Bookbinding, and the Care of Books. Douglas Cockerell
The usual cloth case fails as a temporary binding, because the methods employed result in serious damage to the sections of the book, often unfitting them for rebinding, and it fails as a permanent binding on account of the absence of sound construction.
In a temporary publisher’s binding, nothing should be done to the sections of a book that would injure them. Plates should be guarded, the sewing should be on tapes, without splitting the head and tail, or “sawing in” the backs, of the sections; the backs should be glued up square without backing. The case may be attached, as is now usual. For a permanent publisher’s binding, something like that recommended for libraries (page 173) is suggested, with either leather or cloth on the back.
At the end of the book four specifications are given (page 307). The first is suggested for binding books of special interest or value, where no restriction as to price is made. A binding under this specification may be decorated to any extent that the nature of the book justifies. The second is for good binding, for books of reference and other heavy books that may have a great deal of wear. All the features of the first that make for the strength of the binding are retained, while those less essential, that only add to the appearance, are omitted. Although the binding under this specification would be much cheaper than that carried out under the first, it would still be too expensive for the majority of books in most libraries; and as it would seem to be impossible to further modify this form of binding, without materially reducing its strength, for cheaper work, a somewhat different system is recommended. The third specification is recommended for the binding of the general run of small books in most libraries. The fourth is a modification of this for pamphlets and other books of little value, that need to be kept together tidily for occasional reference.
Thanks, in a great measure, to the work of Mr. Cobden-Sanderson, there is in England the germ of a sound tradition for the best binding. The Report of the Committee appointed by the Society of Arts to investigate the cause of the decay of modern leather bindings, should tend to establish a sound tradition for cheaper work. The third specification at the end of this book is practically the same as that given in their Report, and was arrived at by selection, after many libraries had been examined, and many forms of binding compared.
Up to the end of the eighteenth century the traditional methods of binding books had altered very little during three hundred years. Books were generally sewn round five cords, the ends of all of these laced into the boards, and the leather attached directly to the back. At the end of the eighteenth century it became customary to pare down leather until it was as thin as paper, and soon afterwards the use of hollow backs and false bands became general, and these two things together mark the beginning of the modern degradation of binding, so far as its utility as a protection is concerned.
The Society of Arts Committee report that the bookbinders must share with the leather manufacturers and librarians the blame for the premature decay of modern bindings, because—
“1. Books are sewn on too few, and too thin cords, and the slips are pared down unduly (for the sake of neatness), and are not in all cases firmly laced into the boards. This renders the attachment of the boards to the book almost entirely dependent on the strength of the leather.
“2. The use of hollow backs throws all the strain of opening and shutting on the joints, and renders the back liable to come right off if the book is much used.
“3. The leather of the back is apt to become torn through the use of insufficiently strong headbands, which are unable to stand the strain of the book being taken from the shelf.
“4. It is a common practice to use far too thin leather; especially to use large thick skins very much pared down for small books.
“5. The leather is often made very wet and stretched a great deal in covering, with the result that on drying it is further strained, almost to breaking point, by contraction, leaving a very small margin of strength to meet the accidents of use.”
The history of the general introduction of hollow backs is probably somewhat as follows: Leather was doubtless first chosen for covering the backs of books because of its toughness and flexibility; because, while protecting the back, it would bend when the book was opened and allow the back to “throw up” (see fig. 1, A). When gold tooling became common, and the backs of books were elaborately decorated, it was found that the creasing of the leather injured the brightness or the gold and caused it to crack. To avoid this the binders lined up the back until it was as stiff as a block of wood. The back would then not “throw up” as the book was opened, the leather would not be creased, and the gold would remain uninjured (see fig. 1, B). This was all very well for the gold, but a book so treated does not open fully, and indeed, if the paper is stiff, can hardly be got to open at all. To overcome both difficulties the hollow back was introduced, and as projecting bands would have been in the way, the sewing cord was sunk in saw cuts made across the back of the book.
Fig. 1.
The use of hollow backs was a very ingenious way out of the difficulty, as with them the backs could be made to “throw up,” and at the same time the leather was not disturbed (see fig. 1, C). The method of “sawing in” bands was known for a long time before the general use of hollow backs. It has been used to avoid the raised bands on books covered with embroidered material.
If a book is sewn on tapes, and the back lined with leather, there is no serious objection to a carefully-made hollow back without bands. The vellum binders use hollow backs made in this way for great account books that stand an immense amount of wear. They make the “hollow” very stiff, so that it acts as a spring to throw the back up.
But although, if carefully done, satisfactory bindings may be made with hollow backs, their use has resulted in the production of worthless bindings with little strength, and yet with the appearance of better work.
The public having been accustomed to raised bands on the backs of books, and the real bands being sunk in the back, the binders put false ones over the “hollow.” To save money or trouble, the bands being out of sight, the book would be sewn on only three or sometimes only two cords, the usual five false ones still showing at the back. Often only two out of the three bands would be laced into the board, and sometimes the slips would not be laced in at all. Again, false headbands worked by the yard by machinery would be stuck on at the head and tail, and a “hollow” made with brown paper. Then leather so thin as to have but little strength, but used because it is easy to work and needs no paring, would be stuck on. The back would often be full gilt and lettered, and the sides sprinkled or marbled, thus further damaging the leather.
In every large library hundreds of books bound somewhat on these lines may be seen. When they are received from the binder they have the appearance of being well bound, they look smart on the shelf, but in a few years, whether they are used or not, the leather will have perished and the boards become detached, and they will have to be rebound.
As long as librarians expect the appearance of a guinea binding for two or three shillings, such shams will be produced. The librarian generally gets his money’s worth, for it would be impossible for the binder to do better work at the price usually paid without materially altering the appearance of the binding. The polished calf and imitation crushed morocco must go, and in its place a rougher, thicker leather must be employed. The full-gilt backs must go, the coloured lettering panel must go, the hollow backs must go, but in the place of these we may have the books sewn on tapes with the ends securely fastened into split boards, and the thick leather attached directly to the backs of the sections. (See specification III. page 307.)
Such a binding would look well and not be more expensive than the usual library binding. It should allow the book to open flat, and if the materials are well selected, be