El Dorado: An Adventure of the Scarlet Pimpernel. Baroness Emmuska Orczy Orczy
old style still persist in calling it, the 16th of January, 1794—the auditorium of the Theatre National was filled with a very brilliant company.
The appearance of a favourite actress in the part of one of Moliere’s volatile heroines had brought pleasure-loving Paris to witness this revival of “Le Misanthrope,” with new scenery, dresses, and the aforesaid charming actress to add piquancy to the master’s mordant wit.
The Moniteur, which so impartially chronicles the events of those times, tells us under that date that the Assembly of the Convention voted on that same day a new law giving fuller power to its spies, enabling them to effect domiciliary searches at their discretion without previous reference to the Committee of General Security, authorising them to proceed against all enemies of public happiness, to send them to prison at their own discretion, and assuring them the sum of thirty-five livres “for every piece of game thus beaten up for the guillotine.” Under that same date the Moniteur also puts it on record that the Theatre National was filled to its utmost capacity for the revival of the late citoyen Moliere’s comedy.
The Assembly of the Convention having voted the new law which placed the lives of thousands at the mercy of a few human bloodhounds, adjourned its sitting and proceeded to the Rue de Richelieu.
Already the house was full when the fathers of the people made their way to the seats which had been reserved for them. An awed hush descended on the throng as one by one the men whose very names inspired horror and dread filed in through the narrow gangways of the stalls or took their places in the tiny boxes around.
Citizen Robespierre’s neatly bewigged head soon appeared in one of these; his bosom friend St. Just was with him, and also his sister Charlotte. Danton, like a big, shaggy-coated lion, elbowed his way into the stalls, whilst Sauterre, the handsome butcher and idol of the people of Paris, was loudly acclaimed as his huge frame, gorgeously clad in the uniform of the National Guard, was sighted on one of the tiers above.
The public in the parterre and in the galleries whispered excitedly; the awe-inspiring names flew about hither and thither on the wings of the overheated air. Women craned their necks to catch sight of heads which mayhap on the morrow would roll into the gruesome basket at the foot of the guillotine.
In one of the tiny avant-scene boxes two men had taken their seats long before the bulk of the audience had begun to assemble in the house. The inside of the box was in complete darkness, and the narrow opening which allowed but a sorry view of one side of the stage helped to conceal rather than display the occupants.
The younger one of these two men appeared to be something of a stranger in Paris, for as the public men and the well-known members of the Government began to arrive he often turned to his companion for information regarding these notorious personalities.
“Tell me, de Batz,” he said, calling the other’s attention to a group of men who had just entered the house, “that creature there in the green coat—with his hand up to his face now—who is he?”
“Where? Which do you mean?”
“There! He looks this way now, and he has a playbill in his hand. The man with the protruding chin and the convex forehead, a face like a marmoset, and eyes like a jackal. What?”
The other leaned over the edge of the box, and his small, restless eyes wandered over the now closely-packed auditorium.
“Oh!” he said as soon as he recognised the face which his friend had pointed out to him, “that is citizen Foucquier-Tinville.”
“The Public Prosecutor?”
“Himself. And Heron is the man next to him.”
“Heron?” said the younger man interrogatively.
“Yes. He is chief agent to the Committee of General Security now.”
“What does that mean?”
Both leaned back in their chairs, and their sombrely-clad figures were once more merged in the gloom of the narrow box. Instinctively, since the name of the Public Prosecutor had been mentioned between them, they had allowed their voices to sink to a whisper.
The older man—a stoutish, florid-looking individual, with small, keen eyes, and skin pitted with small-pox—shrugged his shoulders at his friend’s question, and then said with an air of contemptuous indifference:
“It means, my good St. Just, that these two men whom you see down there, calmly conning the programme of this evening’s entertainment, and preparing to enjoy themselves to-night in the company of the late M. de Moliere, are two hell-hounds as powerful as they are cunning.”
“Yes, yes,” said St. Just, and much against his will a slight shudder ran through his slim figure as he spoke. “Foucquier-Tinville I know; I know his cunning, and I know his power—but the other?”
“The other?” retorted de Batz lightly. “Heron? Let me tell you, my friend, that even the might and lust of that damned Public Prosecutor pale before the power of Heron!”
“But how? I do not understand.”
“Ah! you have been in England so long, you lucky dog, and though no doubt the main plot of our hideous tragedy has reached your ken, you have no cognisance of the actors who play the principal parts on this arena flooded with blood and carpeted with hate. They come and go, these actors, my good St. Just—they come and go. Marat is already the man of yesterday, Robespierre is the man of to-morrow. To-day we still have Danton and Foucquier-Tinville; we still have Pere Duchesne, and your own good cousin Antoine St. Just, but Heron and his like are with us always.”
“Spies, of course?”
“Spies,” assented the other. “And what spies! Were you present at the sitting of the Assembly to-day?”
“I was. I heard the new decree which already has passed into law. Ah! I tell you, friend, that we do not let the grass grow under our feet these days. Robespierre wakes up one morning with a whim; by the afternoon that whim has become law, passed by a servile body of men too terrified to run counter to his will, fearful lest they be accused of moderation or of humanity—the greatest crimes that can be committed nowadays.”
“But Danton?”
“Ah! Danton? He would wish to stem the tide that his own passions have let loose; to muzzle the raging beasts whose fangs he himself has sharpened. I told you that Danton is still the man of to-day; to-morrow he will be accused of moderation. Danton and moderation!—ye gods! Eh? Danton, who thought the guillotine too slow in its work, and armed thirty soldiers with swords, so that thirty heads might fall at one and the same time. Danton, friend, will perish to-morrow accused of treachery against the Revolution, of moderation towards her enemies; and curs like Heron will feast on the blood of lions like Danton and his crowd.”
He paused a moment, for he dared not raise his voice, and his whispers were being drowned by the noise in the auditorium. The curtain, timed to be raised at eight o’clock, was still down, though it was close on half-past, and the public was growing impatient. There was loud stamping of feet, and a few shrill whistles of disapproval proceeded from the gallery.
“If Heron gets impatient,” said de Batz lightly, when the noise had momentarily subsided, “the manager of this theatre and mayhap his leading actor and actress will spend an unpleasant day to-morrow.”
“Always Heron!” said St. Just, with a contemptuous smile.
“Yes, my friend,” rejoined the other imperturbably, “always Heron. And he has even obtained a longer lease of existence this afternoon.”
“By the new decree?”
“Yes. The new decree. The agents of the Committee of General Security, of whom Heron is the chief, have from to-day powers of domiciliary search; they have full powers to proceed against all enemies of public welfare. Isn’t that beautifully vague? And they have absolute discretion; every one may become an enemy of public welfare, either by spending too much money or by spending too little, by laughing