I did not see Kennedy again that day until late in the afternoon, when he came into the laboratory carrying a small package.
"Theory is one thing, practice is another," he remarked, as he threw his hat and coat into a chair.
"Which means--in this case?" I prompted.
"Why, I have just seen Atherton. Of course I didn't repeat our conversation of this morning, and I'm glad I didn't. He almost makes me think you are right, Walter. He's obsessed by the fear of Burroughs. Why, he even told me that Burroughs had gone so far as to take a leaf out of his book, so to speak, get in touch with the Eugenics Bureau as if to follow his footsteps, but really to pump them about Atherton himself. Atherton says it's all Burroughs' plan to break his will and that the fellow has even gone so far as to cultivate the acquaintance of Maude Schofield, knowing that he will get no sympathy from Crafts."
"First it was Edith Atherton, now it is Maude Schofield that he hitches up with Burroughs," I commented. "Seems to me that I have heard that one of the first signs of insanity is belief that everyone about the victim is conspiring against him. I haven't any love for any of them--but I must be fair."
"Well," said Kennedy, unwrapping the package, "there IS this much to it. Atherton says Burroughs and Maude Schofield have been seen together more than once--and not at intellectual gatherings either. Burroughs is a fascinating fellow to a woman, if he wants to be, and the Schofields are at least the social equals of the Burroughs. Besides," he added, "in spite of eugenics, feminism, and all the rest--sex, like murder, will out. There's no use having any false ideas about THAT. Atherton may see red--but, then, he was quite excited."
"Over what?" I asked, perplexed more than ever at the turn of events.
"He called me up in the first place. 'Can't you do something?' he implored. 'Eugenia is getting worse all the time.' She is, too. I saw her for a moment, and she was even more vacant than yesterday."
The thought of the poor girl in the big house somehow brought over me again my first impression of Poe's story.
Kennedy had unwrapped the package which proved to be the instrument he had left in the closet at Atherton's. It was, as I had observed, like an ordinary wax cylinder phonograph record.
"You see," explained Kennedy, "it is nothing more than a successful application at last of, say, one of those phonographs you have seen in offices for taking dictation, placed so that the feebler vibrations of the telephone affect it. Let us see what we have here."
He had attached the cylinder to an ordinary phonograph, and after a number of routine calls had been run off, he came to this, in voices which we could only guess at but not recognize, for no names were used.
"How is she to-day?"
"Not much changed--perhaps not so well."
"It's all right, though. That is natural. It is working well. I think you might increase the dose, one tablet."
"You're sure it is all right?" (with anxiety).
"Oh, positively--it has been done in Europe."
"I hope so. It must be a boy--and an ATHERTON?"
"Never fear."
That was all. Who was it? The voices were unfamiliar to me, especially when repeated mechanically. Besides they may have been disguised. At any rate we had learned something. Some one was trying to control the sex of the expected Atherton heir. But that was about all. Who it was, we knew no better, apparently, than before.
Kennedy did not seem to care much, however. Quickly he got Quincy Atherton on the wire and arranged for Atherton to have Dr. Crafts meet us at the house at eight o'clock that night, with Maude Schofield. Then he asked that Burroughs Atherton be there, and of course, Edith and Eugenia.
We arrived almost as the clock was striking, Kennedy carrying the phonograph record and another blank record, and a boy tugging along the machine itself. Dr. Crafts was the next to appear, expressing surprise at meeting us, and I thought a bit annoyed, for he mentioned that it had been with reluctance that he had had to give up some work he had planned for the evening. Maude Schofield, who came with him, looked bored. Knowing that she disapproved of the match with Eugenia, I was not surprised. Burroughs arrived, not as late as I had expected, but almost insultingly supercilious at finding so many strangers at what Atherton had told him was to be a family conference, in order to get him to come. Last of all Edith Atherton descended the staircase, the personification of dignity, bowing to each with a studied graciousness, as if distributing largess, but greeting Burroughs with an air that plainly showed how much thicker was blood than water. Eugenia remained upstairs, lethargic, almost cataleptic, as Atherton told us when we arrived.
"I trust you are not going to keep us long, Quincy," yawned Burroughs, looking ostentatiously at his watch.
"Only